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                  THE BOURNE ULTIMATUM




                       Written by

       Tony Gilroy, Scott Z. Burns & George Nolfi



                 Based on the novels by

                      Robert Ludlum





                                            FINAL SHOOTING SCRIPT
                                                    June 20, 2007




Notice:

This material is the property of Beach City Productions LLC
(A wholly owned subsidiary of Universal City Studios, Inc.)
and is intended and restricted solely for studio use by
studio personnel. Distribution or disclosure of the
material to unauthorized persons is prohibited. The sale,
copying or reproduction of this material in any form is
also prohibited.

                                                              1


1   EXT.   NIGHT.   HOUSING PROJECTS -- MOSCOW                    1

    SMASH CUT

    MOTION -- flat out -- it's us -- we're running -- stumbling
    -- breathing rushed -- blood in the snow...

    We are JASON BOURNE and we're running down an alley...

    Supered below:   MOSCOW

    BLUE LIGHTS -- from the distance -- strobing through the
    night -- rushing toward us -- POLICE CARS -- three of them -
    - SIRENS HOWLING as they bear down -- closer -- faster --
    until they whip past the alley...

    Up against the wall -- BOURNE is hidden in the shadows.

    BOURNE is badly wounded -- shot through the shoulder --
    bruises and broken bones from the final car chase in
    SUPREMACY...

    With a GROAN, he lifts himself up, staggers across a park
    toward a PHARMACY...


4   INT. NIGHT. PHARMACY -- MOSCOW                                4

    ROWS of MEDICINE and FIRST AID supplies, and in the
    background, a DOOR being jimmied...It's BOURNE...The ALARM
    goes off...

    MACRO ON -- MEDICINE BOTTLE

    VICODIN, as BOURNE grabs it...Then PENICILLIN...

    Then SURGICAL SUPPLIES:

    Scalpel...Forceps...Sutures...Cotton gauze...Betadine...

    BOURNE finds a large sink...Rests his gun there...Lays out
    SURGICAL SUPPLIES...Checks out his back in the
    mirror...Opens the capsules of penicillin and pours the
    powder directly into the wound...Begins treating himself...


5   EXT. NIGHT. PHARMACY -- MOSCOW                                5

    A POLICE CAR pulls up to the curb, lights flashing. One
    POLICEMAN goes to the jimmied DOOR. SECOND POLICEMAN sees
    blood and footprints. He motions to his partner to
    follow...


6   INT. NIGHT. PHARMACY BATHROOM -- MOSCOW                       6

    BOURNE finishing up -- splashes water on his face -- he
    seems a man on a mission. He looks up --

                                                                 2


       A MIRROR.

       His face...


FB1    FLASHBACK -- JUMBLED STREAKY IMAGES:                           FB1

       "415" written on a building.

                             DISEMBODIED VOICE (HIRSCH)
                   Welcome to the program...

       POV Bourne walks down a corridor (corridor #1).


6AA    INT. NIGHT PHARMACY -- MOSCOW                                  6AA

       The cops approaching.


FB1A   FLASHBACK -- JUMBLED STREAKY IMAGES:                       FB1A

       Daniels leading Bourne down the corridor.

                             DISEMBODIED VOICE (V.O.)
                   You'll be saving American lives.

       A black sack is thrown over Bourne's head, then:

       (STOCK) A torrent of quick shots of Bourne's kills: the
       Professor, Jarda, the blonde guy in Paris, Mr. And Mrs.
       Neski...

       And finally. BANG -- Marie hit in the head.      The car off
       the bridge. She sinks away dead...


6A     INT.   NIGHT   PHARMACY -- MOSCOW                              6A

       The POLICE enter the back room, guns drawn.

                             POLICEMAN #1
                   Put your hands on your head and
                   turn around slowly!

       BOURNE snaps out of it, doesn't move. POLICEMAN #1 (older)
       approaches him. When BOURNE doesn't respond to his
       questions, the POLICEMAN starts forward. BOURNE turns and
       in one motion grabs his gun from the sink and disables the
       POLICEMAN.

       BOURNE freezes POLICEMAN #2 with his gun and a look.

                             BOURNE
                        (in Russian)
                   Give me your gun and radio.

       POLICEMAN #2's gun and radio skittle across the floor.

                                                              3


                           BOURNE
                     (in Russian)
                 My argument is not with you.

     BOURNE smashes the radio and takes the gun.

     BOURNE exits...


     BLACK SCREEN

     A TITLE fades in --

                     THE BOURNE ULTIMATUM
     SUPER:    Six Weeks Later


6B   OMITTED                                                      6B


6C   OMITTED                                                      6C


6D   OMITTED                                                      6D


6E   OMITTED                                                      6E


6F   OMITTED                                                      6F


6G   OMITTED                                                      6G


6F   OMITTED                                                      6F


6G   OMITTED                                                      6G


8B   EXT. DAY. LANGLEY, VA                                        8B

     Establishing shot -- CIA Headquarters


8C   INT. CIA -- DAY                                              8C

     A workman installs a nameplate that reads:    Ezra Kramer,
     Director, CIA.


8C   INT. KRAMER'S OFFICE -- DAY                                  8C

     Kramer listens to a recording with Landy and Cronin. There
     are unhung pictures and a few other items that indicate he
     has just moved into this job.

                                                          4


Two other senior CIA officials sit in on the meeting.
Kramer looks at a file on Bourne and Abbott.

                    BOURNE (V.O.)
          So we got in the way?   Is that
          why Neski died? Is that why you
          killed Marie?

Kramer glances at a photo of Marie in the file.

                    ABBOTT (V.O.)
          You killed Marie the minute you
          climbed into her car.   The
          minute you entered her life she
          was dead!

Kramer looks at Abbott's official photo.

                    BOURNE (V.O.)
          I told you people to leave me
          alone! I fell off the grid. I
          was half way around the world.

                    ABBOTT (V.O.)
          There's no place it won't catch
          up to you. It's how every story
          ends. It's what you are, Jason.
          A killer! You always will be.

THUMP!

                    CRONIN
          We think that's Bourne hitting
          him on the head and then--

He makes a gun with his hand, i.e. Bourne putting his gun
to Abbott's head.

                       ABBOTT (V.O.)
          Go ahead!     Go on! Do it!

                    BOURNE (V.O.)
          She wouldn't want me to. That's
          the only reason your alive.

The tape clicks off.

                    KRAMER
          Who's "she?"

CRONIN puts a picture of MARIE in front of KRAMER.

                    LANDY
          His girlfriend, Marie. She was
          killed in India three weeks ago.

Kramer looks down at another image.     Abbott dead after his
suicide.

                                                        5


                    KRAMER
          A dirty section chief in league
          with a corrupt Russian
          Billionaire commits suicide when
          confronted by Jason Bourne. You
          couldn't make this stuff up.
              (holds up the photo of
               Abbot dead)
          You watched this happen?

Landy nods.   Kramer shakes his head in disgust at the whole
situation.

                    KRAMER
          Bourne's last confirmed location
          is Moscow, three days ago?

                       LANDY
          Right.

                    KRAMER
          So what does he do now?

                    LANDY
          I think he's looking for
          something he hasn't found.

                       KRAMER
          Like what?     What's he after?

                     LANDY
          I'm not sure. Maybe he hasn't
          gotten his memory back yet.  Not
          all of it.

A look from Kramer...

                    KRAMER
          Pam, what I need to know is, what
          kind of a threat is he to us?

                    LANDY
          If he just wanted to hurt us he
          could have sent this tape to CNN.

                    KRAMER
          Maybe he still will. Maybe he
          gave it to you because he wants
          to throw you in the opposite
          direction of his real plan. I
          don't know. I just know my
          number one rule is "the only way
          to stay safe is to assume the
          worst."   As far as I'm concerned
          Bourne is a serious threat until
          proven otherwise.

                                                               6


8D     OMITTED                                                     8D


8E     OMITTED                                                     8E


8F     OMITTED                                                     8F


8G     OMITTED                                                     8G


14A    OMITTED                                                     14A


14AA   EXT.   TURIN, ITALY - ESTABLISHING SHOT                 14AA

       SUPER:    TURIN, ITALY


R15    INT.   DAY.    ITALIAN CAFE BACKROOM -- TURIN               R15

       ROSS interviews DANIELS, a TAPE RECORDER on the table
       between them. ROSS shows DANIELS some of the evidence he's
       assembled...WANTED POSTERS of JASON BOURNE.

                                ROSS
                         (with poster)
                     ...This one's three years ago --
                     had half of Interpol after him --
                     disappeared...Turned up in Naples
                     -- Berlin -- Moscow --
                     disappeared again...
                         (Daniels says nothing)
                     The girl he was on he run with --
                     Marie Kreutz -- she turned up
                     dead halfway around the world,
                     from a sniper's bullet...
                         (beat)
                     What connects the dots? Is it
                     Treadstone?

                               DANIELS
                     Turn off that tape recorder.


15A    OMITTED                                                     15A


15B    OMITTED                                                     15B


24     INT. DAY. MARTIN'S APARTMENT -- PARIS                       24

       The charm of old Paris captured in the workings of an
       elevator operating in a wrought-iron shaft...

                                                          7


A WORK TABLE, covered with sheet music, music paper,
pencils. And, sitting on the upright piano against the
wall, a framed PHOTO of MARIE...

A KNOCK on a door beautifully, heavily lacquered with
centuries of paint...

MARTIN KREUTZ, late 20s, opens the door and finds BOURNE. A
long look between them -- like two lost brothers who
recognize each other -- each has been waiting for this
moment for a long time.


INT. CONTINUOUS. MARTIN'S APARTMENT

Martin looks out the window.

                    MARTIN
          Where is my sister?

                    BOURNE
          She's dead. She was killed.

                    MARTIN
          I knew it was going to end this
          way. It was always going to end
          this way...

                    BOURNE
          I didn't believe that.

                    MARTIN
          Why did she die?

                    BOURNE
          She was shot. A man came for me.

                    MARTIN
          And then you killed him.

Bourne nods.

                      MARTIN
          Now what?

                    BOURNE
          Someone started all this...and
          I'm going to find them.

Bourne looks at him for a beat and leaves.


EXT. SUBWAY -- DAY

Bourne climbs the stairs.

Bourne rounds a corner and stops, sees a bodyguard at a
door up the street hail a car then go back inside.

                                                            8


     Bourne walks up to the door, the bodyguard comes out again.
     Bourne knocks him aside. Grabs the man behind him,
     ELLATRACHE.

                          BOURNE
                    (in French)
                Who started Treadstone?

     The bodyguard comes back, gun out--

                           ELLATRACHE
                    (in French, to
                      bodyguard)
                It's OK!
                    (in French, to Bourne)
                They're still looking for you.
                You are taking a big risk coming
                here.

     Bourne shoves him against the wall, hard.

                          BOURNE
                    (in French)
                Just tell me what I want to know!

                          ELLATRACHE
                    (in French)
                I just provided them weapons.    I
                don't know who started--

                          BOURNE
                    (in French)
                You know something.   Tell me
                where to start looking.

                          ELLATRACHE
                    (in French)
                There's a journalist in London.
                Simon Ross. He seems to know a
                lot about you.   He has a source
                inside the program. Someone
                there from the beginning. What
                should I tell them if they
                contact me?

                          BOURNE
                    (in English)
                They give me the name I want, or
                I burn their entire house down to
                get it.


16   EXT.   DAY. HEATHROW AIRPORT -- LONDON                     16

     ROSS hurries to catch a TAXI as he talks on his cell phone.

                                                             9


                               ROSS
                    ...This is big -- a skein of lies
                    -- you pull at it and it just
                    keeps coming -- I'll fill you in
                    when I get home. And it's not
                    finished, either.
                        (beat)
                    They're calling it `Blackbriar'.

      Follow this SEQUENCE as...


17    INT. DAY.     CIA SUBSTATION -- LONDON                       17

      A LISTENING STATION in England scoops up MILLIONS of CELL
      PHONE CALLS...Sifts through BILLIONS of words...One word
      EMERGES from the CHATTER...

      BLACKBRIAR

      A TECHNICIAN sends the data to NSA back in the
      States...Where another COMPUTER gathers up the rest of the
      phone call...As we listen...

                              TECH#3
                    "Blackbriar" echelon hit.
                    NSA, please confirm receipt.


R18   EXT. DAY. CIA HEADQUARTERS -- LANGLEY                       R18

      And there in the CRI HUB, another TECHNICIAN receives the
      DATA. Stops SUPERVISOR and reports.

                              TECHNICIAN #1
                    Sir, we intercepted a call from
                    London, keyword "Blackbriar."

                              SUPERVISOR
                    Okay, send it to CRI right now.


25D   EXT.   DAY.    THE SKYLINE   -- NEW YORK CITY               25D

      NOAH VOSEN, deft and confident, arrives at CRI
      Headquarters.


25E   INT.   DAY. CRI OFFICES -- NEW YORK CITY                    25E

      As VOSEN steps out of the elevator and into his office, he
      is met by his #2, WILLS.

                               WILLS
                    We tracked the phone. Registered
                    to a London reporter named Simon
                    Ross. He works at the Guardian
                    newspaper.

                                                            10


      They enter a hallway through double doors towards the HUB.

                          VOSEN
                You tracking him?

      As they pass through, colleague hands WILLS a file.

                          WILLS
                Yeah, thanks Mike. We have a
                survey team covering him at
                work...and a sneak and peek's on
                their way to his apartment.

                          VOSEN
                Well, who talked to him? How did
                he find out about Blackbriar?

                          WILLS
                We don't know, we pulled his
                background and ran a cross check
                on any known anomalies, but we've
                come up with nothing. But, I
                think if we follow Ross, we are
                going to be able...

                         VOSEN
                Right. Ross is easy. I want the
                source.

      They enter the HUB.


26    EXT. DAY. GARE DU NORD -- PARIS                              26

      BOURNE buys a newspaper, enters the station and gets on the
      EUROSTAR.


26A   INT. DAY. CRI DATA ROOM (was 25E)                          26A

      VOSEN and WILLIS listen to the phone call.

                          ROSS (VOICEOVER)
                Have you heard of an Operation
                Blackbriar? I'm going to try and
                get my head around this, see you
                first thing.

      VOSEN turns.

                          VOSEN
                Is that all?

                            WILLS
                Yeah.

                                                            11


                            VOSEN
                  I want rendition protocols and I
                  want the asset put on standby,
                  just in case.


26B   INT.   DAY -- CRI HUB                                      26B

      VOSEN steps out from DATA ROOM...addresses the HUB.

                            VOSEN
                  People, listen up, this is a full
                  priority situation

                             WILLS
                  Jimmy, give me Ross's profile on
                  one.
                       (points at the big
                        screen on the wall)

      ROSS'S information come up on the center screen.

                            VOSEN
                  Our target is a British national,
                  Simon Ross, a reporter. I want
                  all his phones, his blackberry,
                  his apartment, his car, bank
                  accounts, credit cards, travel
                  patterns...I want to know what
                  he's going to think before he
                  does. Every dirty little secret
                  he has. And most of all, we want
                  the name and real time location
                  of his source.


                  This is NSA priority level 4, any
                  questions?

      No response from the HUB.

                            VOSEN (CONT'D)
                  All right, let's get to it.


26C   EXT. DAY. EUROSTAR -- ENGLAND                              26C

      The EUROSTAR winds it's way to London.


26D   INT. DAY.   EUROSTAR                                       26D

      BOURNE reads The Guardian. He sees an article written by
      Simon Ross.   Title: "RENEGADE ASSASSIN LOSE IN EUROPE".
      It mentions BOURNE. There is a photo of Marie--

FB2   FLASHBACK                                                  FB2

                                                              12


      Marie smiles at him. Marie shot. Marie fades into the
      depths, dead. Bourne burns Marie's stuff


26D   INT. DAY. EUROSTAR                                           26D

      BOURNE comes out of the flashback.    He is still carrying
      the pain of her loss

      Bourne finds Ross's name on the masthead, then goes to the
      name just below it in the news department.


29    EXT.   DAY   GUARDIAN NEWSPAPER -- LONDON                    29

      Ross crosses a busy London street -- heads to Guardian
      office building. A CRI TEAM watches from a parked car.


35H   INT. DAY -- CRI HUB                                          35H

      TECH #1 watches the data arrive.

                             TECH#1
                   Copy that. Mr. Vosen, subject is
                   entering his office.

      VOSEN watches the feed.

                             VOSEN
                   Where's my picture please?

                             TECH#2
                   Coming online...Online...Now.

      A surveillance picture flashes onscreen -- ROSS works in
      his office. HUB chatter about ROSS phone.

                             TECH#3
                   Take an hour to get his phone...

                             VOSEN
                   That's too long.

      Off VOSEN.


R34   INT. DAY. GUARDIAN EDITOR OFFICE -- LONDON                   R34

      ROSS reports to his EDITOR.

                             EDITOR
                   So how do we know he's not
                   spinning for someone?

                             ROSS
                   There's more. He was scared.

                                                     13


                           EDITOR
                 Scared of what?

                           ROSS
                 Blackbriar.

      A REPORTER sticks her head in.

                           REPORTER
                 Sorry, a call for you.

                              ROSS
                 Who is it?

                           REPORTER
                 Won't give hie name.

      ROSS leaves to pick up the call.


35Y   INT. CONTINUOUS. GUARDIAN -- NEWSROOM               35Y

      ROSS crosses the busy newsroom...

                           REPORTER
                 He's on my line...

      ROSS picks up the phone.

                           Ross (CONT'D)
                 Simon Ross.


35H   INT. DAY. CRI HUB -- NEW YORK CITY                  35H

      VOSEN watches as ROSS takes phone call.

