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ALL SCRIPTS






                            PAPADOPOULOS & SONS



                                Written by

                              Marcus Markou




                                      Final Version with Dialogue Changes
                                                                 03.04.12


    Music. Zorba - the Ballet by the Hungarian State Symphony.
    Classical and uplifting.

                                             CUT TO:

1   EXT. PAPADOPOULOS MANSION - GARDEN. DAY 1.                   1

    A very English scene - a beautiful English garden belonging to a
    mansion house. A smartly turned out gardener in green overalls
    is raking leaves. It's an impressive picture of Britishness and
    order. Another gardener, DAVE is trimming the edge of the lawn.
    We see shots of the garden; plants, trees, a gazebo, sundial,
    water fountain etc. We follow one of the gardeners pushing a
    wheelbarrow across the width of the lawn and we see the rear of
    this impressive property.

    Title: 'PAPADOPOULOS & SONS'

                                             CUT TO:

2   INT. PAPADOPOULOS MANSION - INTERIOR. DAY 1.                 2

    MRS PARRINGTON knocks on a bedroom door. The door opens on HARRY
    PAPADOPOULOS in his bedroom doing up his shirt in a mirror.

                                             CUT TO:

3   EXT. PAPADOPOULOS MANSION - DRIVEWAY. DAY 1.                 3

    A chauffeur-driven Mercedes pulls up to the front of the mansion
    house. MRS PARRINGTON, the housekeeper and nanny, waits for the
    car. HARRY and his children, JAMES, KATIE and THEO exit through
    the front door. As they do so, MRS PARRINGTON makes sure the
    children are smartly turned out. The chauffeur gets out and
    opens the door for the children.
                                             CUT TO:

4   EXT. CAR MONTAGE. DAY 1.                                     4

    We see the car make its way through London and images of the
    City, the Gherkin, NatWest Tower, Canary Wharf. The Mercedes
    pulls up outside a hotel.

                                             CUT TO:

5   INT. LONDON HOTEL - AWARDS CEREMONY. DAY 1.                  5

    A PRESENTER is standing behind a lectern, with a large crystal
    vase award. Behind him, on the stage, we see a 'European
    Entrepreneur of the Year Award' banner.

                        PRESENTER
              Orphaned when he was just a boy, Harry
              Papadopoulos came to this country with
              nothing.


                                                       (CONTINUED)
                                                             1
          
5   CONTINUED:                                                 5

    We cut to the family seated at a round table. The children look
    bored. HARRY listens proudly.

                        PRESENTER (CONT'D)
              Harry was a grafter, entering the
              restaurant trade as a young man.
              (Beat) That's a euphemism for 'Greek
              waiter' isn't it?

    There is some laughter in the audience. We cut to HARRY again,
    who attempts to smile off the joke.

                        PRESENTER (CONT'D)
              Only joking Harry. He then started the
              now famous Papadopoulos & Sons - doing
              all things Greek. From taramasalata to
              olive oil and frozen mousakas - which,
              I must admit, my wife and I are
              partial to occasionally. Not one to
              settle, Harry's made the move into
              commercial property where he's about
              to embark on one of the most audacious
              developments yet - Papadopoulos Plaza.
              A two million square foot
              redevelopment in the heart of our
              great city. (Applause from the
              audience) Ladies and Gentlemen, I give
              you European Entrepreneur of the Year.
              Harry Papadopoulos.

    Awards music. We now cut to HARRY getting up from the table. He
    momentarily acknowledges the applause. The children are clapping
    politely but absently.

                                             CUT TO:
6   INT. LONDON HOTEL - SMALL FUNCTION SUITE. DAY 1.           6

    It's the photo call for 'European Entrepreneur of the Year.' A
    PHOTOGRAPHER is taking shots of HARRY holding his award. KATIE,
    JAMES and THEO stand alongside their father. The children look
    disinterested.

                        PHOTOGRAPHER
              That's lovely. (Referring to the
              vase) Now just hold it up a bit for
              me. Yeah, that's nice. Bunch up a
              bit.

                        HARRY
              Just look at the camera.

                        PHOTOGRAPHER
              A little bit more. Perfect. Now
              touch the vase for me, if you don't
              mind.


                                                       (CONTINUED)
                                                             2
          
6   CONTINUED:                                                 6

                        KATIE
              Touch it? What a perv.

                        JAMES
              (With a stammer) Katie. You're the
              p... p... perv.

                        KATIE
              And you're the f.. f.. freak.

                          HARRY
              Shush.

                        PHOTOGRAPHER
              Come on guys. Big smiles. Big smiles
              for me.

                        THEO
              Did you really work in a restaurant
              Daddy?

                        HARRY
              A long time ago. Touch it.

                        PHOTOGRAPHER
              Guys. This is supposed to be a
              celebration. What's the Greek word? Is
              it Opa? Opa?

                        HARRY
              Touch the vase.

    The family touch the vase and force a smile.

                          THEO
              Cheese!!!
                                              CUT TO:

7   INT. PAPADOPOULOS MANSION - KITCHEN. EVENING 1.             7

    MRS PARRINGTON is drying dishes. HARRY, THEO, KATIE and JAMES
    are at the table having supper. THEO is on a laptop, checking
    stock market trends. KATIE is texting. HARRY is reading
    congratulatory cards.

                        HARRY
              Congratulations from the Prime
              Minister. Sir Derek Otterly was there
              today Mrs Parrington.

                        MRS PARRINGTON
              I don't know him.

                        HARRY
              Sir Derek? You must remember him. He's
              been to the house.

                                                        (CONTINUED)
                                                              3
          
7   CONTINUED:                                                 7

                        MRS PARRINGTON
              They all blur.

                        KATIE
              That's because they're all so dull.