                           VOSEN
                 Why aren't we hearing this?

                           WILLS
                 That's a hard line, Jimmy, why
                 don't we have it?

                            JIMMY
                 We have his line, sir, but he's
                 not on it.

      WILLS looks confused.


35Y   INT. DAY   GUARDIAN -- NEWSROOM                     35Y

      ROSS listens.

                           BOURNE (V.O.)
                 Waterloo Station, south entrance,
                 thirty minutes.

                                                            14


                              ROSS
                    Who is this?

                              BOURNE (V.O.)
                    This is Jason Bourne.


35Z   INT.   DAY -- EUROSTAR TRAVELING                           35Z

                              Bourne
                    You want to talk to me. Come
                    alone.

      BOURNE hangs up.


35Y   INT.   DAY.    GUARDIAN -- NEWSROOM                        35Y

      ROSS looks bewildered -- hangs up the phone -- gathers his
      stuff -- puts his notebook in his pocket and leaves.

                              SURVEY ONE (V.O.)
                    Are you getting an image?

35H                           VOSEN                              35H
                    Where's he going?

                               WILLS
                    Okay, he is on the move.   Target
                    is mobile.

      The HUB reacts. .

                              WILLS
                    Okay, people, look sharp, give me
                    eyeballs on the street.


36    INT. DAY. BUILDING -- ACROSS FROM GUARDIAN                   36

      SURVEY ONE has panned down to the entrance of the GUARDIAN
      building. Because ROSS is on the move...

                              SURVEY ONE
                    Subject is on the move. Go mobile
                    One and Two.

                              WILLS
                    Where's that audio on the street?
                    I want to know where he's
                    going...


36A   EXT. CONTINUOUS. LONDON STREET                             36A

      ROSS hails a BLACK TAXI. The SILVER VAN pulls out behind
      him...

                                                                  15


35H   INT. DAY. NEW YORK HUB                                           35H

      VOSEN watches as the feed from the SILVER VAN comes
      through.

                              MOBILE 2
                        (over radio)
                    We have the subject confirmed.

                              VOSEN
                    Where is he heading?

                              MOBILE 2
                    Waterloo Station.


37    EXT.   DAY.    WATERLOO STATION -- LONDON                        37

      BOURNE arrives on the EUROSTAR.      Enters the station.


38    EXT. CONTINUOUS. STREET                                          38

      As the taxi moves away, the SILVER VAN pulls out behind it.

      A CYCLE COURIER momentarily blocks its path. Looking in on
      ROSS sifting through documents in the back seat.



                              HUB (V.O.)
                    Stand by at Waterloo...


39    EXT. DAY. WATERLOO STATION -- LONDON                             39

      BOURNE moving toward the rendezvous...


63    INT/EXT. DAY. BLACK CAB -- YORK ROAD                             63

      ROSS pays the DRIVER, exits. Checks his watch.      Looks
      around. Isn't sure what his next move is--


64H   INT. DAY. CRI HUB                                                64H

      TECHNICIANS searching for ROSS on the busy street.

                              TECHNICIAN #2
                    Mobile One -- give us eyes on the
                    subject.

                                                               16


63    EXT. DAY. YORK ROAD -- LONDON                                 63

      MOBILE ONE-- two people from the van-- take up a position
      in an open stairwell three floors up. They focus a camera
      down on Ross.


63A   EXT. DAY. ENTRANCE -- WATERLOO STATION                        63A

      BOURNE buys a cell phone. Activates the SIM card on the new
      phone. Dumps the pay-as-you-go package in a bin. Rounds a
      corner. Out of sight.


63B   OMITTED                                                       63B


64H   INT. CONTINUOUS. CRI HUB -- NEW YORK CITY                     64H

      Screens come alive with a POV of ROSS. VOSEN studies the
      monitors. ROSS arrives at Waterloo, pays TAXI.

                          TECHNICIAN #1
                Sir, subject just arrived at the
                south entrance to Waterloo
                Station.


63    INT. DAY. WATERLOO -- ENTRANCE                                63

      ROSS moves to the entrance.

      Behind him, inside the tube station portico, BOURNE
      arrives.

      Sees ROSS. Sees the two survey teams. MOBILE ONE up the
      stair well and MOBILE TWO at street level.

      Commuters coming up the escalators. BOURNE joins them -
      moving towards Ross.

      Closer.

      Right on him.   ROSS oblivious.   Looking out onto the
      street.

      BOURNE brushes past him and PUTS THE PHONE IN HIS POCKET..

      ROSS feels the contact. Checking himself -- he's okay.
      But now a phone is ringing -- looks around, must be someone
      else.

      But the vibration's coming from his jacket pocket.

      ROSS takes out the phone -- not his -- puzzled.

      ROSS hits "answer."

                                                            17


                           ROSS
                Hello?

                          BOURNE (O.S.)
                Don't ask questions. Just
                listen...


64H   INT. CONTINUOUS. NEW YORK HUB                               64H

      VOSEN watching...

                          VOSEN
                What's he doing? I thought we
                blocked his cell? Who the hell
                is he talking to???

                          WILLS
                Jimmy, I need that phone!

                           VOSEN
                    (beat)
                Activate the asset.

                          WILLS
                Sir, we haven't yet become
                operational --

                          VOSEN
                I said activate the asset.   I
                want options.

      Wills keys in a CODE...


64    EXT. DAY. BMW -- LONDON STREET                               64

      PAZ, 20s, cool and predatory, drives and waits for
      instructions...His PHONE buzzes...He reads the
      code...Accelerates toward Waterloo Station...


70    EXT. CONTINUOUS. FOOTBRIDGE                                  70

      BOURNE reaches the top of the stairwell on the other side
      of the road.

      His POV to the left -- a LONDON BUS is approaching.

      To the right -- a young man in a hooded top -- speaking on
      his cell -- walking toward a BUS STOP...

      A plan is forming.


71    INT. CONTINUOUS. WHITE VAN                                   71

      SURVEY TWO -- camera zooming in on ROSS.

                                                               18


                          SURVEY TWO
                What's the ROE on this one?

      PANNING TO REVEAL


64H   INT. CONTINUOUS. NEW YORK HUB                                 64H

      VOSEN thinking it over as he watches the image of ROSS.


75    EXT. DAY. YORK ROAD -- TUBE -- BUS STOP                       75

      ROSS looking around.    Then --

                          BOURNE (O.S.)
                To your left. Blue hooded top.
                Walking towards the bus stop

      ROSS has clocked him.

      The HOODY walks to the bus stop. One hands-free EARBUD
      swaying down by his side as he moves to a seat.

      Sitting down. Checking his watch.

      ROSS shifting nervously from one foot to another.

                          BOURNE (o.s.) (CONT'D)
                Go to the bus stop, sit next to
                him. Head down...

      The LONDON BUS approaching.

      ROSS begins to move.


64H   INT. DAY. CRI HUB -- NEW YORK                                 64H

      Things are beginning to happen.

                          TECHNICIAN #1
                Target is on the move.

                          WILLS
                Okay, who's the guy in the blue
                hood?

      Screen POV. ROSS standing next to the HOODY -- head down.
      Trying to play it cool -- ROSS in clear view of the
      cameras. "Speaking" with the HOODY. Camera zooming in.

                          VOSEN
                Okay, there, he's talking to the
                guy with the hood. Take them
                down.

      Just then --

                                                             19


      A BUS pulling up to the bus stop, blocking both SURVEYS'
      views. Rifle mics picking up the bus chatter, instead of
      ROSS.

      VOSEN.   Annoyed now.

                            VOSEN
                  Watch that bus! The bus! --
                  don't lose them! Stay triangular
                  and don't get blocked.

      The crackle of the survey teams as they try and reframe.

      POV SCREEN -- SURVEY ONE seeing the bus clear.   The HOODY
      has gone.

      POV ANOTHER SCREEN -- SURVEY TWO -- camera finally catching
      up, picking out the HOODY on the bus as it begins to pull
      away.

                            VOSEN?
                  Grab Team B. Grab the hoody and
                  stay with Ross...

      TECH'S giving orders...


77    EXT. ACROSS FROM YORK ROAD -- DAY                            77

      SURVEY TWO -- three men racing across the road on foot.
      Weaving through heavy traffic.


78    EXT. DAY. FOOTBRIDGE AREA                                    78

      BOURNE watching his plan unfold...Only a few seconds to get
      ROSS out of there...

                            BOURNE
                  Take the footbridge. Go to the
                  West Entrance. I'll meet you at
                  the newsstand.


79    EXT.   DAY. YORK ROAD -- CONTINUOUS                          79

      ROSS rearing this -- Moving away --

      The BUS moves up to the traffic light.   The AGENTS moving
      across the street...


64H   INT. DAY.   NEW YORK -- ENCRYPTED AREA -- CONTINUOUS         64H

      VOSEN looking at the screens.   Pointing...

                                                               20


                              VOSEN
                    No, no, look...Ross is not on the
                    bus.   Split up the team -- get
                    the guy on the bus and send
                    someone to stay on Ross.


R81   EXT    DAY.   YORK ROAD -- CONTINUOUS                         R81

      One AGENT peeling off, to keep ROSS in check.

      The other two AGENTS racing to the bus as it pulls away
      from the lights. Kicking the doors open, leaping on.

      GUNS drawn.     So quick.   Passengers screaming.

                              AGENT ONE
                        (to Hoody)
                    You. On the floor. Down.

      Pushing the HOODY to the floor.

                              AGENT TWO
                    Driver, stop the bus!

      On the HOODY.

      The HOOD is pulled back.

      An innocent YOUNG MAN -- terrified, bewildered.


83    EXT.   DAY.    FOOTBRIDGE AREA                                83

      ROSS on the move across the walkway.


84    INT. DAY. STAIRWELL                                           84

      SURVEY ONE moving up the steps, only to meet-

      BOURNE coming down. Three quick moves and he's down-
      slumped against a wall- just another drunk to step over in
      the rush hour.

      Pulls the feed. Takes the earbud. Then back up and falls
      into step behind ROSS.

      Listening in to the chaos he has caused -- an ocean away.


64H   INT. DAY. NEW YORK HUB                                        64H

      TECHIES scrambling to restore the feed.     VOSEN staring.

                              TECHNICIAN #2
                    We've lost signal.

                                                               21


                          TECHNICIAN #1
                What happened to Survey One?

                          VOSEN
                I don't like this. Patch me
                through to Met surveillance.


86    INT/EXT. DAY. CAR -- LONDON STREETS                           86

      PAZ parked up -- gets the call -- pulls out into the
      traffic.

      Slicing through to the target area. Waterloo up ahead.


87    EXT. DAY. WATERLOO                                            87

      A SECOND SURVEY TEAM -- out of their vehicles.   Furtively
      they lock and load their side arms.

      Fanning out towards the station.


R88   EXT. DAY. WEST ENTRANCE WATERLOO - NEWSTAND                   R88

      Bourne stops Ross, surprising him.

                          BOURNE
                Why do you know so much about me?

                           ROSS
                What?

                          BOURNE
                The article. You talked to
                someone from Treadstone. Someone
                there at the beginning.  What's
                his name?

                          ROSS
                I can't tell you that.... Who's
                following me?

                          BOURNE
                Whoever they are it's trouble.

                          ROSS
                Are they Blackbriar?

                          BOURNE
                Blackbriar, what's Blackbriar?

                          ROSS
                I don't know. I heard the name
                this morning for the first time.
                Whatever it is, my source said it
                started with you.

                                                                22


                          BOURNE
                 What? What are you talking
                 about?

                           ROSS
                 Look, just help me get away from
                 these people...and we can talk
                 more...we can--

                           BOURNE
                     (spotting approaching
                      operatives)
                 We have to move.

       Bourne moves Ross toward the concourse.

                           BOURNE
                 Answer your phone.


64H    INT. DAY. CRI HUB                                             64H

       SCREENS coming alive again. They are through to MET
       SURVEILLANCE -- the AREA around WATERLOO.

                           TECHNICIAN #1
                 Last sighted heading to the West
                 entrance.

                            VOSEN
                 He's got to be close. Seal the
                 entrances.


90     EXT. DAY. WATERLOO                                            90

       The new SURVEY team moves towards different entrances --

       Ready to beat out the quarry.


R88A   EXT. DAY. WEST ENTRANCE                                     R88A

       CAMERAS suddenly alive.   Movement across the footbridge.

       The net's been thrown.


91     INT. CONTINUOUS. CONCOURSE -- WATERLOO                        91

       Into the station concourse.

       ROSS moving fast. Fighting through the crowds of faces.
       Each one a killer in ROSS' tormented mind.

       BOURNE on the periphery looking out across the throng,
       picking out the inconsistencies.

                                                              23


      One AGENT, then another approaching.

      He dials.

                             BOURNE (O.C.)
                  Three o'clock. Female. Blonde
                  black top.

                            ROSS
                  Has she seen me?

                            BOURNE
                  Not yet. Dip left past the photo
                  kiosk.

      ROSS spinning round. Dipping left.   BLACK TOP passing in
      the background missing him.

      BOURNE crossing close behind - marshalling the pieces at
      breakneck speed.

                            BOURNE (CONT'D)
                  Straight ahead. News kiosk.

      ROSS turning.   Weaving through the commuters.

      BOURNE seeing cameras turn.    ROSS heading into their path.

                            BOURNE (CONT'D)
                  Change of plan. Stop. Tie your
                  shoelace.

      BOURNE seeing ROSS dip out of view as a group of TOURISTS
      block the CCTV's line of sight.


64H   INT. DAY. CRI HUB                                            64H

      That same scene -- scores of TOURISTS -- from VOSEN's point
      of view. The TECHS try to get another angle...


94    EXT. DAY. CONCOURSE -- WATERLOO                                94

      ROSS looking through the sea of legs as he finishes tying
      his laces. Cameras sweeping past.

                            ROSS
                  Are we clear?

                            BOURNE
                  Clear. News kiosk. Straight
                  ahead.

      ROSS on the move. Sweating. Paranoid.

      Seeing a BIN MAN coming toward him -- reaching into his
      trolley.

                                                              24


                          ROSS
                Straight toward me.     Bin man?

                            BOURNE
                Negative.

                          ROSS
                He's got a gun.

                            BOURNE
                Negative.    Keep straight ahead.

      But ROSS swerves out of his path as the BIN MAN pulls out --
      a bunch of keys.

      CCTV CAMERAS turn -- ZOOMING IN ON ROSS.


64H   INT. DAY. CRI HUB -- NEW YORK                                64H

      Ross' face on all screens.

                           TECH#1
                We got a hit. Middle of the
                concourse.

      VOSEN pacing.

                          VOSEN
                We're losing him! We cannot
                afford to lose him!

      Frenzied teching as they capture and transmit an image of
      Ross to...


96    EXT. DAY. TAXI RANK -- WATERLOO                              96

      PAZ flipping open his phone. A voice crackling in his
      earpiece.

                          VOICE
                Waterloo concourse. Subject
                heading east.

      Paz jamming the wheel hard right. Doing a high speed U-
      turn.

      Heading towards the east side of the station.


94    EXT. DAY. CONCOURSE                                          94

      BOURNE realizes ROSS has been seen. Sees the AGENTS
      starting to form the box...

                          BOURNE
                Get into cover. Now!

                                                               25


      ROSS moving faster.

                          VOSEN
64H             What's the status of the asset?                     64H

                          WILLS
                In place in one minute.

                          VOSEN
                Alright, I want to take him now.
                Get him out of there and have the
                asset cover it.

      WILLS gives orders...


96    INT. CAR TRAVELLING-- MEPHAM STREET -- DAY.                   96

      PAZ pulling into a side street. Out towards a series of
      arches that lead underneath the terminal. In his ear...

                          VOICE
                Target moving towards the stores.

                          ANOTHER VOICE
                Asset in play. ETA thirty
                seconds. All exits covered.

      PAZ through the archway. Grabbing a station plan. Studying
      it.

98    Through a subterranean maze of corridors. Up steps.           98
      Through doors.

      On his way to the kill zone.


99    EXT. CONCOURSE-- CONTINUOUS -- DAY                            99

      ROSS moving through crowds around the departures board.

      BOURNE hearing that last exchange in his earpiece too.
      Asset in play?

                          BOURNE
                Keep moving...

      BOURNE's POV: AGENTS closing the box. The departures board.
      Platform 7. A train waiting.

                             BOURNE (CONT'D)
                Faster....

      Commuters waiting for the platform

                          BOURNE (CONT'D)
                The front...

                                                               26


       Suddenly -- CLICK -- PLATFORM 7 displays.

       A wave of commuters flooding away -- sweeping the AGENTS
       back with them towards platform 7.

                           BOURNE (CONT'D)
                 GET IN THE STORE.

       BOURNE'S bought them thirty seconds.


100    INT. TUNNELS ABOVE THE CONCOURSE -- DAY                      100

       PAZ on the move. Earpiece crackling. Through a door. Taking
       a left down another tunnel.

       Opens another security door and moves up some steps.
       Towards a ladder.


100A   EXT. CONCOURSE WATERLOO -- SIMULTANEOUSLY -- DAY           100A

       The AGENTS regrouping. Speaking into their radios.

                           Voice
                 He's in the store -- still moving
                 east.

       ROSS out into the open again. In front of him another STORE
       COMPLEX.

                           BOURNE
                 INSIDE!

       BOURNE searching the concourse. Something bothering him.
       The threat level clicking another notch.


102A/B INT. MAINTENANCE AREA-- SIMULTANEOUSLY -- DAY           102A/B

       PAZ heads up some stairs to a service platform.

       Climbs a ladder.


101    EXT. CONCOURSE -- CONTINUOUS -- DAY                          101

       ROSS into the store complex. To one side is a service
       doorway.

       BOURNE sees the AGENTS approaching. Looks the other way --
       up at the hoardings above.

       Something's not right. Treadstone instinct.

                           BOURNE
                 Service doorway -- Now!

                                                                27


64H    INT. NEW YORK HUB -- SIMULTANEOUS -- DAY                      64H

       An image of Ross as he enters the store complex appears on
       the screen.

                            TECHY 2
                 Store.   Three means of egress.

                           VOSEN
                 Close him down...


105    INT. STORE COMPLEX -- SIMULTANEOUSLY -- DAY                   105

       ROSS through narrow store corridors. Sheer panic now.
       Two of the AGENTS move in after him.

       BOURNE behind them.

       BANG - takes the first out silently.

                           BOURNE
                 Keep moving.

       ROSS moving out to the light as another AGENT follows.

                           BOURNE (CONT'D)
                 Through the store room.

       ROSS travelling through.   The second AGENT right behind as-

       BOURNE steps out from behind the store room door. The dull
       snap of bones as second AGENT falls to the floor.


64H    INT. DAY -- CRI HUB                                           64H

       On a screen VOSEN watches, transfixed, as BOURNE takes out
       all his agents and then grabs ROBB...

                           VOSEN
                 Jesus Christ, that's Jason
                 Bourne.

                           WILLS
                 Maybe he's the source?

                           VOSEN
                 It doesn't matter, the asset now
                 has 2 targets. Take them both
                 out.

       WILLS taps in the order...


102B   INT. MAINTENANCE AREA-- DAY                               102B

       PAZ moves cross a narrow walkway.

                                                                28


       Now he's behind a mechanical 'tri-panel' hoarding. The kind
       that displays a different advert every 15 seconds. He waits
       for the change and then---

       -- A huge field of vision across the concourse stretching
       out down below him- a sniper's heaven.

       PAZ pulling open the motor-casing from the side panel, goes
       to work on it.

       Slowing the rotation. Rearranging the large triangular
       prisms to give him just the right time-gap to pull the
       trigger- and just enough cover to disappear.

       He takes out rifle parts from his rucksack. Starts to
       assemble them.


102C   INT. BEHIND THRESHERS (BEHIND THE SILVER METAL DOOR)        102C

                              BOURNE
                    I'm going to get you to safety
                    but you have to stay calm do
                    exactly what I say.

                              ROSS
                        (fear-induced autopilot)
                    Sure, okay.

                              BOURNE
                    No, listen to me: Exactly what I
                    say this time. Understand?

       Ross snaps to focus.     Looks Bourne in the eye.

                              ROSS
                    Yes.

                              BOURNE
                    Stay here while I look for an
                    escape.

       Ross nods.


102B   INT. MAINTENANCE AREA                                       102B

       PAZ puts together the rifle.


103    INT. WATERLOO STATION                                         103

       BOURNE exits from the silver door behind Threshers.    He
       stays on the phone with Ross.

       Hidden from the view of the CCTV cameras by the thick
       crowd, Bourne sees the approaching agents abruptly pulling
       back.

                                                                     29


                            ROSS (PHONE V.O.) (CONT'D)
                  I can see the entrance from here
                  I can make it out--

                            BOURNE
                  No, stay behind that door.


64H   INT. HUB                                                            64H

      CCTV view of the silver door behind Threshers that ROSS is
      behind (not Bourne). Wills is on phone.

                            WILLS
                  There. That silver door.
                  Bourne's behind that door?

                               TECH
                  Confirmed.

                            WILLS
                  Okay, pull the agents back and
                  give Bourne's location to the
                  asset.


107   INT. MAINTENANCE AREA                                               107

      On his cell phone Paz receives a text indicating Bourne's
      location. Paz finds the silver door and aims his rifle at
      it.

      SCOPE POV

      A shape barely visible moving behind the window.           (It's
      Ross but Paz and the Hub think it's Bourne.


111   INT. BEHIND THRESHERS /         WATERLOO CONCOURSE-- DAY            111

      INTERCUTTING BETWEEN ROSS AND BOURNE:

      Bourne spots the agents pulling back per Wills' orders.

                            ROSS (INTO PHONE)
                  If I run now I can make it--

                             BOURNE (INTO PHONE
                  No.   Something's not right.


107   INT. MAINTENANCE AREA                                               107

      Paz awaiting his shot--

                                                               30


       SCOPE POV

       The door comes open slightly, but from this angle Paz
       doesn't have a clean shot at his target (who he thinks is
       Bourne).


111    INT. CONCOURSE -- WATERLOO                                   111

       Bourne searches the rafters, looking for any threats from
       above.

                             ROSS (TEL. V.O.)
                   I'm going to go for it, okay?

                             BOURNE
                   Don't move until I tell you.

       Bourne is distracted by the last of the agents
       disappearing. Something is definitely wrong--

                             ROSS
                   I'm going to go for it.

                             BOURNE
                   No, No not now.

       Ross suddenly sprints out from behind the door--


110A   SCOPE POV                                                110A

       Paz sees the shape emerge--


110A   INT. MAINTENANCE AREA -- DAY                             110A

       PAZ fires--


111    INT. WATERLOO -- SERIES OF ANGLES                            111

       But it's Ross, not Bourne. Ross is hit by Paz's shot.    He
       falls, inches from the silver door, dead. Blood has
       splattered on the door.


110A   INT. PAZ'S NEST                                          110A

       Paz snaps his head back to the scope, realizing he's shot
       the wrong person. Then he catches a glimpse of Bourne--

       Bourne ducks behind the gathering crowd, out of Paz's line
       of sight, and goes to the body.

                                                              31


64H    INT. HUB                                                    64H

       Vosen and Wills stare at the screen. At the image of Ross,
       dead on the concourse.   The room -- normally full of
       chatter has gone dead silent...

       Vosen puts his head in his hands. This is a monumental
       screw up and everyone here knows it.  He just had the
       wrong man killed....

                            VOSEN
                  Oh...shit...

       Then suddenly Vosen snaps back to focus:

                            VOSEN (CONT'D)
                  Get the asset out of there ...

                            WILLS
                  What about Bourne?

       On the HUB MONITORS we see Police moving in... Vosen
       doesn't need to see anymore.

                            VOSEN
                  Get him out of there - NOW!


111    INT. WATERLOO -- DAY                                        111

       Bourne feels Ross' body for something.


110A   OMITTED                                                  110A


110A   PAZ'S   NEST                                             110A

       Paz is frustrated by the order. He's itching to get another
       shot off at Bourne, but after a beat, packs up quickly, as
       ordered.


111    INT. WATERLOO -- DAY                                        111

       Back in Waterloo, Cops run in from all sides.


111A   INT. DAY. WATERLOO STATION                               111A

       On the screens and in real life, the aftermath of the hit.
       PARAMEDICS try helplessly to deal with ROSS -- killed
       instantly by the head shot meant for BOURNE...POLICE arrive
       and seal off the crime scene...

                                                                32


113    EXT. CONCOURSE WATERLOO -- SIMULTANEOUSLY -- DAY              113

       BOURNE on the move. Fast --

       Past platforms. On his way up to the Tri Panel.

       Up stairs. On to a walkway.   To his right he sees a figure
       disappearing...

       PAZ.

       BOURNE hammers down the walk - way in pursuit.


114    EXT. PLATFORM AREA -- DAY                                     114

       BOURNE tailing PAZ down on to a parallel platform. PAZ
       dipping down into the underground entrance.


115/116 INT. TUBE STATION -- WATERLOO -- DAY                 115/116

       PAZ moving deliberately through the evening rush hour--
       blending in...

       BOURNE in pursuit. Chasing on instinct.

       There...A glimpse of PAZ at the bottom of an escalator.

       BOURNE fights past people.

       PAZ disappears into the crowd.

       BOURNE rushes to catch him. Rounding a corner...

       A long walkway -- at the end, two staircases lead to
       different tube lines. BOURNE hesitates-- measures the
       choice.

       The sound of a train fills the station--

       BOURNE -- Fast downstairs.

       Watches-- just as PAZ gets onto the car at another door.

       BOURNE lunges to get on the train...But the doors close...

       BOURNE'S POV

       Watching PAZ from the platform as he SAGS down onto a seat,
       nauseated, his skin clammy, his head pounding...He takes
       out the PILLS and dry-swallows them...Looks up...

       CLOSE ON -- BOURNE

       Watching PAZ...As if he's looking in the MIRROR at his old
       self...The self before THE BOURNE IDENTITY...

                                                                33


       CLOSE ON -- PAZ

       He looks straight ahead, just another commuter...

       BACK ON -- BOURNE

       Watching PAZ, as the train pulls away...Then BOURNE is
       immediately in motion...


119    INT. DAY. DIRECTOR'S OFFICE -- CIA -- LANGLEY, VA             119

                            KRAMER
                   Hello.

                             VOSEN
                   It's Vosen. We have a situation.


119B   EXT. NIGHT.   DANIELS OFFICE -- MADRID                    119B

       Establishing Sewell and Marbury.


120    INT. NIGHT. DANIELS OFFICE                                    120

       DANIELS watches news of ROSS murder on TV. DANIELS panics,
       opens his safe, packs up papers, takes Blackbriar FILE.
       Sets alarm. Leaves.


120C   EXT. NIGHT. INTERNET CAFE -- LONDON.                      120C

       BOURNE sits at a computer, the ROSS notebook open in front
       of him. He pages through it, finding names, places, "HOW
       DID THIS ALL START?" -- and Blackbriar.   He Googles
       "Sewell and Marbury"-- finds Paris, Berlin, Madrid. BOURNE
       continues to search and finds receipt from Madrid.

       BOURNE leaves.

123    EXT. DAY.   POSH HOTEL -- NEW YORK CITY                       123

       LANDY steps out of a TAXI...


123A   INT. DAY.   POSH HOTEL -- NEW YORK CITY                   123A

       Vosen's sitting.

                             VOSEN
                       (to waiter)
                   Sparkling. And a "Heart-Healthy"
                   omelet with goat cheese and
                   peppers.

       Landy arrives.

                                                     34


                    VOSEN
          You're late. Traffic?

                    WAITER
              (handing her the menu)
          Ma'am?

                    LANDY
          Nothing for me.

Vosen looks at her, surprised.

                    VOSEN
          I'm buying.

She shakes her head, no. She sits, without taking her coat
off. She's not staying long.

                    VOSEN
          When the Director called, it was
          suggested we bring you on--

                     LANDY
          Suggested?
              (beat)
          Are you sure it was just a
          suggestion?

                    VOSEN
          Funny how different things look
          depending on where you sit. I
          look at this as doing a favor for
          you. Giving you an opportunity
          to complete some unfinished
          business.

                     LANDY
          Meaning?

                    VOSEN
          Jason Bourne.

                    LANDY
          Bourne's finished.

                     VOSEN
          Really?

                    LANDY
          It was finished the moment I
          realized I was chasing him for
          something he didn't do.   The
          case is closed.

                                              35


                     VOSEN
          So what do you make of this?
              (handing her
               surveillance photos of
               Bourne in Paris)
          French intel picked up Bourne
          meeting Pierre Elattrache on
          Tuesday. He threatened to burn
          our house down if you didn't tell
          him who started Treadstone.
          That's a big problem, wouldn't
          you agree?

                    LANDY
          This doesn't feel like Bourne to
          me.

                    VOSEN
          Why's it so hard for you to
          believe?

                     LANDY
          Probably because it's coming from
          you, Noah.

                    VOSEN
          Lets try and be adults okay? We
          all thought he was done, off the
          grid. But Bourne's back. Maybe
          he's a threat. We both want the
          same thing here.

                    LANDY
          So what happened at Waterloo?

                    VOSEN
          We have a leak. Bourne showed up
          in our surveillance. We had very
          little time to react.

                    LANDY
          And the reporter ended up dead?

                    VOSEN
          Bourne saw us coming.

Landy looks at him, suspicious.

                    LANDY
          So what was he doing?

                    VOSEN?
          We don't know. But just the fact
          that he was there means he's up
          to something, don't you think?
          Maybe he's the source?

                                                                  36


                               LANDY
                     The real question is how you
                     managed to get in a fire fight in
                     the middle of a public train
                     station.

                               VOSEN
                     Don't second guess an operation
                     from an armchair, Pam. It's not
                     fair.

                               LANDY
                     I'm going to the office now.
                     I'll make my own introductions.

       Off VOSEN...


125    EXT.   DAY.    ATOCHA TRAIN STATION -- MADRID                    125

       AN AVE train pulling into the vast station. BOURNE stepping
       out, walking up the platform.

       Moving out through the station...


125A   INT. DAY -- CRI HUB                                          125A

       TWO NEW TECHS plus the three we met before.       All watching
       VOSEN lead LANDY and CRONIN into the room.

                               WILLS
                     This is Pamela Landy. She's
                     gonna be quarterbacking our
                     search effort. I think what we
                     oughta do, just to get started,
                     let's go around the room, say who
                     you are and what your spec is.

       LANDY stepping in before this gets going --

                               LANDY
                     Let's do names later.
                     (she's got the floor)
                     What's Bourne's last fixed
                     position?
                     (impatient)
                     Anybody.

                                TECH#3
                     London.   Twelve hundred Zulu.

                                LANDY
                     Status?   Wounded?   Armed?

                                 TECH#2
                     Alive.    Mobile. Unknown.

                                                              37


                             LANDY
                   Where are your grids coming from?

                             TECH#1
                   NSA Tactical.

                             LANDY
                   You have an Echelon package?

                                TECH#1
                   Yes.

                             LANDY
                   Why isn't it on?

                             TECH#1
                   We were waiting.

                              LANDY
                   For what?
                       (no takers)
                   You're nine hours behind the
                   toughest target you've ever
                   tracked. I want everyone to sit
                   down, strap in, and turn on all
                   you've got.
                       (beat)
                   That would mean now.

       That lights it.    They're moving.

                                LANDY (CONT'D)
                   Thank you.

       VOSEN watches...

                             LANDY (CONT'D)
                   I want everything you've got on
                   Ross on screen one.

       LANDY watches as the screen lights up with ROSS
       information...


125B   EXT. DAY.   SEWELL AND MARBURY -- MADRID                125B

       Bourne arrives, begins to recon the area.

       He goes to the front door finds "Sewell and Marbury" and
       rings the bell. No answer. Two cops come around a corner.

       Bourne sees them, notes the side of the building and
       leaves.

                                                       38


125E   INT. DAY.   CRI HUB -- NEW YORK CITY             125E

                              TECH#1
                   Sir, we just hacked Ross's email
                   account at the Guardian and found
                   a round trip ticket to Turin,
                   yesterday. 0800 arrival, 12:05
                   departure.

                             LANDY
                   I think we can be pretty certain
                   that Bourne's not your source
                   then?

                             VOSEN
                   How?

                             LANDY
                   Ross's call to his editor, where
                   he said he just met the source on
                   Blackbriar, took place just after
                   his flight landed. His met his
                   source in Turin.

                             VOSEN
                   So?

                             LANDY
                   So, what, Bourne met Ross for
                   breakfast and then, at noon the
                   same day Bourne calls Ross to
                   demand a meet at Waterloo?

                             CRONIN
                       (Needling Wills)
                   Maybe they were even on the same
                   flight?

                             VOSEN
                   Cross check the secure cell phone
                   usage of everyone with Blackbriar
                   SCI clearance against all calls
                   in and out of Turin during the
                   morning Ross was there

       TECHNICIANS start pounding keyboards.

                             LANDY
                   The guy you're after is a CIA
                   operative with clearance above
                   Top Secret.   He was committing
                   treason by talking to Ross.   Do
                   you really think, while doing
                   that, he used a cell phone he
                   knows we can track?

                             TECH 3 (JIMMY)
                   Zero results on the cross check.

                                                       39


VOSEN stares daggers at her.

                    WILLS
          Do you have a better idea?

                    LANDY
          Yeah, I'd look at all the people
          whose cell phones were switched
          off the entire period Ross was in
          Turin.

                    WILLS
          Do it Jimmy.

TECHNICIANS start tapping.

                    LANDY
              (looks at Cronin)
          I mean if your people use their
          cell phones as much as mine do,
          the list should be pretty small

                    TECHNICIAN 3 JIMMY
          Three names: Tom Brewster, Jack
          Boulin, Neal Daniels.

The names display on the screen:   Tom Brewster, Jack Boulin
Neal Daniels.

The HUB employees can't help but be impressed by LANDY.
WILLS and VOSEN notice their response.

                    LANDY
          Now check everything in Ross's
          apartment against those names.
          Look for common patterns, look
          for -

                    CRONIN
          Initials .....Bring that up on
          main.

LANDY turns.   CRONIN is leaning down in front of a
computer screen.   Point to something for the tech --- who
puts it on the big screen, blown up.

In a set of handwritten notes by ROSS it says "per
N.D."next to several scrawls.

                    LANDY
          Neal Daniels.   He's Station
          Chief in Madrid now, isn't he?

                    WILLS
          Jesus Christ.

                                                                40


                            VOSEN
                  Call the RSO at the Embassy and
                  have them take Daniels into
                  custody if he's there.   If he's
                  not, get a grab team to the
                  Calle Norte safe house. Send
                  them in heavy and tell them we'll
                  assist with entry.

                            LANDY
                  "Heavy?" Daniels isn't--

                            VOSEN
                  I'm worried about Bourne. If he's
                  not Ross's source, then he must
                  be after Ross's source -- just
                  like us.

       Off LANDY...