                        THEO
              Weird. Gold doing well. Tech stocks
              down.

    DAVE enters and hands MRS PARRINGTON some empty mugs.

                        DAVE
              Nice one Mrs P.

                        MRS PARRINGTON
              Oh, thanks Dave. Would you like to
              stay for some supper?

                        DAVE
              Oh no. Best not. Got some dinner at
              home. That's a nice vase, isn't it?

                        HARRY
              European Entrepreneur of the Year.

                        DAVE
              That's impressive.

                        JAMES
              Dave. Did you g.. g.. get my cuttings?

                        DAVE
              I did mate. It's in the greenhouse.
              I got you a Caryopteris and a
              Philadelphus.
                        JAMES
              Cheers man. Thank you.

                        DAVE
              See you later.

                        JAMES
              See you tomorrow.

    Dave exits.

                        THEO
              Daddy? What did Papadopoulos & Sons
              borrow for the property development?

                        HARRY
              About three hundred million.

    MRS PARRINGTON shuts and removes THEO's laptop.


                                                       (CONTINUED)
                                                             4
          
7   CONTINUED: (2)                                             7

                        MRS PARRINGTON
              Never mind the trials and tribulations
              of the stock market. Finish your
              supper young man.

                         THEO
              Nanny P!

                        MRS PARRINGTON
              Eat up or there'll be no pudding. I've
              made you a nice sponge.

    THEO pulls a childish grimace and starts to breath heavily
    through his nose.

                        THEO
              Two, Four, Eight, 16...

                         HARRY
              Alright.

                        THEO
              Thirty two, sixty four, 128..

                        HARRY
              That's enough.

                        THEO
              Something is happening with interbank
              lending Daddy!

                        HARRY
              Alright. We'll talk about it tomorrow.

    HARRY gets up from the table.
                        HARRY (CONT'D)
              It's going to be a long summer.

    HARRY exits.

                        MRS PARRINGTON
              Taking them to a business awards
              ceremony is hardly a family day out.
              My suggestion was a cottage in Lyme
              Regis.

                                              CUT TO:

8   INT. PAPADOPOULOS MANSION - HALLWAY. EVENING 1.              8

    DAVE is at the front door in the hallway. He is putting on
    his muddy boots. HARRY enters.

                        HARRY
              Dave? I need to talk to you about
              James. It's... Look, you really
              should be doing that at the back.
                                                        (CONTINUED)
                                                              5
          
8   CONTINUED:                                                 8

                        DAVE
              Yeah. Sorry.

                        HARRY
              Look. Its. He needs to complete his
              degree. And this gardening, the
              horticulture, the plants.

                        DAVE
              Yeah, yeah.

                        HARRY
              It's a huge distraction.

                        DAVE
              I was just helping him out during the
              holidays.

                        HARRY
              Well, I need him to complete his
              studies and you're diverting his
              attention. And frankly, it's not what
              I pay you for.

    Dave doesn't answer.

                        HARRY (CONT'D)
              Please don't be so churlish. You know,
              if you were worked for my company
              you'd probably be fired.

                        DAVE
              Yeah. Is there anything else?

                        HARRY
              No. That's it.
                        DAVE
              Goodnight Mr. Papadopoulos.

    DAVE exits. JAMES comes through the hallway. He has overheard
    some of the conversation and he's upset. He walks past HARRY and
    flashes him a dirty look.

                           HARRY
              James.

    JAMES now stops and returns to say something to his father.

                           JAMES
              W...

                           HARRY
              Relax.

                        JAMES
              Wa... wa...

                                                       (CONTINUED)
                                                             6
          
8   CONTINUED: (2)                                             8

                           HARRY
              Calm down.

    He stops. He takes a couple of deep breaths and composes
    himself.

                           JAMES
              Wa.. wa..

                        HARRY (CONT'D)
              You need to learn how to... You really
              need to learn how to express yourself
              more calmly.

                        JAMES
              Wanker. (Beat) Wanker.

    JAMES exits up the staircase. HARRY watches him.

                                              CUT TO:

9   INT. PAPADOPOULOS MANSION - JAMES' BEDROOM. EVENING 1.        9

    HARRY taps on JAMES' door. There is no answer. He walks in.

                        HARRY
              James? Can I come in?

    JAMES' room resembles a botanical garden. JAMES is at his desk
    with pots of plants and various tools and test tubes with soil
    and desk lamps. JAMES looks through a microscope, studying a
    leaf, ignoring his father. HARRY surveys the room trying to
    accommodate his son's interest in botany. He notices a poster of
    Charles Darwin with a quote. He reads it out.

                        HARRY(CONT'D)
              It is not the strongest to survive,
              nor the most intelligent but those
              adaptable to change. Fascinating.
              Charles Darwin. (Latching onto a
              random plant) Ah. Look at that. (Beat)
              And that's...

    JAMES answers without looking up from the microscope.

                        JAMES
              Did you know, that the average garden
              contains over three and a half million
              species?

                        HARRY
              No, I didn't.

                        JAMES
              Dad. I'm not going back to...



                                                        (CONTINUED)
                                                              7
          
9   CONTINUED:                                                 9

                        HARRY
              But it's only a year and then you've
              got a law degree.

                        JAMES
              I've no intention of running P.. P..
              Papadopoulos & Sons. I can't even
              pronounce it.

                        HARRY
              Look. Finish your studies. The plants.
              It's a hobby. Sure. Give yourself
              options. You may change your mind
              about the business. You know, there
              are a lot of creative roles now in
              business.

                           JAMES
              Like what?

                        HARRY
              Like marketing. Alright. Defer the
              final year. Take a year out, why not?
              Fine. But don't quit. Your mother
              would have said the same.