125F   EXT.   MADRID STREETS -- NIGHT                             125F

       BOURNE in a TAXI turning a corner into a narrow street.
       The rain has slowed, but the streets are still quiet.

       BOURNE gets out and walks past the SEWELL and MARBURY front
       door, picks the lock and gains entry.


126B   INT.   SEWELL AND MARBURY. -- NIGHT                        126B

       BOURNE up the stairs.   Finds the office.    Jimmies the door.
       Disables the alarm.

       All the signs of a hurried exit. A half filled cup of
       coffee -- cigarette burned down in an ashtray but not
       snubbed out -- a light left on -- files and documents, some
       shredded, some not.


127H   INT. HUB                                                   127H

       Vosen paces back and forth. The hub is MUCH quieter than
       it was in the Waterloo scenes.

                            TECH 1. (LUCY)
                  Parque Vasquez is clean. No sign
                  of subject.

                            VOSEN
                  Team two, ETA Callee Norte?

                            FILTERED V.O. (KILEY)
                  Three minutes.

                                                              41


127A   EXT.   MADRID STREETS -- NIGHT                           127A

       A BLACK CAR moving briskly through traffic and --


127A   INT.   MOVING BLACK CAR -- NIGHT                         127A

       HAMMOND at the wheel.   KILEY with the map. Shutting off his
       phone.


127B   INT.   SEWELL AND MARBURY -- NIGHT                       127B

       BOURNE checks the office.   Soon he finds a photo of
       Daniels with Albert Hirsch.


FB3    EXT. HOSPITAL ANNEX -- OVERCAST DAY -- FLASHBACK            FB3

       Bourne arrives at a nondescript steel door with two CCTV
       cameras covering it. He sees 415 written above the door.


127B   INT. SEWELL AND MARBURY -- NIGHT                         127B

       The flashback overwhelms Bourne.


FB3A   INT. SRD CORRIDOR -- DAY -- FLASHBACK                    FB3A

       POV shots of Bourne walking down the long corridor with
       Daniels. Other shots revealing that Bourne is in Army dress
       greens (without hat). Daniels knocks and leads Bourne into-
       -


127B   INT. SEWELL AND MARBURY -- NIGHT                         127B

       Bourne is driven to his knees.


FB3B   OMITTED                                                  FB3B


FB3C   INT. TANK ROOM -- FLASHBACK                              FB3C

       Bourne is dragged into a room with a large water tank. His
       hands have been bound behind his back, the sack's
       drawstring pulled tight, and he has been weighted down.
       Bourne is shoved into the water.


FB3D   UNDERWATER SHOT -- FLASHBACK                             FB3D

       Bourne falls into the water. SPLASH. He starts to sink.
       The wet sack allows us to see the outlines of his face.
       Also POVs as Bourne sinks.

                                                                  42


FB3E   SERIES OF SHOTS FROM ABOVE AND BELOW WATER --FLASHBACK      FB3E

       Bourne struggles wildly at first. Tries to get out of his
       restraints. But to no avail. SRD men watch him from the
       edge of the tank. Perhaps also on monitors.
       Expressionless.


FB3F   UNDERWATER SHOT - FLASHBACK                                 FB3F

       Bourne fights every human instinct to draw a breath.    Also
       shot from Bourne's POV:

                           HIRSCH (FILTERED, EERIE)
                 You're going to drown. There is
                 nothing you can do to prevent
                 this. Stop struggling and accept
                 it.


       Finally Bourne can't hold his breath for an instant longer.
       His mouth opens. Water rushes in. He convulses, begins to
       drown...


FB3G   INT. TANK ROOM -- FLASHBACK                                 FB3G

       Bourne's body goes limp.   SRD men watch.   No reaction.


FB3H   UNDERWATER SHOT -- FLASHBACK                                FB3H

       Bourne goes limp.   POV of him blacking out.


127B   INT. SEWELL AND MARBURY -- NIGHT                            127B

       BOURNE comes out of the FLASHBACK. As he staggers across
       the room, he notices a car arriving on the monitor...


127C   EXT. STREET                                                 127C

       A car approaches.


127B   INT. SEWELL AND MARBURY                                     127B

       Bourne snaps out of it and sees the car on a security
       monitor.


127C   EXT. STREET.                                                127C

       Agents get out of car and approach building.

                                                             43


127H   INT. DAY -- CRI HUB                                     127H

                               TECH#3
                     Sir, they're at the front door.

       VOSEN watches...


127C   EXT. NIGHT.     MADRID SAFEHOUSE                        127C

       HAMMOND AND KILEY enter the building.


127D   INT.   NIGHT.    SAFEHOUSE                              127D

       BOURNE runs water into the TEA KETTLE -- sets the trap...


128A   INT. NIGHT.     SAFEHOUSE                               128A

       HAMMOND and KILEY enter.

                                 HAMMOND
                     We're in.

       BOURNE listens from his hiding spot.


127H   INT.   DAY.    CRI HUB                                  127H

       LANDY paces.

                               VOSEN
                     Okay, put it live.


129    INT.   NIGHT. SAFEHOUSE                                     129

       HAMMOND moves quickly into the room -- gun raised.

       HAMMOND at the alarm box.

                               HAMMOND
                     Alarm's down.


127H   INT. DAY -- CRI HUB                                     127H

                               VOSEN
                     That has to be Bourne.

       VOSEN already moving to the monitor.


131    INT. NIGHT.     MADRID SAFEHOUSE                            131

       HAMMOND and KILEY -- move cautiously from room to room --
       they've done it before...

                                                                  44


                               HAMMOND
                         (into mike)
                     Safe's cleaned out.


127H   INT. CRI/GRID ROOM                                             127H

       VOSEN pacing impatiently around the speakerphone --

                                 VOSEN
                     Shit...    Track the passports.


133    INT.   NIGHT/RAIN -- SAFEHOUSE                                  133

       KILEY gestures to a light moving under a door.

       Kiley crouching...leaning in...hand on the knob, and --

       Pulls the closet DOOR OPEN --

       Nothing. Sink, dishes. a small kitchen.         And... on the
       stove...a tea kettle and a spoon...

       Which is the last thing they'll remember, because...

       BOURNE -- coming around the corner fast -- full stop and --

       BOURNE lays out HAMMOND... KILEY turns to find BOURNE --
       who takes him out too.

       Then it stops.

       BOURNE yanks the headsets.       Closes the PHONE.


127H   INT.   DAY.    CRI HUB                                         127H

       The SCREENS go black.       Silence...

                               VOSEN
                     Goddamn it! Get a back-up team
                     in there!


127D   INT.   MADRID SAFEHOUSE - NIGHT                                127D

       TEA KETTLE payoff...


127H   INT.   HUB                                                     127H

                               VOSEN
                     How long till back-up arrives?

       The hub scrambles to answer that...       Landy paces in the
       background. Suspicious of Vosen...

                                                             45


                              VOSEN
                    How long?
                        (beat, loud, to the
                         entire hub)
                    Stop! Hang on. I have an
                    idea...


136    INT. NIGHT.    MADRID SAFEHOUSE                             136

       ON A SECURITY MONITOR -- BOURNE sees another figure moving
       up the stairs...Checking his watch, reloading his gun.
       Twisting into the path to shoot as the door opens,
       hesitating because-

       It's NICKY.

       A beat -- long unbroken.

                              BOURNE
                    What are you doing here?

                              NICKY
                    I was posted here after Berlin.

                              BOURNE
                    Where's Daniels?

       The office PHONE goes. Bourne waving her to it.   She picks
       it up. He hits the speaker phone.


127H   INT. HUB                                                127H

                              NICKY (V.O.)
                    Hello.

                              VOSEN
                    Who is this?

                              NICKY (V.O.)
                    This is Nicky Parsons. Who's
                    this?

       Landy reacts to her voice...

       Both Vosen and Landy strongly suspect Bourne is there and
       listening...

       Vosen reads her "Duress Challenge" identity check off the
       screen. It reads:

       Challenge:    "Sparrow"

       Response if Under Duress:       "Ruby"

       Response if Normal:    "Everest"

                                                      46


                     VOSEN
          Nicky, I need to do an ID
          challenge first. Code in:
          "Sparrow."

Vosen looks at the screen to check her response...

                    NICKY
          Response: "Everest".

                    VOSEN
          Nicky, this is Noah Vosen. How
          long have you been on site?

                    NICKY (V.O.)
          I just walked in.

                    VOSEN
          We have two officers on site.
          Are you in contact with them?

                    NICKY (V.O.)
          They're down. Unconscious, but
          alive.

                    VOSEN
          Is there any sign of Daniels?

                    NICKY (V.O.)
          No.

                    LANDY
          Nicky, this is Pam Landy. We
          have reason to believe there is a
          connection between Neal Daniels
          and Jason Bourne.

                    NICKY (V.O.)
          Bourne, are you still looking for
          Bourne? I thought the case was
          closed.

                    LANDY
          No, some people are convinced
          he's still a threat. I disagree
          but to find out I need to talk to
          him.

VOSEN seething because LANDY has interrupted him...

                    VOSEN
          Hold on Nicky.

Vosen hits the mute button.

                    VOSEN
          What are you doing? You know
          Bourne's probably listening.

                                                              47


        Landy doesn't answer.    Vosen to Wills:

                             VOSEN
                   How long till back up arrives.

        Wills holds up three fingers.      Vosen unmutes.

                             VOSEN (CONT'D)
                       (into microphone again)
                   Listen, Nicky. I want you to
                   stay put and secure the premises.
                   It could be an hour until another
                   team arrives.

        LANDY piercing VOSEN with a look...


138     INT. SAFEHOUSE - NIGHT                                     138

        BOURNE continues to hold the gun in her face -- NICKY is
        very calm considering the predicament she is in.

                               NICKY
                   Okay.

        DIAL TONE as the line gets closed at the other end.

                             NICKY
                   They know you're here.

                             BOURNE
                   How long do I have?

                             NICKY
                   Three minutes...


138A    EXT. NIGHT.     MADRID STREET                              138A

        FLASH: TWO SEDANS squeal around a corner.      CRI
        reinforcements.


138AA   INT. NIGHT.     CRI SEDAN -- MADRID STREET             138AA

                             DELTA DUDE
                   2 minutes to safehouse.


138B    INT.   NIGHT.   MADRID SAFEHOUSE                           138B

                             NICKY
                   My car's outside.    I know where
                   Daniels is.

        BOURNE lowers his gun, grabs the phone and dials "1-1-2"

                                                             48


                            SPANISH OPERATOR (SUBTITLE)
                  Emergency operator. Where is
                  your emergency?

       BOURNE answers her in perfect Spanish with a perfect Madrid
       accent, but worked up, like a civilian would be...

                            BOURNE (SUBTITLE)
                  334 Calle Norte. I hear gunfire.
                  And men shouting. I think
                  they're Americans --

       BOURNE pushes the phone off the desk -- fires four shots
       into the ceiling -- calmly moves Nicky towards the back
       door...


127H   INT. HUB                                                   127H

                            VOSEN
                  You "disagree" he's a threat? He
                  just took out two more of my men.
                  Not to mention his ultimatum to
                  Ellatrache?

                            LANDY
                  The only way this has a happy
                  ending, Noah, is if we find a way
                  to bring Bourne in voluntarily.

                            VOSEN
                  He wants revenge, Pam. The only
                  realistic way to deal with this
                  is to eliminate the threat.


139    INT. NIGHT.   BACKSTAIRS                                   139

       BOURNE and NICKY rapidly descend.

                            BOURNE
                  Okay, where is Daniels headed?

                            NICKY
                  8 o'clock this morning, he wired
                  $100,000. to a numbered bank
                  account in Tangier.

                            BOURNE
                  Okay, Tangier is about 300 miles
                  away, we can make the morning
                  ferry.

                            NICKY
                  And then what?

                                                                   49


139A    EXT.   NIGHT -- MADRID SAFEHOUSE STREET                     139A

        Bourne and Nicky exit on to the street.     Suddenly they hear
        tires squealing nearby.

                             NICKY
                   They're coming.

        They continue to walk down the street towards Nicky's car.


127H    INT. HUB                                                    127H

        Vosen and Landy are watching this live.


        As they cross the street two MADRID POLICE CARS come around
        the corner the wrong way and screech to a stop.

        Vosen reacts...


139A    EXT. MADRID -- NIGHT                                        139A

        Four cops jump out and take aim at the AGENTS.

                             SPANISH POLICE
                   Manos Arriba! Manos Arriba!

        More sirens closing in.      A third police car appears.
        Then a fourth...


127H    INT. HUB                                                    127H

        Vosen can't believe it--


139A    EXT. MADRID -- NIGHT                                        139A

        The agents drop their guns and surrender.

        BOURNE and NICKY continue around a corner -- they get in
        her VW GOLF and drive away...


127H    INT. HUB                                                    127H

        Vosen stares at Landy.    A beat, then she walks out.

                             VOSEN
                   Issue a standing kill order on
                   Jason Bourne, effective
                   immediately.


139AB   OMITTED                                                    139AB

                                                               50


139B-C INT. NIGHT -- VOSEN'S OFFICE -- CRI                     139B-C

       VOSEN on the phone.

                           VOSEN
                 We lost Bourne.

                           KRAMER
                 You still think he's after
                 Daniels?

                           VOSEN
                 Yeah. Nicky's just the means.
                 But if we find Daniels, we'll
                 find Bourne.

                           KRAMER
                 Daniels knows way too much.
                 Daniels knows everything. We
                 can't let them meet.

                           VOSEN
                 I'll take care of it.

                            KRAMER
                 Good.
                     (beat)
                 And fill Hirsch in.     Just in
                 case.


R145   INT. NIGHT. TRUCK STOP -- SPAIN                            R145

       BOURNE and NICKY sit over coffee.    A long silence...then:

                           NICKY
                 What are you after, Jason?   Why
                 are you looking for Daniels?

                           BOURNE
                 Do you know who this is?

       Bourne puts the photo of Daniels and Hirsch on the table
       between them.    She looks at the photo, points.

                           NICKY
                 That's Daniels.
                     (points at Hirsch)
                 I don't know who that is.

                           BOURNE
                 I have to get back to the
                 beginning...or I'll never be free
                 of this.

                              NICKY
                 Who is he?

                                                                 51


                              BOURNE
                   I think he started Treadstone.    I
                   remember meeting him.   I
                   remember the first day...
                       (beat)
                   Daniels brought me to him.

       Nicky looks back at him....not sure what to say.

                             NICKY
                   What happened?

                             BOURNE
                   An initiation...I guess...


FB3B   FLASHBACK                                                     FB3B

       QUICK FLASH: Bourne, head in sack, is held underwater,
       struggling desperately for breath--


R145   INT. NIGHT. TRUCK STOP -- SPAIN                               R145

       Bourne comes out of the flashback.      Nicky is looking at
       him....

                             NICKY
                   Jason...that wasn't some one-off
                   initiation. Daniels said they
                   did that to you over and over
                   again.   That's how they...

       She doesn't finish.    And Bourne doesn't ask her to.     Just
       a long pause.

                             BOURNE
                   Why are you helping me?

                             NICKY
                   It was difficult for me...with
                   you.

       BOURNE looks up.    Another long pause...

                             NICKY (CONT'D)
                   You really don't remember
                   anything?

                             BOURNE
                   No.

       NICKY'S face.

       Two SPANISH COPS enter the cafe.

                             BOURNE (CONT'D)
                   We should move.

                                                            52


       They get up and leave...


145A   INT. VOSEN'S OFFICE -- DAY                             145A

       Vosen goes to his safe.

                              VOSEN
                        (to voiceprint mic)
                    Noah Vosen.

       Then he puts his thumb into a print reader. The safe door
       pops open. He pulls out a file marked "Top Secret."


145B   INT. DAY.    LANDY'S OFFICE -- CRI                     145B

       CRONIN makes his way down the hallway.

       LANDY works at her desk.       CRONIN enters...

                              CRONIN
                    They tracked Daniels' passport to
                    a hotel in Tangier. They're
                    holding up a bank transfer he
                    made to keep him in place while
                    they move an asset in from
                    Casablanca.

       Off LANDY.    This just keeps getting worse...


145C   INT. VOSEN'S OFFICE                                    145C

       Landy enters without knocking.

                              LANDY
                    Since when do you have
                    authorization for lethal action
                    against Daniels?

                              VOSEN
                    Since he cleaned out a Blackbriar
                    safe and fled to Morocco!

                              LANDY
                    So grab him--

                              VOSEN
                    I don't have the people on the
                    ground to do that and I'm not
                    going to risk that file falling
                    into the wrong hands.

                              LANDY
                    What's going on?    What's Daniels
                    got?

                                                            53


                          VOSEN
                What's he got? He ran all of
                Blackbriar's operations in
                Southern Europe and North Africa.

                          LANDY
                I think the world's well aware we
                have a rendition and lethal
                action capability at this point,
                Noah.

                          VOSEN
                For Christ's sake, Pam, he's got
                our entire playbook. Names,
                dates, ghost sites, how we train
                our assets.....

                          LANDY
                You still don't have the
                authority to kill him.

                          VOSEN
                Oh, yes I do, Pam.

      Vosen holds up the file we saw him pull out of his safe.
      It is labeled "Blackbriar: Lethal Action Protocol."

                           VOSEN
                That's what makes us special. No
                red tape. No more getting
                badguys in our sights and then
                watching them escape while we
                wait for some bureaucrat to issue
                the order.

      Landy opens up the file. Sees the words "instantaneous
      lethal action is authorized when..."

                          LANDY
                You just decide? No oversight.
                No checks and balances.