                           JAMES
              Would she?

                         HARRY
              Well, your mother would probably have
              said do what you feel was right but
              I'd argue she was wrong. And then we'd
              argue. Probably. And she'd win. That
              was your mother. At least consider
              deferring.
    JAMES thinks about it.

                        JAMES
              Okay. I'll consider deferring.

                        HARRY
              Yeah? Great. Great. So, there you are,
              it's not a definitely not?

    HARRY wants to bond but doesn't know where to start. HARRY
    latches onto an English Ivy in a Union Jack plant pot.

                        HARRY (CONT'D)
              What's this one called?

                        JAMES
              It's an ivy.

    The doorbell rings.


                                                       (CONTINUED)
                                                             8
           
9    CONTINUED: (2)                                             9

                         HARRY
               Mrs P!(Pause, waits for a response)
               Mrs P! Look, I'd better.

     HARRY goes to exit and then comes back to shake his son's hand.

                         HARRY (CONT'D)
               Hey. Well done. For. You know.

     HARRY heads towards the door and just before he exits he gives
     an emphatic double thumbs up.

                         HARRY CONT
               Closed?

                         JAMES
               Yes please.

                                                CUT TO:

10   EXT. PAPADOPOULOS MANSION - FRONT DOOR. EVENING 1.          10

     HARRY opens the front door. We see a friendly door-to-door
     salesman with a charity badge around his neck. He has a plastic
     basket of cleaning products.

                         DOOR KNOCKER
               Evening boss. Sorry to disturb. I work
               for a homeless charity.

                         HARRY
               Sorry. No thanks.

                         DOOR KNOCKER
               New dish cloths?
                         HARRY
               I know how you people operate.

                         DOOR KNOCKER
               I got a badge.

     HARRY studies the badge.

                         HARRY
               No mention of a charity.

                         DOOR KNOCKER
               Come on boss. Give us a break. I'm
               trying to earn a living here. Look.
               Got tea towels, surface cleaners,
               scrubbers, brushes, window sprays,
               shammies - for drying the car. Cars.

     THEO appears at the door.

                         THEO
               Daddy. You need to see the news!
                                                          (CONTINUED)
                                                                9
           
10   CONTINUED:                                                10

                         DOOR KNOCKER
               Hello there mini boss.

                         THEO
               Who's that man?

                         HARRY
               He's a... he's a... he. He works for a
               charity.

                         THEO
               Is it a cake sale?

                         DOOR KNOCKER
               Cakes? Did you say cakes? Did he say
               cakes? How do you know? That's what I
               want to do. Open up a cake shop.

                         HARRY
               Cakes? Really.

                         DOOR KNOCKER
               Cup cakes, individually decorated
               gingerbread men, bite-sized apple
               strudels, gooey fudge balls, mini-
               muffins as well as your traditional
               fare. Got a business plan and
               everything. It'll be egalitarian but
               feel exclusive - sort of my mission
               statement really. The Progressive
               People's Cake Shop. With...
               progressive pricing.

                         HARRY
               That's very good. I know a thing or
               two about the food business as well.
                         DOOR KNOCKER
               Really? I'm looking for investors.

                         HARRY
               Retail's not for me, I'm afraid.
               Staff. Nightmare. They'll nick your
               cakes, upset your customers, then do
               you for wrongful dismissal.

                         DOOR KNOCKER
               Oh. Thanks for the encouragement.

                         THEO
               Let's buy something. The news Daddy!

                         HARRY
               Well, how much for...

                         DOOR KNOCKER
               It's a shammy.

                                                        (CONTINUED)
                                                             10
           
10   CONTINUED: (2)                                            10

                         HARRY
               Whatever. How much?

                         DOOR KNOCKER
               The shammy. It's a shammy.

                         HARRY
               I'm not going to say that word.

                          DOOR KNOCKER
               Why not?

                         HARRY
               Because it's a silly word and I don't
               know what it's for and I don't know if
               you're genuine. And I'll probably
               never use it.

                                              CUT TO:

11   INT. PAPADOPOULOS MANSION - KITCHEN. EVENING 1.           11

     HARRY walks in with the entire box of cleaning products and
     hands them to MRS PARRINGTON.

                         MRS PARRINGTON
               Oh. A shammy.

                         THEO
               Come look Daddy.

     On the TV, we see a 'New Bank Crisis?' banner and a reporter
     standing outside a bank in the city of London.

                         HARRY
               Turn it up.
     THEO points the remote and turns up the volume.

                         NEWS REPORTER
               Panic confusion and chaos. They
               said it couldn't happen again but
               today it just did sending shock
               waves through the world's markets.

                         HARRY
               What's going on?

                         THEO
               Another bank collapse.

     The TV images cut to people leaving an office with boxes of
     their belongings.

                         NEWS REPORTER VO (CONT)
               All 8,000 members of staff have been
               asked to leave while the bank is put
               into liquidation.
                         (MORE)
                                                        (CONTINUED)
                                                             11
           
11   CONTINUED:                                                11
                          NEWS REPORTER VO (CONT) (CONT'D)
               It comes as a shock but not a
               surprise.


     HARRY's mobile phone rings. He answers.

                         HARRY
               Nicholas. I'm watching now. It's
               insane. I don't know. Why don't you
               call them? Alright. I'll see you first
               thing tomorrow. Bye.

                         THEO
               Will this have repercussions on your
               loan?

     Harry is lost in thought.

                         MRS PARRINGTON
               That's a very good word Theo. Isn't
               it? Daddy? Repercussions. (Beat) It's
               a good word.

                         HARRY
               Oh yes. Sorry. Yes. It's a very good
               word.