                           VOSEN
                Come on, Pam, you've seen the raw
                intel. You know how real the
                threat is.    We can't afford to
                have our hands tied like that
                anymore.


148   EXT. DAY. FERRY -- ESTABLISHING                            148

      BOURNE and NICKY ride the ferry from Gibraltar to
      Morocco...

                                                            54


150     EXT. DAY.   TANGIER HARBOR                               150

        They arrive and pass through CUSTOMS...


150A    EXT. DAY. TANGIER                                    150A

        DANIELS drives...


148H    OMITTED                                              148H


148A    EXT. DAY. TANGIER                                    148A

        DESH arrives, grabs a TAXI...


148B    INT. DAY. PENSIONE -- TANGIER                        148B

        BOURNE and NICKY enter a shabby room. Turn on the
        fluorescent lights...

        BOURNE tosses his BACKPACK on the bed...

        NICKY plugs her LAPTOP into the USB port...

        ON THE SCREEN, as NICKY hacks into the system...

        BLACKBRIAR...


148C    OMITTED                                              148C


148CA   INT. LANDY'S OFFICE -- DAY                          148CA

        Landy on the phone.

                              LANDY
                    It's Pamela Landy for him.
                    Would you tell him it's urgent?


148CB   INT. KRAMER'S OFFICE -- DAY                         148CB

        The phone buzzes.   Kramer picks it up.

                              ASSISTANT (PHONE V.O.)
                    It's Pam Landy. She says it's
                    urgent.

        On Kramer...the wheels turning....

                              KRAMER
                    Tell her I'm unreachable.

        Kramer hangs up.

                                                                  55


148CA   INT. LANDY'S OFFICE -- DAY                                 148CA

        Landy receives the news.... The wheels turning in her
        head.... She hangs up.    A pensive moment, then she gets
        up and heads for--


148H    INT. DAY -- CRI HUB                                         148H

        LANDY AND CRONIN enter the hub--

        VOSEN is in the middle of giving the kill order.

                               VOSEN
                     Give me the subject's location.

                               TECHNICIAN #2
                     Subject is currently on foot and
                     now entering Hotel Velazquez. 45
                     Route Commerce, Tangier.

                               VOSEN
                     Get an elevation and a floor
                     plan, tic-tac-toe. Locate the
                     room. Give the asset Daniels's
                     location and the route between
                     Daniel's hotel and the bank.


149B    INT. TAXI                                                   149B

        DESH looks down at his beeping cellphone.      It has a MAP on
        the screen.


149C    INT. HOTEL                                                  149C

        Nicky at her computer.

        SHE LOGS IN WITH HER USER I.D.

        Bourne looks on.

        TIGHT ON MONITOR: 3-D IMAGE OF HOTEL WITH DANIEL'S ICON
        PINPOINTED


148H    INT. HUB                                                    148H

        Vosen and Wills.    Landy still pacing

                               VOSEN
                     Do we have that room yet?

                               TECH 2(ARKI)
                     Yes sir Room 117.

                                                               56


                               VOSEN
                    Get the hotel's trunk line. Run
                    all calls through here with an
                    iso on 117

       TIGHT ON COMPUTER MONITOR: DESH'S ICON STOPS MOVING.


       MEDIUM CLOSE UP ON TECH

                               TECH
                    Sir, the asset is acquiring the
                    materials.


154    INT. LOCK-UP GARAGE. DAY                                     154

       DESH opens a lock-up and goes in. He comes out with a
       scooter and drives off.


149C   INT. HOTEL                                                  149C

       Nicky types on computer.    Enters search parameter: NEAL
       DANIELS. ACCESS DENIED.

                              NICKY
                    His location's being blocked.

                              BOURNE
                    Now they found Daniels, do you
                    know where he is?

                              NICKY
                    They'll get one of the operatives
                    to terminate him.

                              BOURNE
                    Find out who.


154    INT. LOCK-UP GARAGE. DAY                                     154

       Desh works on a bomb.

                              NICKY (O.C.)
                    Desh.


149C   INT. HOTEL                                                  149C

       DESH BOUKSANI's profile.

                              BOURNE
                    Tell him you're going to meet him
                    and that you have a new phone for
                    him.

                                                             57


                            NICKY
                  If you stop Desh they'll just get
                  someone else.

                            BOURNE
                  We're not going to stop him.
                  We're going to follow him. He'll
                  take us right to Daniels.


154    INT. LOCK-UP GARAGE. DAY                                   154


       CU DESH (AND INSERT PHONE) HE RECEIVES NEW ROUTING
       INFORMATION FROM NICKY.

       "Meet me Tangier Cafe Paris"

       The bomb is finished on the Work table.


154    EXT. LOCK-UP GARAGE. DAY                                   154

       Desh takes the scooter out.


154    EXT. TANGIER ESTABLISHING                                  154


155    EXT. STREET.                                               155

       Bourne and Nicky walk.

       Desh rides his scooter.


       TIGHT ON COMPUTER SCREEN: DESH'S ICON TURNS OFF COURSE.


148H   INT. HUB                                                  148H

                            TECH (LUCY)
                  Sir, the asset is deviating.

                            VOSEN
                  Find out why.


157    EXT. ACROSS FROM CAFE DE PARIS. DAY                        157

       BOURNE, recalculating. Looking around him.

       A scooter is pulling up and the driver walks toward BOURNE.


       TIGHT ON COMPUTER SCREEN: DESH'S ICON IS NOW STATIONARY

                                                               58


148H   INT. HUB                                                     148H

                            TECH (LUCY)
                  Asset unscheduled stop.


159    EXT. CAFE DE PARIS                                           159

       NICKY SITS, Desh walks up and snatches the phone off of the
       table.

       A scooter is pulling up and the driver walks toward BOURNE.
       He brushes past him, taking the key.

       Keeping DESH in sight as he returns to his Vespa and pulls
       out in to traffic.


       TIGHT ON COMPUTER SCREEN: DESH'S ICON IS MOVING AGAIN

                            TECH
                  Sir, the asset is on the move, in
                  route to subject.


148H   INT. HUB - DAY                                               148H

                            TECH #1
                  Sir, the asset is back on course.

       VOSEN looks up.

                             WILLS
                  Sir, we have an unauthorized
                  breach. Someone with active
                  system knowledge has penetrated
                  out protocols. Information was
                  passed to the asset at 14.11.
                      (beat)
                  The trace is confirmed and valid.
                  It comes from a computer
                  belonging to Nicky Parsons.

       VOSEN looks over at Landy....his wheels turning.   A series
       of cuts between them.

                            VOSEN
                  Where did the course deviation
                  occur?

                            TECH (LUCY)
                  South to Rue Belgique.
                  Stationery at Place de France.

                            VOSEN
                  That's where Parson's is.

       He pauses, deciding what course to take.    Landy watches.

                                                     59


                    VOSEN
          When we're finished with Daniels
          send the asset after her. We
          find Parsons, we find Bourne.

                    LANDY (OVERLAPPING)
              (going to Vosen, firm)
          Noah, what are you doing?

                     VOSEN
          Not now.

                     LANDY
          Now.   I want to know what's going
          on.

                     VOSEN
          Not now.

                    LANDY
          I'm asking on what basis you're
          continuing this operation.

                    VOSEN
          On the basis that Nicky Parsons
          has compromised a covert
          operation. She is up to her neck
          in it.

                    LANDY
          This is about Daniels, not Nicky!

                    VOSEN
          She has betrayed us!

                    LANDY
          You don't know the circumstances!

                    VOSEN
          She's in league with Jason Bourne
          for Chrissake!

                    LANDY
          You don't have the authority to
          kill her or Bourne!

                    VOSEN
          Yes, I do Pam, it's right here
          and it's legal.

VOSEN slams a document on the desk.   INSERT SHOT:
"Blackbriar: Lethal Action Protocol."

                    LANDY
          She's one of our own.   You start
          down this path...where does it
          end?!

                                                                  60


                               VOSEN
                     It ends when we've won.

       LANDY turns and storms out...

                               VOSEN
                     Notify the asset of the
                     additional target.

                                 BRYAN
                     Yes, sir.

       BRYAN codes in a kill order on NICKY...


164A   EXT. DAY. TANGIER                                              164A

       As he rides his VESPA, DESH receives additional target
       information..Pictures of BOURNE and NICKY.

       DESH glances in his rearview mirror -- spots BOURNE.


148H   INT.   DAY.    HUB -- MEDIUM CLOSE UP:                         148H

                               VOSEN
                     Have the bank release the funds.

       A TECH calls DANIELS.


167    INT. DAY. VELASQUEZ HOTEL                                       167

       DANIELS answers phone.

                               BANK OFFICER (FRENCH, SUBTITLED)
                     Mr. Daniels, Bank of Tangier.
                     Your funds are now available.

       Daniels leaves.


168    EXT. DAY.     TANGIER STREET                                    168

       DESH parks the motorbike and walks around the corner,
       BOURNE follows.

       DANIELS' car coming down the street.     BOURNE stops and sees
       the car -- realizes the danger.

       BOURNE turns back to see DESH with the detonator in his
       hand.

       BOURNE locks eyes with DESH.      Before BOURNE can react --
       DESH detonates.

       BOOM! DANIELS is DEAD.

                                                         61


BOURNE is thrown across the street by the blast.     He lays
MOTIONLESS.

DESH POV. He looks back to see BOURNE not moving, lying in
the street.

DESH gets on his motorbike and heads off to kill NICKY.


EXT.   PETIT SOCCO -- CONTINUOUS                               *

NICKY still at that café waiting. Taking out her phone-        *
puzzled.                                                       *

She answers. Looking around.                                   *

                     NICKY                                     *
           Code in?                                            *
               (no reply)                                      *
           Code in?                                            *

Nothing. Just the noise of traffic.                            *


EXT.   VESPA TRAVELLING                                        *

DESH on the move towards Petit Socco. On the cell - making     *
that 'silent call'.                                            *


EXT.   AVENUE D'ESPAGNE -- THAT MOMENT                         *

BOURNE'S too late- hearing the 'line busy' tone. Knows this    *
tactic.                                                        *

And those POLICEMEN are getting closer.                        *


INT.   NEW YORK HUB -- ENCRYPED AREA -- CONTINUOUS             *

Frenzied teching. A screen comes alive.                        *

                     TECHY                                     *
           We have a trace.                                    *

                     TECHY 2                                   *
           Target heading north. Rue des                       *
           Chretiens. Intercept ETA six                        *
           minutes.                                            *

                     VOSEN                                     *
           Okay, that's it.    Bar her cell.                   *
           Tie it off.                                         *


EXT.   RUE D'ESPAGNE -- CONTINUOUS                             *

DESH is disappearing from view.                                *

                                                        62


And the POLICEMEN are surrounding BOURNE. Demanding to see   *
his papers.                                                  *

BOURNE speaking in Spanish - fishing for his papers.         *
Looking back up the street. Forming a plan. Checking his     *
watch.                                                       *

More POLICE arriving now.                                    *

And DESH has disappeared out of sight.                       *

No time for this.                                            *

BOURNE breaks away. Through the crowds into the traffic.     *
Police whistles- shouting. Confusion.                        *

The chase is on.                                             *

Three policemen turning into his path. No choice. BOURNE     *
taking them down. Sprinting out across the road.             *

A KID and his moped. Caught up in the police dragnet.        *
BOURNE leaping on the bike - kick-starting it.               *

Away into traffic as two squad cars turn and make chase.     *

BOURNE weaving through traffic. One hand on the bike the     *
other on the cell, desperately trying to call NICKY.         *

But now, at least he's got a dial tone.                      *


EXT.   PETIT SOCCO -- CONTINUOUS                             *

NICKY grabbing the cell. Answering.                          *

                       NICKY                                 *
           Bourne?                                           *

                       BOURNE                                *
           Nicky?    Listen to me.   You need                *
           to -                                              *

The line goes dead. Looking at the screen - 'SERVICE         *
DENIED'                                                      *

Really spooked now- looking around. Time to move.            *

Dismantling the phone instinctively - scattering it's        *
components.                                                  *

She starts to make her way out of the square.                *


EXT.   STREETS -- CONTINUOUS                                 *

DESH through the streets-getting closer - heading towards    *
the PETIT SOCCO.                                             *

                                                         63


EXT.   MOPED TRAVELLING                                       *

BOURNE picking up the pace. Three more police cars out of a   *
side road just missing him.                                   *

BOURNE choosing his exit.                                     *

Up ahead- a narrow alleyway - taking it.                      *

The squad cars crunching to a halt, behind him.               *


EXT.   PETIT SOCCO -- CONTINUOUS                              *

DESH crossing the SQUARE weaving through a sea of push        *
bikes.                                                        *

Parking his Vespa at the corner of RUE DES CHRETIENS.         *

Travelling on foot.                                           *


EXT.   RUE DE CHRETIENS -- CONTINUOUS                         *

NICKY - trying to keep calm. Checking each alley. Moving      *
on.                                                           *


EXT.   PETIT SOCCO -- CONTINUOUS                              *

BOURNE arriving - seeing NICKY has left. Seeing DESH'S        *
Vespa parked up.                                              *

More police - on foot now.                                    *

BOURNE parking up. Seeing the crowded streets. Looking up     *
to the rooftops. He needs to get higher.                      *

Starts running up steps.                                      *


INT./EXT.   RIAD/ROOFTOPS -- CONTINUOUS                       *

BOURNE into a riad. Through a courtyard - up more stairs -    *
up a ladder. Out onto the rooftops. Scanning the skyline.     *
A beat. Has he misjudged?                                     *

No, there in the distance at the top of a narrow street-      *
NICKY walking slowly and behind DESH. Moving quickly.         *



BOURNE tailing him - trying to close the gap. Dipping down    *
through another riad - through an alley. Up more stairs.      *
Back up onto another roof. He's gained a few metres on        *
DESH.                                                         *

                                                           64


Desh goes up to the rooftops now. Bourne has him in sight -      *
DESH is prepping his gun with a silencer.                        *

DESH speeding up. BOURNE sees NICKY down below amongst the       *
crowds. In Desh's sights.                                        *

BOURNE knows he has to gain more ground.                         *

CABLE CAM shot - Two trained assassins leaping across the        *
narrow streets - silently effortlessly -- the cops down          *
below searching the alleyways, oblivious to the chase            *
unfolding above them.                                            *

BOURNE nearly on terms with him - then --                        *

DESH dipping down again into the street below.       Avoiding    *
the police -- he melts into the crowds.                          *

STEADYCAM SHOT - following BOURNE as he heads downstairs.        *
More stairs. Through a corridor then a courtyard -               *
bursting out of a door into the street -                         *

A police checkpoint. Right in his path.     Bourne forced to     *
dog leg and take another route.                                  *

BOURNE'S lost him- for the moment.                               *


EXT.   RUE DE CHRETIENS -- CONTINUOUS                            *

NICKY - walking fast up the Rue des Chretiens.       Wondering   *
why there are so many police around.                             *

Suddenly stopping - seeing DESH - knows instantly that he        *
is coming for her.                                               *

Now we see NICKY'S skills.    Has to think on her fee t-         *
TREADSTONE MINDSET --                                            *

Checking the alleyways.     Slipping out of sight.               *

NICKY looking to the rooftops -- taking the advantage.      Up   *
some steps -- into a riad.                                       *

Desh tracking her.                                               *


EXT.   RUE DE CHRETIENS -- CONTINUOUS                            *

BOURNE seeing Desh again - further up the street.      Heading   *
in that direction.                                               *


INT.   RIAD -- CONTINUOUS                                        *

NICKY through one hallway - then another.    Moving up all       *
the time.                                                        *

                                                         65


EXT.   RIAD -- CONTINUOUS                                        *

DESH arriving at the steps. Looks up to where Nicky is           *
going. Takes the entrance to the next building.                  *
Anticipates her next move. Aiming to cut her off.                *


EXT.   RIAD ROOFTOP                                              *

NICKY up steps.    Out onto the rooftops.   Looking for a path   *
across them.                                                     *

Scrabbling across the roof of this crumbling riad.    Knows      *
she can't go back down.                                          *

She makes it across to the next building.                        *

Where Desh is...                                                 *


EXT.   ANOTHER ROOFTOP -- CONTINUOUS                             *

BOURNE up high.    Seeing NICKY on that other roof.              *

He can't get across to her.    Moving fast now.                  *

Down steps.   Into the riad courtyard.                           *


INT. RIAD                                                        *

BOURNE entering the hallway.                                     *

Moving up the stairs.   Towards Nicky.                           *

And towards Desh.                                                *

Meanwhile NICKY moving down. Looking out into the                *
courtyard below. The sound of POLICE getting nearer.             *

BOURNE hearing the POLICE too as he moves up onto a              *
landing.                                                         *

                                                                 *

BOURNE into a main room - something stirring on a couch - a      *
girl and her little sister having a siesta.                      *

In another room two small boys fast asleep.    TV playing.       *
One wakes.                                                       *

A noise on the stairs above. Quickly arranging a mirror -        *
getting line of sight - Bourne dipping into a corner.            *

It's NICKY.                                                      *

She gives him a look -- DESH is in here somewhere.               *

                                                         66


The door goes below them.   The noise of Police entering the   *
Riad.                                                          *

NICKY signalling to BOURNE - this way.                         *

They climb narrow stairs to the next floor.                    *

Down below Police begin searching rooms. Waking the            *
sleeping family. Shouting, crying. Commotion.                  *


INT./EXT. -- NARROW STAIRWELL                                  *

BOURNE and NICKY creeping up the steps.                        *

Then - suddenly NICKY spinning round as two silenced           *
bullets speed past her - And DESH bursting out of a landing    *
toilet.                                                        *

On to Bourne.                                                  *

Full on Treadstone fighting in the narrow stairwell.           *

Crashing into a tiny disused lift cage- silent constrained-    *
vicious.                                                       *

Downstairs a young POLICEMAN hears the noise- heading for      *
the lift.                                                      *

NICKY seeing the handle turn. Thinking quickly.   She sends    *
the lift up to the next floor.                                 *

The POLICEMAN stepping back from the door -- directing the     *
other cops out to the courtyard.                               *

People are spilling out into the atrium.   It's pandemonium.   *


EXT.   ROOFTOP -- CONTINUOUS                                   *

Bourne and Desh spill out of the elevator and onto the         *
roof.                                                          *

BOURNE kicking the gun - spinning across the floor - he and    *
DESH facing each other.                                        *

DESH with BOURNE - straight over the edge.                     *

DESH still on top - just.                                      *

A brutal exchange. Matching each other's moves like            *
shadows.                                                       *

Relentless. Rolling - falling onto another roof level.         *

And another.                                                   *

                                                                 67


       The two men tiring now. DESH grabbing for the bag.     The            *
       pills. BOURNE kicking them away.                                      *

       BOURNE has the upper hand now.      DESH'S reaction's slowing.        *
       No longer the match he was.                                           *

       BOURNE drags him to the ground.     He's finished.   Bourne's         *
       won.                                                                  *

       DESH- shivering -- convulsing.                                        *

       In the struggle, BOURNE strangles Desh.