                                                CUT TO:

12   EXT. PAPADOPOULOS & SONS FACTORY. DAY 2.                    12

     Next morning. Establishing shot. We are at the Papadopoulos &
     Sons HQ - the exterior of the factory.

                                                CUT TO:
13   INT. PAPADOPOULOS & SONS FACTORY OFFICE. DAY 2.             13

     HARRY, FAT LAKI and NICHOLAS are walking into the office.

                         FAT LAKI
               They've revalued the property.
               They're calling in the guarantees.
               You need to find thirty mil now.
               Six months to find the rest.

                         HARRY
               And if we don't? What happens?

                         NICHOLAS
               They'll put you and everything you
               own into administration. Harry. You
               took out crazy loans. Our business
               is making feta cheese for God's
               sake.

                         HARRY
               Nick.
                                                          (CONTINUED)
                                                               12
           
13   CONTINUED:                                                13

                         NICHOLAS
               You gambled it on a shopping mall.

                          HARRY
               I could do without these comments
               right now.

                         NICHOLAS
               I'm the finance director of this
               company Harry. You never listened.
               Never. It always had to be bigger,
               better. Like these offices. We didn't
               need these offices. Do you know how
               much we paid for that 'work of art '
               up there? Do you? Two hundred grand.
               For a fish.

     Nicholas points towards a fish hung across the wall.

                         HARRY
               What do you want me to do Nick?

                         NICHOLAS
               Our business was profitable Harry.
               I was going to retire in two years.
               I'd like to bring that forward.

                          HARRY
               You're resigning? Now? The accountants
               coming in.

                         NICHOLAS
               Sorry Harry. En boro. En boro.

     NICHOLAS exits.
                           HARRY
               Nicholas!

                         NICHOLAS
               That's enough. That's enough.

                         HARRY
               Nicholas. Can you believe that?

     ROB and SOPHIE, an American, enter.

                         ROB
               Shit, fan and hitting? Hey! Fat Laki!
               You know why they call this guy Fat
               Laki?

     SOPHIE shrugs. FAT LAKI indicates how big he once was.

                         SOPHIE
               Wow. Congratulations.


                                                        (CONTINUED)
                                                             13
           
13   CONTINUED: (2)                                            13

                         FAT LAKI
               I stopped eating bread. It's sad
               though. I loved bread. But. What
               can you do?

                         ROB
               This is Sophie. Just relocated from
               our New York office.

                         SOPHIE
               Hello. Really pleased to meet you. Can
               I just say, I'm a huge fan of Greek
               food. Especially the cakes. I love
               Baklava.

                         HARRY
               Great. The ship's going down and
               we've got baklava.

                         ROB
               I take it the banks are pulling the
               rug? What are the bastards proposing?

                         FAT LAKI
               They've demanded the 300 million we
               borrowed. Thirty by close of play.

                         ROB
               Sweet mother of God. They are sons of
               bitches.

                         FAT LAKI
               They've taken a new position on the
               value of the property development.
               It's triggered the guarantees.
                         SOPHIE
               Can you sell it?

                         HARRY
               It's not even a building site yet.

                         SOPHIE
               So, its bankruptcy.

                         ROB
               Put something offshore, I said. He
               wanted to pay his taxes.

                         HARRY
               Maybe I should have been more Greek
               about it.

                         ROB
               Hey. It's bankruptcy baby. Not
               disaster.


                                                        (CONTINUED)
                                                             14
           
13   CONTINUED: (3)                                            13

                         HARRY
               Accountants. When it's good, they get
               paid. When it's bad, they get paid. I
               want my son to be a lawyer for the
               same reason. He doesn't get it. So
               what are the options?

                         ROB
               Well, the obvious is to buy back your
               own business.

                         SOPHIE
               Trick is finding the investors to back
               you.

                         HARRY
               And the banks will sell back to me
               because?

                         ROB
               Because nobody makes pink slop like
               you do Harry.

                         SOPHIE
               The banks just want a quick sale. They
               have no interest in running your
               business.

                         HARRY
               Let's jump on it.

                         ROB
               I'll talk to private equity firms,
               VCs, angels. The usual suspects. We'll
               find someone.
                         SOPHIE
               What doesn't break you, makes you.

                         HARRY
               Ah. Therapy. Don't charge me for
               that, will you? Rob? Don't let her
               charge me for that.

                                              CUT TO:

14   INT. PAPADOPOULOS & SONS FACTORY OFFICE. DAY 2               14

     HARRY walks through his office and down to the factory floor
     where he overlooks a small army of oblivious Papadopoulos &
     Sons employees processing taramasalata into containers.

                                              CUT TO:




                                                             15
          


15   EXT. PAPADOPOULOS MANSION - DRIVEWAY. DAY 3.                 15

     Music continues. We see the front of the house. A standard
     removal truck is parked outside alongside the Mercedes and a
     Bentley sports car - displaying (PAPA 1 and PAPA 2 number
     plates). Two removal men in white overalls and white gloves
     (almost forensic looking) walk out the front door carrying a
     large oil painting. A third man stands at the back of the van
     waiting to receive goods.

                                              CUT TO:

16   INT. PAPADOPOULOS MANSION - HALLWAY. DAY 3.                  16

     KATIE walks down the stairs and we see removal men assessing
     the valuables of the house.

                                              CUT TO:

17   INT. PAPADOPOULOS MANSION - KITCHEN. DAY 3.                  17

     The family, including MRS PARRINGTON, are in the kitchen.
     THEO is on his laptop. KATIE nervously files her nails. MRS
     PARRINGTON has made everyone a cup of tea. HARRY is reading a
     newspaper. JAMES is reading a book. KATIE enters.

                         KATIE
               They're going through my things. It's
               disgusting.

                         HARRY
               Are they darling. It's temporary.
               You'll get it all back.