194    BOURNE and NICKY hide DESH's body.                              194

                             BOURNE
                   Alright, we need to be dead.    You
                   need to code that in.

       NICKY CODES into DESH'S PDA -- BOTH OBJECTIVES
       ACHIEVED...In the CRI HUB the message comes up...VOSEN and
       LANDY believe NICKY and BOURNE are both DEAD...


196A   INT. DAY. HUB -- CRI -- NEW YORK                             196A

       The code from DESH remains on screen -- BOTH OBJECTIVES
       ACHIEVED -- like an EPITAPH for BOURNE and NICKY...VOSEN
       packs his briefcase. Turns to WILLS.

                             VOSEN
                   I want to be sure. Have the
                   station chief in Rabat confirm
                   the deaths and do a sub-rosa
                   check...And keep and eye on
                   Landy.

       Off WILLS...


197A   INT. DAY.   LANDY'S OFFICE -- DAY                            197A

       Cronin enters.

                             CRONIN
                   The hub just got word Bourne and
                   Nicky are dead.

       Landy looks at him.

                                LANDY
                   Confirmed?

                                CRONIN
                   Not yet.

       Landy looks away...thinking.      Wheels turning.

                                                                  68


                             LANDY
                   Get me a copy of Bourne's
                   personnel file.


195A    EXT. DUSK. PENSIONE                                        195A

        Bourne and Nicky enter.


198A    INT. DUSK PENSIONE -- WASHROOM -- TANGIER                  198A

        BOURNE scrubs the blood from his hands.    REVEAL Nicky
        watching him from the bedroom.


197     INT. DUSK. LANDY'S OFFICE (LONELY LANDY)                       197

        Landy sits at her desk reviewing files on Treadstone. Open
        on her desk we see the file she will be looking at in the
        Supremacy phone call.

        The way she examines the papers we get the sense she thinks
        something is missing, some piece, some file.


198A    INT. DUSK. PENSIONE -- WASHROOM                            198A

        Bourne scrubbing the blood from his hands. Nicky comes in,
        touches his shoulder. There's a tenderness to it, a re-
        assurance. For a moment it looks like Bourne might
        react...but the moment passes....


197     INT. DUSK. LANDY'S OFFICE (LONELY LANDY)                       197

        Landy opens a new file.   Bourne's operations.


198A    INT. DUSK. PENSIONE -- WASHROOM                            198A

        Bourne is toweling off.

                             BOURNE
                   I can see all their faces. But I
                   can't remember any names....


197     INT. DUSK. LANDY'S OFFICE (LONELY LANDY)                       197

        Landy looks at Bourne's kills. The faces Bourne remembers.
        But there names are here, and who they were, why they were
        killed.


198AC   INT.   NIGHT.   PENSIONE -- BEDROOM/SITTING ROOM          198AC

        Bourne and Nicky sitting together.

                                                                  69


                            BOURNE
                  I was starting to remember who
                  they were...in India...with
                  Marie.

       A beat.

                             NICKY
                  It's just going to lead to more
                  killing, Jason. Are you sure you
                  want that?

       Bourne takes her words in.    But who he is is eating him
       alive from the inside...

                            BOURNE
                  I've killed people and I've tried
                  to apologize for what I've done,
                  for what I am. None of it makes
                  it better...

       Another moment passes between them...then:

                            BOURNE
                  They're going to come for you
                  again. You are going to have to
                  run now.

       She gets up.


198    INT. BATHROOM                                                   198

       Nicky dies her hair BLACK.    Starts cutting it shorter.


199    EXT.   NIGHT.   TANGIER BUS STATION                             199

       Bourne walks with a now dark-haired Nicky. They exchange
       looks for a long beat. She turns towards the bus.

                            BOURNE
                  It gets easier.


197    INT. LANDY'S OFFICE. NIGHT                                      197

       Landy finds a denotation in Bourne's file that he was
       "recruited to Treadstone by Neal Daniels."   Further down
       the   page it says "Bourne was inducted into Treadstone at
       the Special Research Department facility at 415 E 71st,
       New York, NY."    Then "Facility closed by order of
       Director, June 2002."

198C   INT. TANGIER MORGUE                                         198C

       Bourne looks at the tattered remains of Daniels' body and
       belongings.

                                                              70


        He goes through his briefcase and finds a nearly destroyed
        piece of paper with "Noah Vosen - Director of Operations -
        CRI" written on it. Bourne slips the morgue attendant a
        bribe.


198DA   INT. VOSEN'S OFFICE -- DAY                                198DA

        Vosen is shaving.

                            WILLS
                  Station chief in Rabat just
                  called, they found a body.
                  Bourne?

                               VOSEN
                  Desh.


198DB   INT. AIRPLANE -- DAY                                      198DB

        On final approach to JFK. Bourne looks out the window to
        see the Verizano Narrows bridge.   And beyond it,
        Manhattan.   Bourne is coming home.


A202    EXT. NEW YORK                                             A202

        Establishes skyline.


200     INT. LANDY'S OFFICE. DAY                                   200

                            CRONIN
                  Pam, You need to see this.

        Landy follows CRONIN into--


201     INT. CRONIN'S OFFICE -- DAY                                201

        BOURNE'S PASSPORT is displayed on the computer monitor.

                            CRONIN (CONT'D)
                  This passport just cleared
                  Immigration at JFK ten minutes
                  ago. It's an early Treadstone
                  identity registered to Jason
                  Bourne but he never used it and
                  it never went to the grid.
                  Bourne's alive.

                            LANDY
                  They don't know.

                            CRONIN
                  No, if they knew Vosen wouldn't
                  be in his office right now.

                                                             71


202    INT. AIRPORT TERMINAL                                      202

       Bourne moves through the airport.

                           LANDY (O.S.)
                 It's a hell of a risk.

                           CRONIN (O.S.)
                 Yeah. Maybe Bourne wants us to
                 know, just like Naples, maybe
                 he's communicating.


201    INT. CRONIN'S OFFICE                                       201

                           CRONIN
                 Maybe he's trying to communicate
                 with you.

                           LANDY
                 Maybe we should communicate back.
                 Because I think I know what
                 Bourne's looking for.


202    SERIES OF SHOTS                                            202

       Bourne over the 59th Street Bridge -- arrives at CRI --
       goes into the adjacent building --


202A   INT. OFFICE BUILDING ACROSS FROM CRI -- DAY               202A

       Bourne uses his monocular to zoom in on a file Vosen is
       looking at -- he sees the word "Blackbriar." Vosen puts
       the file back in the safe.


203    INT. DAY. LANDY'S OFFICE -- CRI -- NEW YORK                203

       LANDY'S cell phone rings.   She answers it.

                           LANDY
                 Pamela Landy.


204    INT. UNDEFINED SPACE                                       204

                           BOURNE
                 I hear you're still looking for
                 me.


203    INT. LANDY'S OFFICE                                        203

       LANDY puts down her pencil.   CRONIN watches.

                                                            72


                             LANDY
                Bourne?


206   INT. VOSEN'S OFFICE                                        206

      His phone rings.    He picks it up.

                          WILLS (TEL. V.O.)
                Get in here! Bourne called
                Landy!

      Vosen jumps up, sprints toward the hub--


203   INT. LANDY'S OFFICE -- DAY                                 203

                          LANDY
                I guess I owe you an apology.


207   INT. HUB -- BACK ROOM                                      207

      Vosen rushes in--

                          BOURNE (V.O.)
                Is that official?

                          VOSEN (OVERLAPPING)
                Are we triangulating?!

                           LANDY (V.O.)
                No. Off the record. You know
                how it is.

                             BACK ROOM TECH (OVERLAPPING)
                Trying--

                             BOURNE (V.O.)
                Good-bye.


203   INT. LANDY'S OFFICE                                        203

                             LANDY
                Wait.     Wait.

      She opens a file on her desk.


204   INT. UNDEFINED SPACE                                       204

      Bourne listening--

                          LANDY
                David Webb. That's your real
                name.

                                                    73


207   INT. HUB -- BACK ROOM                              207

                           VOSEN
                 Why the hell did she give him
                 that?

                           LANDY (V.O.)
                 You were born 4/15/71 in Nixa,
                 Missouri.


203   INT. LANDY'S OFFICE                                203

                            LANDY
                 Why don't you come in, and we'll
                 talk about it?
                     (beat)
                 Bourne?


204   INT. UNDEFINED SPACE                               204

                           BOURNE
                 Get some rest, Pam.


207   INT. HUB -- BACK ROOM                              207

                           BOURNE (V.O.)
                 You look tired.

      Vosen realizes--

                           VOSEN
                     (rushing out)
                 He's got line of sight on us!


203   INT. LANDY'S OFFICE                                203

      She spins to look for Bourne--


210   OMITTED                                            210


207   INT. HUB                                           207

      Vosen moving across the floor.

                           VOSEN
                 ...This is a national security
                 emergency. We have an imminent
                 threat.

                                                             74


212    INT. LANDY'S OFFICE -- DAY                                  212

       Landy takes out her gun.   Checks it.


207    INT. HUB                                                    207

                            VOSEN
                  Jason Bourne is alive and at
                  large in New York City. We
                  believe in one thousand yards of
                  this building. I want an
                  immediate twelve block lockdown
                  of the area. Send a FLASH
                  message to Langley, prep for
                  local backup assistance.


217    EXT. CRI -- DAY                                             217

       HIGH ANGLE:   Landy leaves CRI.


207    INT. HUB -- DAY                                             207

       Wills walks over to Vosen. The look in his eye indicates
       that he thinks there's something odd about this:

                            WILLS
                  Landy just left the building.

       Vosen looks at Wills.... A beat, Vosen's suspicion
       building, though he can't quite put his finger on what he
       suspects...

                            VOSEN
                  Check Landy's phone.   Is she
                  using it?


217B   EXT. NYC STREETS -- DAY                                 217B

       Landy receives a text message.


207    INT. HUB -- DAY                                             207

       Vosen leans in to the Hub's back monitoring room.

                             VOSEN
                  Nothing?   No calls since Bourne--
                  ?

                            BACK ROOM TECH
                  Wait a minute. Wait. She just
                  got a text.

                                                                 75


219    EXT. NYC STREETS -- DAY                                        219

       Landy heads for someplace -- now with purpose.


217A   INT.   DAY.    CRI HUB                                     217A

       VOSEN confers with WILLS.

                               VOSEN
                     What the hell do you mean we
                     can't read it?

                               TECH
                     Working on it--

                               VOSEN
                         (frustrated)
                     How do you know a text came if
                     you can't read it--
                         (to Wills)
                     Are we on Landy?

                                TECH
                     Six men.   More on the way.

                               VOSEN
                     I want that goddamn text.   We
                     need to get out in front of her!

                                  TECH
                     Seconds...

       VOSEN paces anxiously.

                                  TECH (CONT'D)
                     Got it!

       TECH points at big screen: "Tudor City Pl & 42nd.   Ten
       minutes. Come alone. Come on foot."

                               VOSEN
                     Surround it. Anyone not on Landy
                     goes to Tudor City. Now!
                         (to Wills)
                     Get the trucks. We're going
                     mobile.


218A   OMITTED                                                    218A


219    EXT. MANHATTAN -- DAY                                          219

       LANDY walks east toward Tudor City.   She looks around her
       for any signs of surveillance but finds nothing out of the
       ordinary.

                                                              76


221    EXT. CRI BUILDING -- DAY                                    221

       Vosen and AGENTS come running out of the front door.
       Others leave through a side entrance.   They jump in
       sedans.


221A   OMITTED                                                 221A


223    EXT. STREET.                                                223

       Landy still being trailed by foot.


222A   INT. VOSEN'S SUV                                        222A

       Vosen and agents race to Tudor city.   An electronic map on
       the dash.

                           AGENT 3
                 Copy, we're going to take a left
                 at 41st. One block, settle at
                 the corner.

                           VOSEN
                 Get the map up.

                           AGENT 4
                 It's a bad place to pick, it's
                 too exposed.

                           VOSEN
                 He wouldn't have chosen it if he
                 didn't have a reason.


223    EXT. MANHATTAN                                              223

       LANDY walks east through the crowded streets.


224    EXT. MANHATTAN                                              224

       BOURNE walks down the street, enters a building.


225    OMITTED                                                     225


225A   EXT. TUDOR CITY ROOFTOP                                 225A

       Spotter on a rooftop.

                                                              77


226    EXT. MANHATTAN -- DAY                                       226

       LANDY is on the east side now, walking toward Tudor City.
       An agents trails her on foot.   Another parallels her from
       across the street.


227    EXT. TUTOR CITY OUTSKIRTS                                   227

       SERIES OF SHOTS: CRI cars arrive, careful to stay several
       blocks from the meet site. They jump out and try to set up
       surreptitious surveillance posts.

                           AGENT 3 (V.O.)
                 Okay folks here we go, box at two
                 hundred meters. Let's lock it
                 down.


226A   INT. STAIRWAY                                            226A

       Bourne climbs stairs.


226    EXT. TUDOR CITY                                             226

       Landy walks, agents are everywhere looking for her.   Vosen
       is still in car.


226B   INT. VOSEN'S SUV                                         226B

                           VOSEN
                 As soon as you have eyes on
                 Landy, I want to know.


226    EXT. TUTOR CITY                                             226

       She becomes clear to AGENT 3.

                           AGENT 3
                 Okay, here we go.


226A   INT. STAIRWAY                                            226A

       Bourne climbs stairs.   Walks down a dank hallway.


229    INT. VOSEN'S SUV                                            229

                           VOSEN
                 Copy that, I see her.

       Landy stands on a corner waiting for Bourne.

                                                             78


                           VOSEN (CONT'D)
                 Any sign of Bourne?


229A   INT. AMBIGUOUS SPACE                                      229A

       TIGHT SHOT on Bourne's face. FAST TILT to TIGHT ON his
       hands, pulling up what seems like a piece of clear tape.
       We can't tell where we are or what he's doing.


230    EXT. TUDOR CITY                                             230

       Landy looks around.


229A   INT. AMBIGUOUS SPACE                                      229A

       TIGHT ON Bourne's hands placing the clear tape on a piece
       of clear plastic. Again we can't tell what's going on.


231    EXT. TUTOR CITY                                             231

       Agents watch Landy.


232    INT. VOSEN'S SUV -- DAY                                     232

       Vosen's cell phone rings.

                           VOSEN
                 Noah Vosen.

                           BOURNE (V.O.)
                 This is Jason Bourne.

       VOSEN reels for a beat. Then quickly scans the streets,
       trying to see if he can spot BOURNE.

                           VOSEN
                 How did you get this number?

                           BOURNE (V.O.)
                 You didn't actually think I was
                 coming to Tudor City, did you?

                           VOSEN
                 No, I guess not. But if it's me
                 you want to talk to maybe we can
                 arrange a meet.

                           BOURNE (V.O.)
                 Where are you right now?

                           VOSEN
                 In my office.

                                                                   79


                               BOURNE (V.O.)
                     I doubt that. If you were in
                     your office--


233    INT. VOSEN'S OFFICE -- DAY                                       233

       REVEAL that BOURNE is inside VOSEN'S office.

                               BOURNE
                     We'd be having this conversation
                     face-to-face.

       BOURNE hangs up. Puts a portable dictaphone up to VOSEN'S
       SAFE and his play:

                               VOSEN (TAPE V.O.)
                     Noah Vosen.

       As he places the plastic slide we saw in the ECUs into the
       fingerprint reader. The safe pops open--


234    INT.   DAY.    VOSEN SUV                                         234

       VOSEN stunned....     Is it possible?   Is it a trick?


233    INT. DAY.     VOSEN'S OFFICE                                     233

       From the safe, BOURNE scoops out the "TREADSTONE:
       Blackbriar" folder Bourne saw Vosen putting into his safe."

       He flips it open. He scans down the page.         His eye
       stopping at the words "US Citizen."

       He flips to another page -- another photo, and again "US
       Citizen."

       BOURNE shoves the folders in his backpack and leaves.


234    INT. VOSEN'S SUV -- DAY                                          234

                               VOSEN
                     This is a code ten abort, I want
                     everybody back in the vehicles
                     this is a code ten abort! Back to
                     the vehicles immediately, back to
                     CRI immediately.


237    OMITTED                                                          237


237B   INT. SERVICE STAIRS                                          237B

       Bourne rushes down with his back pack.

                                                             80


237C   INT. VOSEN'S OFFICE                                        237C

       Wills grabs the phone and hits a speed-dial:

                           WILLS
                 Bourne got into your safe!


239    EXT. MANHATTAN                                             239

       Bourne onto the street with back pack.


234    OMITTED                                                    234


238    EXT. MANHATTAN -- DAY                                      238

       SERIES OF SHOTS -- VOSEN'S SUV races, lights and sirens,
       across town. 2) Other CRI cars race back across town.


239    EXT. MANHATTAN -- DAY                                      239

       BOURNE walks out of a building, backpack over his shoulder.
       CAMERA BEGINS TO CRANE UP...

       BOURNE walks around a corner near CRI. He hears a siren
       turn on a few blocks away. Then another.   He starts to
       run.


240    INT. CRONIN'S CAR -- DAY                                   240

       A SEDAN pulls to a stop as a door comes open. CRONIN'S
       inside.   REVEAL Landy on the sidewalk. She jumps in.

                           LANDY
                 What just happened?

                           CRONIN
                 Bourne got into Vosen's safe.

                              LANDY
                 What?!

       Cronin pulls out.

                              CRONIN
                 Where to?

                           LANDY
                 415 East 71st Street.

       Cronin puts it together.

                              CRONIN
                 4.15.71...     Jesus, Pam.

                                                                81


240A    EXT. MIDTOWN WEST -- DAY                                     240A

        BOURNE walking away from CRI.

        Agents leaving a building.    Getting into unmarked sedans
        and peeling out.


240AA   INT. VOSEN'S SUV -- DAY                                   240AA

        As Vosen races across town.

                            VOSEN
                  ...I want the entire building
                  searched. Every room. Every
                  hallway. Every closet. Every
                  goddamm airduct. Do you
                  understand? I want him found!


240B    INT. CRI CAR -- DAY                                          240B

        The passenger side agent sees BOURNE, points--

        BOURNE cuts to the south side of the road so the passenger-
        side agent doesn't have a shot, while controlling the car
        makes it almost impossible for the driver to fire
        accurately.


240C    EXT. 41 STREET -- DAY                                        240C

        The westbound car cuts sharply and drives up on the
        sidewalk. But Bourne is too fast. He's already past them.
        The passenger side agent jumps out. But he's still got to
        get around the door and then move a few steps to get a bead
        over the hood of his car on Bourne.

        The other CRI car races the wrong way on the street but
        gets immobilized and trapped by the onrushing tunnel
        traffic.


242A    INT. VOSEN'S SUV -- DAY                                      242A

        Vosen and Wills race West on 41st.


242B    SERIES OF SHOTS                                              242B

        CRI cars close in -- on 42nd, on 39th, on 10th Ave.


242C    EXT. MIDTOWN WEST -- DAY                                     242C

        Bourne races through the tunnel traffic and onto 40th
        street.   He rushes east toward the spaghetti of concrete
        ramps leading into and out of Port Authority.

                                                             82


       He runs across 10th Avenue as a third CRI car screams up
       the street at him.


243    INT. VOSEN'S SUV -- DAY                                     243

       Several radios blare.

                           CRI AGENT (RADIO V.O.)
                 He's heading for Port Authority!
                 Subject up the ramp, eastbound
                 into Port Authority.

                           VOSEN
                     (to Tac Team Leader)
                 Lethal force is authorized.

                             TACTICAL TEAM LEADER
                 I told-

                           VOSEN
                 Tell them again!


258    EXT. PORT AUTHORITY -- DAY                                  258

       Bourne runs up a one lane outgoing ramp.


258A   INT. CRI CAR -- DAY                                        258A

       The driver pilots his car up the ramp behind Bourne. He
       jams the accelerator down.   He'll be on top of Bourne --
       running him over -- in seconds--


260    EXT. PORT AUTHORITY -- DAY                                  260

       A New Jersey-bound bus exits the complex and heads around
       the corner of the ramp -- it skids to a stop when it sees
       Bourne and the CRI car giving chase heading right at the
       bus.


260A   INT. CRI CAR -- DAY                                        260A

       The driver has to skid to a stop to avoid hitting the bus.
       Bourne slides between the side of the bus and concrete
       guard rail.   The driver calls it in--


261    SERIES OF SHOTS                                             261

       Cops and CRI cars close in on Port Authority.   One agent
       jumps out of his car on 8th Avenue and rushes for the
       stairs.

                                                               83


                          TACTICAL TEAM LEADER (V.O.)
                Block every exit. I want a full
                perimeter on Port Authority--


262   EXT. ROOFTOP PARKING LOT -- PORT AUTHORITY                    262

      Bourne races up a set of stairs the rooftop parking lot.
      He surveys every aspect of his environment on the fly
      (which includes his taking a quick peak over the concrete
      railing at the east end of the roof.

      Next Bourne rushes toward the parked cars. Smashes the
      window of one to set off its alarm.   Then a second and a
      third, setting off their alarms.

      The fourth window Bourne smashes in doesn't set off an
      alarm. Bourne pulls the door open and climbs in.

      Inside the car Bourne reaches under the dash and yanks
      handful of wires off the steering column and starts to
      expertly hotwire the car.


263   INT. VOSEN'S SUV -- DAY                                       263

                          TACTICAL TEAM LEADER
                    (into radio)
                Box him in! Box him in!


264   SERIES OF SHOTS                                               264

      Agents race up stairwells.   Two CRI cars careen up the
      ramp to the passenger parking (a separate ramp to the bus
      ramp we saw Bourne on earlier.) A third CRI car races
      through the parking level just below the roof and up the
      circular ramp to the roof.


      INT. VOSEN'S SUV -- DAY

                          TACTICAL TEAM LEADER
                    (to Vosen)
                He's on the roof.   He's trapped.


      EXT. ROOFTOP PARKING LOT -- PORT AUTHORITY

      Bourne works to hotwire the car.

      A CRI car gets to the roof.   Two agents come from the
      elevator lobby.   The three car alarms distract them. They
      search for Bourne, but can't find him at first...

      Bourne gets the car engine on - but, given the wonders of
      modern anti-theft technology his steering wheel is still
      locked.

                                                                84


      A second CRI car arrives.

      Bourne slams the car into low gear and backs up at high
      speed.

      He smashes into the car across the aisle from him. With a
      sharp metallic snap the wheel in Bourne's car is suddenly
      free, he jams the car into drive pulls out into lane and
      stops.

      Three CRI cars here now. Two head straight for him.   A
      third blocks the exit ramp.

      Bourne checks the rearview and sees two more agents pour
      from the elevator lobby, one carrying the serious firepower
      of an M-4 (an M-16 variant whose bullets can penetrate
      metal and concrete). They move into position to get a bead
      on him.

      Bourne assesses. But he doesn't move. The agents swarm
      toward him. What the hell is he doing? Why is he waiting?


267   INT. VOSEN'S SUV -- DAY                                        267

                          TACTICAL TEAM LEADER
                We've got him! He's got nowhere
                to run!

                          VOSEN
                Take him out!


268   EXT. ROOFTOP PARKING LOT -- PORT AUTHORITY                     268

      The agents clear their obstructions and drop their barrels
      toward Bourne--

      But before they can get a bead--

      Bourne slams the car into reverse again.   Petal to the
      metal in reverse--

      The agents open fire.

      Bourne ducks the lead slugs ripping through the windshield.
      But there's no dodging the shower of broken glass.

      As Bourne disappears below the dashboard, the CRI agent
      adjusts his fire into the car's grill.

      Virtually blind, Bourne races the hard-pressed vehicle
      backwards as the agent's fire decimates the car's
      driveline.

      Bourne slips the car into neutral and takes a quick peek
      behind him.

                                                            85


      Steers still speeding but quickly dying car towards a small
      gap between two parked cars at the edge of the parking
      structure.

      Bourne's car splits the gap between the parked cars, hits
      the base of a low angled wall that slams the back of his
      car up and over the wall.

      Bourne is pounded as his car jounces onto the wall, a
      second later the front end seesaws over the top, the sudden
      angle change exposes for an instant the bottom of Bourne's
      car, to the shooters.

      Several rounds rip through the floorboard and tear past
      Bourne's head just before his car drops upside down for 25
      feet and slams onto a row of parked cars.

      The impact rips Bourne from the seat and slams him hard
      against the roof.

      Bourne struggles out of the car, knowing he has only a
      moment before the armed agents will fire down into his over-
      turned car.

                           CRI AGENT
                 Ho-ly shit!


269   INT.   VOSEN'S SUV -- DAY                                   269

                           VOSEN
                     (practically screaming
                      into his handheld)
                 He did what?!


270   EXT. ROOFTOP PARKING LOT -- PORT AUTHORITY                  270

      The CRI agents race to the spot where Bourne's car
      disappeared over the railing and reflexively fire into
      Bourne's car but they're too late! Bourne's already out.
      He disappears from sight under the covered parking
      structure.

                           LEAD CRI AGENT
                 Get down there! Get down!


271   INT. VOSEN'S SUV -- DAY                                     271

      As it speeds toward the spaghetti of ramps leading in and
      out of Port Authority -- two blocks away.

                           TACTICAL TEAM LEADER
                 Who has eyeball on him?! Who has
                 eyeball?!

                                                               86


271A    EXT. ROOFTOP PARKING LOT -- PORT AUTHORITY                271A

        One of the agents scrambles over the edge and starts to
        climb down. Other agents race for the stairs.

                            TACTICAL TEAM LEADER (V.O.)
                  Don't tell me--


274     INT. VOSEN'S SUV -- DAY                                     274

                            TACTICAL TEAM LEADER
                  --you've lost him! Who's on
                  street level?! Street level
                  backup?!

        Clearly there is no one down there. Bourne's car jump from
        the roof has completely flat-footed them.

                            VOSEN
                      (to Wills)
                  Get NYPD backup! And FBI, DEA,
                  any other federal assets we can
                  draft!


A274A   OMITTED                                                   A274A


274A    INT/EXT. CIRCULAR RAMP                                    274A

        Two CRI cars race down from the roof to try to get to the
        level Bourne's on.


275     INT./EXT. PARKING GARAGE -- TWO LEVELS BELOW ROOFTOP        275

        Bourne cuts off a guy cruising for a parking space and
        pulls him from his car and races away as the agent from the
        roof lands hard behind him.

        Bourne's race to the exit is cut off as a 3rd CRI sedan
        slides into view and it's occupants open fire on Bourne in
        a head on charge.

        The just stolen vehicle takes heavy fire as Bourne reacts
        instantaneously; thumbing on the cruise control,
        shouldering his door open, and slamming the gas pedal to
        the floor as he dives out of the car.

        The agents react as Bourne's sedan torpedoes them head on.
        Hit hard they're taken out of the fight as metal collapses,
        glass shatters, and airbags explode.

        Bourne tumbles to a stop at the rear of a parked car as his
        car implodes against the oncoming agents.

                                                       87


Instantly Bourne is on his feet, moving between the parked
cars to engage another CRI sedan traveling parallel to the
course of the wrecked one.

The agents in this sedan are distracted by the still
echoing crash and are caught off-guard as Bourne steps out
and points his gun at the driver.

The driver ducks and floors his gas pedal in a desperate
effort to save his own life. As the sedan suddenly
accelerates, Bourne deliberately shifts his aim to the
sedan's front tire and fires.

The tire explodes and the car suddenly veers left and slams
into a parked car, pitching the driver violently against
the unyielding interior of the sedan.

An instant later Bourne rips the radio off the dazed
drivers belt just before he cold cocks him with it.

With the wreck still echoing through the garage Bourne has
to deal with the arrival of the first NYPD sedan.

Bourne takes on the persona of an alarmed witness as the on
edge cop climbs out of his car but Bourne's performance is
cut short as the agent running from his drop from the roof,
arrives and opens fire.

The police officer goes down in the hail of gunfire as
Bourne turns and expertly drops the gunman with a single
shot.

The increasing volume of squealing tires alerts Bourne to a
new threat, he pulls the officer into some cover and grabs
the officer's radio.

                   BOURNE
          10-13. Shots fired. Officer
          down. Port Authority parking
          lot. Level four.

Bourne rips a piece of his sweater off and ties a makeshift
tourniquet for the officer.   Then he hands the cop his
radio back.

                    BOURNE (CONT'D)
          Stay out of sight until one of
          your own arrive.

Bourne disappears.

We pick him up as he jumps into the cops car and guns the
engine and heads for the exits.

CRI agents are confused for a second -- until they pick up
the NYPD car exiting Port Authority on one of the ramps.
But that's all the time Bourne needs--

                                                               88


276    OMITTED                                                      276


277    EXT. CROSSTOWN STREET -- DAY                                 277

       Bourne turns on his lights and siren and speeds east,
       followed closely by a CRI sedan.

       As cars yield to Bourne's siren a taxi tries to jump into
       Bourne's wake but a CRI sedan punches the taxi back to the
       right. It ricochets off several parked cars before
       regaining control.


277A   OMITTED                                                  277A


280    OMITTED                                                      280


281    EXT. CROSSTOWN STREET -- DAY                                 281

       Bourne struggles to keep his over-matched vehicle ahead of
       the more powerful CRI Sedan which tries to spin Bourne out
       by hitting his bumper.

       Bourne tacks right quickly and barely avoids a stopped car.
       The CRI sedan flanking Bourne's slams into the rear of that
       car, spinning it 180 degrees into the path of the trailing
       CRI sedan which destroys itself in the resulting collision
       and blocks the path of the other CRI sedan.


282    INT. BOURNE'S CAR -- DAY                                     282

       Bourne is home free. He looks around and spots a sign that
       indicates a right turn and says "To Holland Tunnel / US
       95." Bourne turns right--

       Suddenly the window next to his head explodes as two more
       shots rip through his door to tear a jagged wound into the
       top of Bourne's leg.

       REVEAL Paz, his SUV racing along the curb lane. As
       Bourne's car crosses in front of a small car stopped at the
       intersection Paz swerves his car into that car and punches
       it into the side of Bourne's car.

       Bourne's car is knocked spinning, Paz keeps charging
       forward and slams into the back of Bourne's car. With his
       front tires spinning wildly Bourne fights to straighten his
       car as another CRI sedan appears and tries to box Bourne's
       car by sliding into his path.


283    OMITTED                                                      283

                                                                89


284    EXT. MANHATTAN STREET -- DAY                                  284

       Bourne just manages to punch his car into the right rear of
       the CRI Sedan and race down the Avenue with Paz and the
       slightly damaged sedan in pursuit.

       Paz gains on him and Bourne is forced to swerve violently
       to deny Paz the kill shot he is all too capable of.

       Just ahead of Bourne, two government SUVs slide into the
       intersection completely blocking his path.

       Bourne instantly spins his car 180 degrees and continues
       on, barreling into the roadblock backwards.

       As Bourne's car plows through the SUV's he whips the wheel
       and his car spins through a reverse 180 as Paz and the
       other sedan race through the wreckage in Bourne's wake.

       Paz and the CRI sedan are all over Bourne as he slides a
       right hand turn onto South St. as Paz and the CRI sedan
       overwhelm Bourne's battered vehicle.


284A   OMITTED                                                    284A


287    INT. BOURNE'S CAR -- DAY                                      287

       On his police radio, Bourne singles out an NYPD officer
       (call sign Alpha-2503) racing toward the intersection just
       ahead.

       Bourne slows, then speeds up quickly to time it right:

       The CRI car almost hits his bumper, then has to accelerate
       through the upcoming intersection. As he does, the cop car
       Bourne was listening to on the radio slams broadside into
       the CRI sedan drafting the bumper of the mangled cop car.

       Swerving wildly Paz avoids the pileup and slams his heavy
       SUV into the back of Bourne's car, pushing him into the
       oncoming traffic.

       Several cars swerve left and right as Paz pushes Bourne
       sideways onto the ramped end of a K-Rail dividing the
       street ahead.

       The nearly upended car grinds down the K-Rail until the
       rear of Bourne's car strikes an obstruction which punches
       it back into the lane as it slams against the front of
       Paz's SUV, knocking the SUV sideways, into a row of parked
       cars.

       Bourne's car hits parked cars on the other side of the
       road.

       SMOKE and STEAM -- SIRENS -- CHAOS

                                                               90


        BOURNE kicks the window out of the police car.   Gun up...
        Ready--

        NEARBY

287A    PAZ in the car. Still. Bloody from the crash, really 287A
        fucked up. He comes to...and Bourne is there. Gun pointed
        at his head...

        The two assassins look at each other...then Bourne lowers
        his gun...and disappears...

        ON PAZ -- as the wheels start to turn...


287B    INT. HUB                                                  287B

                             WILLS
                   The asset lost Bourne.   We lost
                   him.

        Vosen reacts--


289     EXT. UPPER EAST SIDE -- LATE AFTERNOON                       289

        Bourne exits from the subway.   Bourne walks north.


A288A   INT. HUB                                                A288A

        Wills pacing... Bourne's profile is up on Screen 2. It
        says "David Webb (AKA Jason Bourne)" on the profile.  A
        tech comes to Wills.

                             TECH
                   Sir, this may be nothing but,
                   look at Bourne's birthday.

        Wills looks at the profile.   Bourne's birthdate is listed
        as 9/13/70.

                             WILLS
                   What about it?

                             TECH
                   Well, Landy told Bourne his
                   birthday was 4/15/71 so...

        Wills gets it instantly.