     Two bank assessors RUPERT and NIGEL enter. RUPERT has a
     clipboard with items to be ticked off. NIGEL has a camera.
                          RUPERT
               Morning.

                         KATIE
               (Sarcastically) Oh. Hi.

                         NIGEL
               (Under his breath) Problem.

                         RUPERT
               This is the... kitchen.

                         NIGEL
               Fabulous finishes.

                         HARRY
               So how long's this going to take?

                         RUPERT
               Most of the day, I should think.

                                                        (CONTINUED)
                                                             16
           
17   CONTINUED:                                                17

                         HARRY
               And what are we allowed to keep?

                         RUPERT
               Ah, well. According to the asset
               sheet... let's see. Not very much.

                         KATIE
               Little rats, with their little claws.

                         MRS PARRINGTON
               That is quite unnecessary Katie.

                         RUPERT
               We may as well do this now. That's a
               nice computer. Oh, don't worry we're
               not going to, you know, take it...
               now. Anything interesting?

     THEO hisses at RUPERT like a snake with an aggressive face.

                         THEO
               Stocks. Everyone's selling. I'm
               buying. Two, Four, Eight, 16, 32..

                         MRS PARRINGTON
               Double your numbers quietly Theo and
               apologise or I'll confiscate that
               wretched computer for a week.

                         THEO
               Sorry.

                         RUPERT
               There's no easy way of doing this.
                         NIGEL
               You have impeccable taste, by the way.

                         MRS PARRINGTON
               It's not mine.

                         RUPERT
               We operate very strict guidelines.

                         NIGEL
               We have your range of Greek dips at
               home. Don't we Rupert?

                         RUPERT
               As I was saying, we operate very
               strict guidelines.

                         HARRY
               So. What is legally ours?



                                                        (CONTINUED)
                                                             17
           
17   CONTINUED: (2)                                            17

                         RUPERT
               Well, the bank will let you keep
               25,000 in cash. And you're each
               allowed 1,000 in personal items.

                         KATIE
               My Westwood Gold Label cost more than
               that.

                         NIGEL
               It's such a beautiful dress. I
               couldn't resist looking.

                         KATIE
               I love it too.

                         NIGEL
               (Whispering) I'll sort something out
               for you.

                         KATIE
               (Whispering) Thank you!

                         RUPERT
               Nigel.

                         NIGEL
               You seem like such a lovely family. We
               hate doing this.

                         RUPERT
               Nigel.

                         HARRY
               Right, so 25k cash. And 1000 in
               personal items. What else?
                         RUPERT
               Ah. Well. One thing that came up in
               the meeting with HQ this morning. The
               fish and chip shop. The Three
               Brothers?

                         JAMES
               What fish and chip shop?

                         MRS PARRINGTON
               That went years ago.

                         RUPERT
               Well, the bank is unable to seize it
               as an asset because of its co-
               ownership with a... Spiros
               Papadopoulos?

                         HARRY
               Right.

                                                        (CONTINUED)
                                                             18
           
17   CONTINUED: (3)                                            17

                         MRS PARRINGTON
               Yes, that's his brother. But they
               haven't spoken in years.

                                               CUT TO:

18   INT. PAPADOPOULOS MANSION - DINING ROOM. EVENING 4.        18

     The family is sitting at the dining room table watching SPIROS
     eat. No one else is eating and the table is set for one. The
     dining room is spartan - less furniture/ no pictures. We see
     some tea crates stuffed with tissue wrapped objects.

                          SPIROS
               It was so strange. Oh, James - more
               lemon son.

     JAMES passes SPIROS a small plate of quartered lemons. SPIROS
     sticks his fork into one and squeezes juice over his chicken.

                         SPIROS (CONT'D)
               Oh. This is so good Mrs P. In all the
               years, I never stopped thinking about
               you or your food.

                         MRS PARRINGTON
               Still so charming.

                         SPIROS
               So, I'm sitting there watching the
               telly and suddenly I see Papadopoulos
               & Sons. On the TV.

                         THEO
               Daddy over leveraged himself.
                         SPIROS
               Look at this little Englezo. Hey! I'm
               your Uncle Spiros re. I'm your uncle,
               re manga! I'm going to eat him he's so
               cute.

                         THEO
               Please don't eat me.

                         SPIROS
               Re gugluthi. He's just like his
               mother. A little Englishman.

                         THEO
               That's because my Mummy was English.

                         SPIROS
               Ah! I know re! I know. Ah. So! I'm
               watching the news and I'm thinking,
               what's my baby brother gone and done
               now? And just at that moment.
                         (MORE)
                                                         (CONTINUED)
                                                              19
           
18   CONTINUED:                                                18
                          SPIROS (CONT'D)
               As I'm thinking that thought, in the
               same split second, the phone rings.
               And it's him! I mean, it's gotta be
               some kind of quantum physics there,
               no? No? Insane. Insane. (To KATIE)
               Katie. You're so grown up. I can't
               believe this. You were like... just a
               girl. Dumpy and spoilt. Look at you
               now.

                         MRS PARRINGTON
               She's still a little spoilt.

                            KATIE
               Nanny P!

                            JAMES
               And dumpy.

                         MRS PARRINGTON
               Not so dumpy.

                         SPIROS
               Ah, James. Sweet baby James. When you
               were three. How old was he? Three or
               four? We used to play fight. Remember?
               You loved to fight. Why, you broke my
               nose. Yeah! Fuck that hurt!

                            MRS PARRINGTON
               Spiros.

                         SPIROS
               Oh. Sorry. (To THEO) Duck! I said
               duck. (Quacking).
                         THEO
               I know what you said.