                             WILLS
                   Everything stops.
                       (to the room now)
                   EVERYTHING STOPS! LISTEN UP!
                       (they're listening)
                   New assignment. Numbers. Four.
                             (MORE)

                                                               91

                             WILLS (cont'd)
                  Fifteen. Seventy-one. What do
                  they mean?

       Wills grabs his headset--


288A   EXT. CRASH SITE -- DAY                                   288A

       A CRI agent approaches Vosen.

                            CRI AGENT
                  Landy gave Bourne a false
                  birthday. Wills thinks it's a
                  code.

       It sinks in for Vosen...oh...shit...


289    EXT. SEVENTH AVENUE -- DAY                                   289

       BOURNE emerges into the crowed street, headed uptown.


289A   INT. HUB                                                 289A

       Wills watches the techs work.

                            TECH #3
                  -- if you plug them in as
                  variants of latitude and
                  longitude you get Cameroon --
                  Peru -- Colombia --

                            TECH #2
                  -- San Francisco's got a four-one-
                  five area code --

                            TECH #1
                  -- 41571 is the zip code for
                  Varney, Kentucky --

                            TECH #4
                  -- there's no 415 West 71st
                  Street, but there is a 415 East
                  71st --

                             TECH #1
                  -- if it's a substitution code,
                  we're way short on variables,
                  which I --
                      (no chance to finish as--
                       )

                            WILLS
                  --hang on -- wait -- Seventy
                  First Street? Like what? Like
                  York and First?

                                                                  92


                           TECH #4
                 That's correct.

       Wills like he's been hit.   Like hard.   As we cut to --


289B   INT. VOSEN'S SUV -- DAY                                     289B

       They race uptown.

                            WILLS
                 She gave him the facility.     She
                 gave him--

                            VOSEN
                     (into cell phone)
                 I know.
                     (to driver)
                 Go! Go! Drive!
                     (into cell phone)
                 We're already on our way. Turn
                 the teams around. Bring them in
                 behind me.


291    OMITTED                                                         291


292    OMITTED                                                         292


303    INT. VOSEN'S SUV -- LATE AFTERNOON                              303

       Vosen steely eyed as they race uptown.    He dials a number--


304    EXT. UPPER EAST SIDE -- LATE AFTERNOON                          304

       Bourne reaches 71st street and 2nd Ave.    He looks up at the
       sign...


306    INT. HIRSCH'S OFFICE   (NEW BUILDING OF HOSPITAL) -- LATE 306
       AFTERNOON

       Hirsch's office is located in the SRD's "front office",
       which is located covertly on a floor of the new building of
       the hospital. He is the longtime head of SRD and a
       powerful behind-the-scenes official at CIA.

       THE CAMERA FINDS

       DR. HIRSCH, 70, is, put simply, not a man to be trifled
       with. He's a 45 year CIA veteran. One of the great brains
       in the Agency's history, but also a man who knows how to
       wield power silently, invisibly, and to tremendous effect.
       His phone buzzes.

                                                               93


                               DR. HIRSCH (INTO PHONE)
                   Hello.


306A   INT.   VOSEN'S SUV -- LATE AFTERNOON                     306A

       VOSEN at the other end of the line --

                             VOSEN (INTO PHONE)
                   Bourne knows everything. I think
                   he's heading for you right now.

       Dead pause.


306    INT. HIRSCH'S OFFICE (NEW BUILDING OF HOSPITAL)-- DAY        306

                             HIRSCH (INTO PHONE)
                   He's coming home, Noah.

       There's a wistfulness in the way he says it. But also the
       sense that this was absolutely inevitable. And he's calm
       about it, doesn't show any fear, doesn't reach for a gun.

                             HIRSCH (INTO PHONE)
                   How long do I have?

                               VOSEN
                   Not long.    Get out of there.

                              HIRSCH
                   No.   I'm going to stay.

                             VOSEN
                   Are you crazy, he'll--

                             HIRSCH
                   He'll come to the training wing.
                   That's what he knows. I'll keep
                   him in play until you arrive.


309R   EXT.   NEW YORK -- HOSPITAL -- LATE AFTERNOON            309R

       Bourne arrives at the "Johnston Medical Center."   He looks
       up to see "415".

FB5    FLASHBACK                                                    FB5

       The image of "415" that has been haunting his dreams.


309    EXT.   NEW YORK -- HOSPITAL -- LATE AFTERNOON                309

       This is the place... When he looks down Landy steps out of
       the lobby to meet him on the sidewalk.

                                                                94


                             BOURNE
                   They'll kill you for giving me
                   this place.

                             LANDY
                   4/15/71 isn't much of a code. My
                   guess is Vosen's already on his
                   way.

                             BOURNE
                   Why'd you do it?

                             LANDY
                   This isn't us, David. What they
                   turned you into, what they're
                   doing with Blackbriar... This
                   has to stop.

                             BOURNE
                   Then stop it. Everything you
                   need is in there.

       Bourne hands her the black bag and enters the hospital.

                             LANDY
                   David... Come in with me. It's
                   better if we do this together.

                             BOURNE
                       (shakes head)
                   This is where it started for me,
                   this is where it ends.

       She watches the doors close behind him....     Landy lets him
       go.


323    EXT. NYC STREETS -- LATE AFTERNOON                            323

       QUICK SHOTS of six different CRI sedans and SUVs rushing
       toward the hospital.


309R   EXT. HOSPITAL -- LATE AFTERNOON                            309R

       Landy looks in the backpack.

       JUMPCUTS:

       --She unzips the backpack and looks in at the the
       Blackbriar Operations File.

       --A cover page inside: "utmost secrecy"... "potentially
       explosive public reaction would jeopardize the program"...

       --Another page: "Terminated" stamped across the photos of
       victims. Next to the victim from the inciting incident,
       the words: "US citizen"...

                                                                95


                           LANDY
                 Oh, my God...

       --A third page, more photos, no "terminated" on these.
       Future victims. "US citizen" stamped next to each one...


310    INT. HOSPITAL -- LATE AFERNOON                                310

       Bourne uses the card reader he took from Vosen's safe to
       enter a "restricted access elevator."   A guard comes.
       Bourne aims his pistol at him as the elevator door closes.


309R   EXT. FIRST AVENUE -- OUTSIDE HOSPITAL --    LATE AFTERNOON 309R

       Landy walks down the street. She looks up to spot two
       black sedans speeding east on 71st, turns south -- two SUVs
       coming up York.   Shit--


323    INT. VOSEN'S SUV -- LATE AFTERNOON                            323

       A block south of the hospital, stuck in traffic, Vosen
       points.

                           VOSEN
                 Landy! Right there!    She's got
                 Bourne's backpack!


310R   INT. 8TH FLOOR ELEVATOR LOBBY -- LATE AFTERNOON            310R

       Bourne flips up the elevator stop button and uses the
       access card to enter a secure corridor--


323    INT. LOBBY -- LATE AFTERNOON                                  323

       Landy runs across the lobby.


323    EXT. FIRST AVENUE -- LATE AFTERNOON                           323

       Vosen's SUV careens to a stop behind a bunch of traffic.
       Still a half block from the entry door but it's close
       enough--


322    INT. CORRRIDOR                                                322

       Bourne rushes down a nondescript corridor--


325    INT. HOSPITAL LOBBY -- LATE AFTERNOON                         325

       Vosen and CRI agents rush into the lobby.

                                                                   96


                             VOSEN
                       (to a group of six
                        agents)
                   I'll find Landy. You get to the
                   training wing and get Bourne!

       A security guard comes over.

                             VOSEN
                   Do you know who I am?
                       (the guard nods)
                   Where's your security room?


324    INT. HOSPITAL CORRIDOR                                           324

       Landy looks around. Finds an open office. She pushes open
       the door and runs to the fax machine. She starts faxing
       the Blackbriar documents Bourne took from Vosen's safe.


324A   INT. SECURITY ROOM -- LATE AFTERNOON                         324A

       Vosen enters.

                             VOSEN
                   I want to see all your footage
                   for the last three minutes.


322    INT. SRD TRAINING WING (OLD BUILDING OF HOSPITAL) -- LATE 322
       AFTERNOON

       Bourne stares down the corridor from his dreams, the
       corridor Daniels lead him down in his flashback.

       We see Bourne go into--


FBA3   FLASHBACK                                                    FBA3

       That first day, Bourne's POV being led down this corridor
       by Daniels.


322    BACK TO SCENE                                                    322

       Bourne moves down the corridor.


322    INT. SRD TRAINING WING (OLD BUILDING OF HOSPITAL) -- LATE 322
       AFTERNOON

       Bourne reaches the end of the hall.       He looks around
       "flashback style" --

                                                                97


FBB3   FLASHBACK                                                 FBB3

       Bourne was standing at this door....


331    INT. OFFICE -- LATE AFTERNOON                                 331

       Vosen enters the room.    The last pages have been faxed...

                             LANDY
                   You better get a good lawyer.

       She exits...


322    BACK TO SCENE                                                 322

       Then spins, gun up--

       Hirsch is there, halfway down the corridor behind him.

                             HIRSCH
                   Put the gun down. I wouldn't be
                   here if I didn't want to talk.

                              BOURNE
                   I've spent three years running.
                   Three years trying to find out
                   who I was.

       Hirsch moves toward Bourne, completely unfazed by the gun.

                             HIRSCH
                   You still don't have it all back,
                   do you? You haven't filled in
                   all the pieces?

                             BOURNE
                   Let's start with the moment you
                   found out I wouldn't execute
                   Wombosi. The amnesia wasn't the
                   issue, it was the fact that I
                   didn't pull the trigger....

                             HIRSCH
                   One lapse meant your conditioning
                   had failed.

       Bourne grabs Hirsch and slams him against the wall

                             BOURNE
                   It was always you, behind
                   Conklin, behind Abbott.... They
                   were just following orders.

       Bourne grabs Hirsch and pushes him to the wall.   Searches
       him for weapons.

                                                             98


                             HIRSCH
                       (completely calm)
                   I'm unarmed, Jason.

                             BOURNE
                       (shoving Hirsch hard
                        against the wall)
                   "David." I'm David Webb.

       CLOSE ON Bourne's face--

                             HIRSCH
                   You were David Webb, but not
                   anymore.


322    INT. SRD TRAINING WING CORRIDOR -- LATE AFERNOON           322

       Bourne stands with Hirsch.

                              BOURNE
                   Why me?   Why did you pick me?

       A beat...

                               HIRSCH
                   You really don't remember, do
                   you?
                        (beat)
                   You picked us, Jason.

                             BOURNE
                   What does that mean?

                             HIRSCH
                   You volunteered.

       Hirsch uses his free hand to hit the keypad on the wall.
       The "room in use" sign lights up.

       Bourne looks up "flashback style"--


FBA1   FLASHBACK                                                  FBA1

       Bourne remembers that keypad, that "room in use" sign from
       the first day...


322    INT. ROOM WHERE BOURNE FIRST MET HIRSCH                    322

       Bourne and Hirsch enter...

                             HIRSCH
                   You volunteered right here....
                   You didn't even blink, Jason.
                   You just handed me these...

                                                             99


       Hirsch removes a pair of dog tags from his jacket pocket.
       Holds them out to Bourne.

       Bourne takes the dog tags.        Stares at them.

       INSERT of the dog tags:

       Webb, David

       946610190

       O Negative

       Catholic


FB9    FLASHBACK                                                   FB9

       Bourne hands over his dog tags....


                              HIRSCH (CONT'D)
                    Has everything been explained to
                    you.

                                BOURNE
                    Yes, sir.

322    PRESENT DAY                                                 322

                              HIRSCH
                    You were a soldier ready to serve
                    his country. Just like thousands
                    of others, except you were a
                    prodigy with languages...and a
                    perfect shot.

FBB3   FLASHBACK                                               FBB3

                              HIRSCH (CONT'D)
                    Your missions will save American
                    lives.


322    PRESENT DAY                                                 322

                              BOURNE
                    You said I'd be saving American
                    lives. Instead you just turned me
                    into a killer.

       Bourne raises the gun to Hirsch.

                              HIRSCH
                    You could have left at any time.
                    And you knew exactly what it
                    meant for you if you chose to
                    stay.

                                                               100


FB9    FLASHBACK                                                     FB9

                              HIRSCH
                    When we're finished with you,
                    you'll no longer be David Webb.

                              BOURNE
                    I'll be whoever you need me to
                    be, sir.


322    PRESENT DAY                                                   322

                              HIRSCH
                    Stop running from the truth,
                    Jason. You chose to come here!
                    You chose to stay! And no matter
                    how much you want to forget
                    it...eventually you're going to
                    have to face how you chose, right
                    there, to become Jason Bourne!



FB10   FLASHBACK:                                                 FB10

       Bourne sitting in a chair, looking terrible.     Hirsch looks
       at him from behind the desk...

                              HIRSCH (CONT'D)
                    You haven't slept for a long time
                    have you David? Have you made a
                    decision? This can't go on, you
                    know. You have to decide.

                                 BOURNE
                    Who is he?

                              HIRSCH
                    We've been through that.

                              BOURNE
                    What did he do?

                               HIRSCH
                    It doesn't matter.
                        (beat)
                    You came to us. You volunteered.
                    You said you'd do anything it
                    takes to save American lives.
                    You're not a liar are you? Or too
                    weak to see this through? This is
                    it. Let go of David Webb. Will
                    you give yourself to this
                    program?

                                                             101


      Bourne looks down, a gun in his hand. He gets to his feet
      swiftly and fires the pistol several times into a hooded
      figure. The man slumps over.

      Bourne stares at what he's done.

                          HIRSCH (CONT'D)
                You're no longer David Webb.
                From now on you'll be known as
                Jason Bourne. Welcome to the
                program.

      Daniels pulls the hood off the figure to show that he is
      dead.

      Just then Kramer walks through the door.

                          KRAMER
                He's ready. Send him to
                Operations.


322   PRESENT                                                      322

      And now, in real time, Bourne comes out of the flashback.
      He stares back at Hirsch....

                          HIRSCH
                Do you remember now?

      Bourne lowers the gun.

                          BOURNE
                I remember. I remember
                everything.

                          HIRSCH
                You can't outrun what you did,
                Jason. You made yourself into
                who you are.

                          BOURNE
                I'm done running.  That's why
                I'm here. To end you, to shut
                this down. I'm no longer Jason
                Bourne.

                          HIRSCH
                So now you're going to kill me?

                          BOURNE
                No. You don't deserve the star
                they give you on the wall at
                Langley.

      Just then Bourne spins -- agents arrive at the door.    It's
      locked.

                                                            102


322   INT. HALLWAY                                                322

      The agents fire at the door handle to get it open.


322   INT. ROOM WHERE BOURNE FIRST MET HIRSCH                     322

      Bourne looks out a window.   Sees the layout of a roof
      several stories below. Then he turns and shoots out the
      room's mirrored observation window. Bourne dives through
      it just as agents rush in and open fire at him.


      SERIES OF SHOTS

      Bourne races through corridors, loosing the CRI agents.


352   EXT. ROOF -- NIGHT                                          352

      Bourne runs out onto the roof. Rushes across it to look
      over the edge.   It's a straight drop to the FDR -- 12
      stories down.

      He races to another ledge -- the East River below him. But
      he has to clear a 10 foot supporting wall at the base of
      the building to hit the water.   He backs up to get a
      running leap.

      As he does, he turns and sees Paz, who is holding a gun on
      him.

                             PAZ
                   Why didn't you take the shot?

      Bourne looks at him.

                             BOURNE
                   Do you even know why you're
                   trying to kill me? Look at what
                   they make you give.

      Bourne turns and runs off the roof.

      Paz fires into the air...

      FOLLOW Bourne as he drops fourteen stories into the
      freezing river--

      MULTIPLE ANGLES -- Bourne goes into the river...


352   UNDERWATER                                                  352

      Bourne in a dead man's float...as his clothes soak through
      he begins to sink....

                                                            103


      PULL BACK...farther and farther from Bourne's dead still
      sinking....as OVERLAPPING, INTERWEAVING VOICE OVERS begin:

                             ANCHOR 1 (V.O.)
                   FBI agents arrested several
                   senior CIA officials today in
                   connection with the broadening
                   scandal enveloping Washington
                   today--

                             ANCHOR 2 (V.O.)
                   Assassination program code-named
                   "Blackbriar" was exposed by a
                   former assassin named David Webb--
                   -

                             ANCHOR 3 (V.O.)
                   Program reportedly targeting US
                   Citizens in some cases...

                             ANCHOR 4 (V.O.)
                   CIA Director Ezra Kramer produced
                   explosive documents for the
                   Senate Committee indicating
                   "Blackbriar" was authorized at
                   the highest levels of government.


356   INT. BAR -- URUGUAY -- SUNSET                               356

      Nicky goes to the bar of at a low end tourist bar with
      several other customers.   She stands there, eyes fixed on
      a TV behind the bar:

                             ANCHOR 5 (V.O., CONT'D)
                   Webb, who was known inside the
                   intelligence community, as "Jason
                   Bourne" jumped from the
                   fourteenth floor of the CIA
                   facility where he was trained in
                   New York into the East River
                   below.   While experts say it
                   would be nearly impossible to
                   survive the fall, despite two
                   weeks of efforts, his body has
                   still not been recovered.

      PUSH in on the smile that develops on Nicky's face.   As we
      CUE the Moby "Extreme Ways" sting---


352   UNDERWATER                                                  352

      Bourne's body sinking toward the bottom...when all of a
      sudden it comes to life -- arms together, legs kick
      powerfully--

      And Bourne swims away...

          104




 THE END



Bourne Ultimatum, The



Writers :   Tony Gilroy  Scott Z. Burns  George Nolfi
Genres :   Action  Adventure  Mystery  Thriller


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