                         SPIROS
               Don't tell your father. (Quaking)
               Harry. Thank you for phoning me. No,
               seriously. I'm so grateful. There's,
               you know... I know there's so much
               that we need to sort out, you and I.

                            HARRY
               Well.

                         SPIROS
               But we should be celebrating. Yeah? I
               don't drink anymore. Just so you know.
               But you don't have to be drunk to
               dance. That's what I say now. You
               don't have to be drunk to dance!



                                                        (CONTINUED)
                                                             20
           
18   CONTINUED: (2)                                            18

                         HARRY
               Fantastic. So. Look. We're losing the
               house and well everything. It's only
               temporary. I'm in negotiations with a
               top corporate finance team to buy it
               back. But in the meantime, I need to
               free up some capital.

                         SPIROS
               I'll give you whatever I've got but
               you know, I don't have much money.

                         HARRY
               I don't want your money Spiro. I want
               to sell the Three Brothers. We'll
               split it 50/50. I get enough money pay
               the rent, pay a few bills off and it's
               great for you because you get some
               cash to do whatever it is you want to
               do.

                         SPIROS
               You can't sell the Three Brothers.

                         HARRY
               I knew it! I knew you'd be
               difficult. I knew it, I knew it, I
               knew it. You haven't changed.

                         SPIROS
               No, it doesn't feel right.

                         HARRY
               You're loving this.

                         SPIROS
               No Harry. I want to help.

                         HARRY
               Can't you see we're in the shit?

                         MRS PARRINGTON
               Gentlemen, please. May I suggest we
               sleep on this? Before it gets out of
               hand.

                         SPIROS
               Yeah. This is good advice Mrs P.

                         MRS PARRINGTON
               Harry? Harry?

                         HARRY
               Okay. Whatever.

                                              CUT TO:



                                                             21
          


19   EXT. PAPADOPOULOS MANSION - REAR OF HOUSE. DAY 4.          19

     Music. Time lapse of evening into night.

20   INT. PAPADOPOULOS MANSION - LIVING ROOM. DAY 5.            20

     HARRY, JAMES, KATIE, THEO and MRS PARRINGTON are sitting on a
     sofa. SPIROS addresses them.

                         SPIROS
               I couldn't sleep last night. Not a
               wink. Over and over, in my mind, I
               was trying to imagine selling the
               shop. Something here was saying,
               no, no. I want to help you. All of
               you. So I prayed for guidance. I
               asked the Universe. Please help me.
               Please help me help these people.
               And I must've fallen asleep not
               long after. A crazy sleep. And then
               this dream. Banayia mou. There was
               this, this music. The most
               incredible music. And you and me
               Harry. Running the shop. I woke
               with tears in my eyes and I knew.

                         HARRY
               Sorry. What are you going on about?

                         SPIROS
               We are going to reopen the Three
               Brothers.

                            THEO
               Brilliant!
                         KATIE
               Is he talking about us?

                         JAMES
               Yeah, I think he is.

                         HARRY
               There's nothing there.

                         SPIROS
               Exactly. It's empty. Useless. We'd get
               nothing for it. But if we made the
               Three Brothers great again. Hey! That
               is our destiny! Okay. It needs work.
               Sure. But destiny need work.

                         HARRY
               You're still crazy.




                                                         (CONTINUED)
                                                              22
           
20   CONTINUED:                                                20

                         SPIROS
               We have. You. You have a better chance
               of getting through this if we increase
               the value of the shop.

                         HARRY
               I'm not opening a fish and chip shop,
               I'm Papadopoulos & Sons, I'm on
               supermarket shelves.

                         KATIE
               God. What would I tell my friends?

                         JAMES
               Don't know, maybe the truth?

                         KATIE
               (Mimicking) I don't know, maybe the
               truth.

                         JAMES
               God. Fuck off.

                         KATIE
               F.. f.. fuck you.

                         MRS PARRINGTON
               Enough!

                         SPIROS
               People! Hear me out. If we get it up
               and running again, we can sell it as a
               going concern instead of an empty
               shop. This deal you're working on
               could take ages. In the meantime,
               you're getting cash in and you're
               saving money because it's got two
               bedrooms. Eh? The Three Brothers is a
               goldmine. Used to be. Can be again.

                         HARRY
               When did you become so practical?

                         SPIROS
               I'll get it fixed. I'm a handyman now.

                         MRS PARRINGTON
               I thought you were a waiter Spiros.

                         SPIROS
               Around too much booze Mrs P. I went
               travelling. Belgium, America,
               Brooklyn. I ended up managing a block
               of apartments in LA. I do painting,
               decorating, plumbing, electrics,
               everything.


                                                        (CONTINUED)
                                                             23
           
20   CONTINUED: (2)                                            20

                         MRS PARRINGTON
               A man who can fix things.

                         SPIROS
               I've got a van.

                         HARRY
               Oh. It's alright everyone. Don't
               panic. He's got a van.

                         SPIROS
               Let's go look at the shop. Let me go
               and start working on it now.

                         HARRY
               You're out of your mind. I know
               what you're up to. You want to make
               some money for yourself. That's
               fine. It's okay. It's okay. At
               least you're thinking smart these
               days. But don't involve us in all
               this.

                         SPIROS
               I want to help.

                         MRS PARRINGTON
               Given the current situation, I think
               it's worth consideration.

                         HARRY
               What? I'm not opening a fish and chip
               shop. I'm not. I'm not! I'm not! I'm
               not! Not! Not! What?

                         MRS PARRINGTON
               May I have a private word? Now.

                                               CUT TO:

21   INT. PAPADOPOULOS MANSION, HALLWAY. DAY 5.                 21

                         MRS PARRINGTON
               You're behaving like a child.

                          HARRY
               Mrs Parrington, with all due
               respect...

                         MRS PARRINGTON
               You are the father of this family.

                         HARRY
               I'd rather boil my own head than go
               back to a chip shop.

                         MRS PARRINGTON
               What a terrible thing to say. Really.
                                                         (CONTINUED)
                                                              24
           
21   CONTINUED:                                                21

                         HARRY
               He's unreliable Mrs P. He's
               irresponsible, he's a talker. He
               sings. He dances. He plays the bongo
               drums. He's a waiter. He'll drive us
               all mad and leave us broke.

                         MRS PARRINGTON
               He seems reformed to me. He doesn't
               drink anymore. I think he wants to
               help.

                         HARRY
               Moving back to a chip shop will
               destroy my children's confidence.

                         MRS PARRINGTON
               Seeing you behave like a spoilt brat
               will do that perfectly well.

                         HARRY
               We're going to smell of fish and
               chips.

                         MRS PARRINGTON
               The children need a home. I don't
               give a fig for your bourgeois
               snobbery. Look at you. Everything
               has to be a drama with you Greeks.
               Show some gumption man.

                                              CUT TO:

22   EXT. SPIROS' VAN MONTAGE. DAY 6.                          22

     Music. We see the family get into Spiros' tatty white van.
     SPIROS loads up some suitcases into the back. HARRY carries
     his businessman of the year award. JAMES has some plants.
     THEO has his laptop. KATIE has designer dress bags and shoes.
     On the side of the van we see "The Honest Handyman" with a
     telephone number and the strapline, "If it's still broke...
     then we can't fix it. That's honesty!" The logo is a hammer
     with angel wings. The van pulls out of the drive.

23   EXT. THE THREE BROTHERS. DAY 6.                           23

     The van pulls up in front of The Three Brothers Fish and Chip
     Shop. The door is boarded up and covered in posters. We see
     the old sign, "The Three Brothers". The family, still seated
     in the van, stare out.

                         SPIROS
               So many memories.

                         KATIE
               Are we really going to live in that?


                                                        (CONTINUED)
                                                             25
           
23   CONTINUED:                                                23

                         THEO
               Oh.

                         JAMES
               I'm trying to find something good.

                         KATIE
               And?

                         JAMES
               No. Nothing.

                         SPIROS
               Nonsense. You'll love it! We're going
               to have a crazy time. We're going to
               fix this place up. I'm going to teach
               you how to do some Greek dancing, some
               singing. We'll fry some good fish.
               We'll laugh. Good times.

     SPIROS exits the van leaving the stunned family in silence.

                                              CUT TO:

24   EXT. THE BOGAZI KEBAB SHOP. DAY 6.                        24

     Across the road in the Bogazi Kebab Shop, HASSAN ALI and MEHMET
     (his son) are standing in front of the shop. They watch as the
     Papadopoulos family exit the van.

                         HASSAN
               I don't believe it.

                         MEHMET
               What?
                         HASSAN
               The Greeks are back.

                         MEHMET
               What Greeks?

                         HASSAN
               Those Greeks. Hello my old friends.
               Mehmet. Find out what they're up to.

                                              CUT TO:

25   INT. DAY. THE THREE BROTHERS - RESTAURANT AREA. DAY 6.    25

     We are inside The Three Brothers. We hear a jangle of keys and
     the door opens. The family walk in led by SPIROS. KATIE still
     carries her designer clothes bags and shoes, JAMES carries some
     plants, THEO his laptop and HARRY walks in last. It is an old
     fashioned fish and chip shop that hasn't traded in 30 years.



                                                        (CONTINUED)
                                                             26
           
25   CONTINUED:                                                25

                         SPIROS
               See. It looks much worse from the
               outside.

                         KATIE
               It's actually a fish and chip shop.

                         JAMES
               Of course it is you spanner.

                         KATIE
               Daddy. Really?

                         THEO
               What's this?

     THEO picks out an old plaque-mounted stuffed fish.

                          SPIROS
               This is Mr Charles. Our lucky fish. He
               helped us make the busiest chip shop
               in London.

     SPIROS takes in a deep breath.

                         SPIROS (CONT'D)
               I can smell the past. Your father and
               I. Young. The women. Young. Making
               good money.

                         HARRY
               Wasting it. Gambling it. Losing it.

                         SPIROS
               Happy days.
                         KATIE
               It's a crack den!

                         SPIROS
               Don't worry. Let me show you the rest.
               We'll make it homely. Furniture, beds,
               TV. Come on. Let me show you. So...
               here is the prep room...

     The children follow SPIROS through the shop. HARRY is left
     looking at the place, taking it all in. He takes out his mobile
     and calls.

                                              CUT TO:

26   INT. MORTIMER ROLF & JONES - SOPHIE'S OFFICE. DAY 6.        26

     A phone rings at SOPHIE's office within Mortimer Rolf and Jones,
     HARRY's accountancy firm.

                         SOPHIE
               Mortimer Rolf and Jones?
                                                          (CONTINUED)
                                                               27
           
26   CONTINUED:                                                26

                         HARRY
               Hello. Could I speak to Rob.

                         SOPHIE
               He's not at his desk. Can I take a
               message?

                         HARRY
               It's Harry Papadopoulos.

                         SOPHIE
               Oh hi. It's Sophie. We met at your
               office, the other day.

                         HARRY
               Oh hi. Any news?

                         SOPHIE
               We're lining up interest.

                         HARRY
               Right. Well, I just need to know... I
               need to know if this is going to work.

                         SOPHIE
               Rest assured. We'll be driving the
               herd to Abilene.

                            HARRY
               Sorry.

                         SOPHIE
               It's an old American, Mid-West
               expression. (Beat) Are you okay Mr.
               Papadopoulos?
                         HARRY
               Yep, all good. Just keep me informed
               please.

                            SOPHIE
               Of course.

     HARRY hangs up. ROB enters.

                         SOPHIE (CONT'D)
               Harry Papadopoulos called. You should
               call him back.

                         ROB
               Let's go out, yeah. Let's celebrate.
               Let's find... I don't know... Let's
               find a... salsa club or something.

                            SOPHIE
               Sorry?


                                                        (CONTINUED)
                                                             28
           
26   CONTINUED: (2)                                            26

                         ROB
               Daddy just put another pig in da
               bag. Owch! A new instruction.
               Wallinghams. Big UK retail chain.
               Established. (Wallinghams jingle)
               Leave it... Leave it to
               Wallinghams... Comfortably,
               elegantly, reliably. Wallinghams.
               (Voice-over mode) Croydon,
               Greenwich, Enfield, Wimbledon
               and... Ding! Going into
               administration. Coming to little
               old moi for services rendered.
               (Tommy Cooper) Thank you. Oh thank
               you very much. God I love an
               economic downturn. Joking aside
               though. Five thousand laid off.
               Sad. Very, very sad. But dear sweet
               mother of God it was a shit
               business.

                         SOPHIE
               Happy days.

                          ROB
               Oh yeah. Hallelujah! (He goes to
               exit) Six?

                                              CUT TO:

27   INT DAY. THE THREE BROTHERS - RESTAURANT AREA. DAY 6.     27

     HARRY is on the verge of a panic attack. He slowly starts to
     double numbers.

                         HARRY
               Two, four, eight, sixteen... Two,
               four, eight...

                         THEO (O.S.):
               Daddy, come at look at this giant
               mushroom I've found.

                         HARRY
               Coming.

                                              CUT TO:

28   EXT. THE THREE BROTHERS - ROOF TERRACE. DAY 6.            28

     SPIROS, HARRY, JAMES and THEO walk up a steel staircase onto the
     Three Brother's roof terrace.

                         SPIROS
               Yeah. Yeah, yeah, yeah. Hey. Remember
               up here? We used to bring out the
               tables and chairs with the other
               Greeks.
                         (MORE)
                                                        (CONTINUED)
                                                             29
           
28   CONTINUED:                                                28
                          SPIROS (CONT'D)
               What ever happened to Soula, Pani and
               Stavro? I loved that crowd. Sometimes
               there'd be a poker game. Sometimes
               dancing. We had fun.

                         THEO
               Did my Daddy dance?

                         SPIROS
               Yeah. I taught him. And your mother.

                           THEO
               My Mummy?

                         SPIROS
               Hey. Manga. This is the place where
               your Mummy and Daddy met.

                         JAMES
               What? Up here?

                         SPIROS
               Yeah. They talked all night. They
               danced. Yeah, there was a lot of
               dancing here. Hey. You want me to show
               you? How about it?

     SPIROS clicks his fingers.

                         HARRY
               Spiros please. It's not a holiday.
               Just show everyone around.

     HARRY exits.

                         SPIROS
               What? (To THEO) I'll show you later.
               (To JAMES) You alright?

                         JAMES
               Yeah. No, I like the view. I might put
               some plants up here.

                                              CUT TO:

29   EXT. THE THREE BROTHERS. DAY 6.                           29

     KATIE is outside the shop, having a cigarette. We see Mehmet
     approach.

                           MEHMET
               Hello.

                           KATIE
               Hi.

                         MEHMET
               Do you have a light?
                                                        (CONTINUED)
                                                             30
           
29   CONTINUED:                                                29

                         KATIE
               You came all this way for a light?

     KATIE hands him a lighter.

                         MEHMET
               I'm from the kebab shop across the
               road.

                            KATIE
               Nice.

     Silence. MEHMET's run out things to say. They both smoke.

                         MEHMET
               My Dad wants me to spy on you. I don't
               think he like Greeks. (More silence)
               You want to go out sometime?

                         KATIE
               Yeah, alright.

                         MEHMET
               I'm Mehmet.

                         KATIE
               It's Katie. (They shake hands) It's
               shit here, isn't it?

                         MEHMET
               Yeah. Pretty much. (Looking around)
               Yeah. Catch you later.

                            KATIE
               Yeah. Bye.
     MEHMET walks back to his shop. KATIE smiles. Music - Athina,
     Athina by The Trio Attico . HARRY steps outside the shop. He
     looks at KATIE who is still smoking. He stands there for a
     moment looking a little lost. He gets into SPIROS' van and
     drives away.

                                              CUT TO:

30   EXT. CITY OF LONDON CEMETERY. DAY 6.                        30

     HARRY drives to a cemetery. He parks the van and exits with
     flowers. Harry walks through the cemetery. We see his wife's 'In
     Loving Memory of Elizabeth Papadopoulos 1962-2001 - Devoted
     mother and wife'. He lays down his flowers.

                                              CUT TO:

31   INT. MORTIMER ROLF & JONES - SOPHIE'S OFFICE. DAY 7.        31

     SOPHIE is at her desk. We see the same type of flowers in a vase
     as Harry has laid down at the cemetery. The phone rings.

                                                        (CONTINUED)
                                                             31
           
31   CONTINUED:                                                31

                         SOPHIE
               Mortimer, Rolf and Jones. Oh hi Dad.
               Yeah, I got them. They're beautiful.
               Thank you. Alright. Put her on.

     ROB enters.

                            ROB
               He's here.

                         SOPHIE
               (Whispering) Right. Just a second. Hi
               mom. Thanks for the flowers, they're
               lovely. There was nothing wrong with
               New York. Yes, you can stay friends
               with Matt. And Bill and Susan. Mom,
               look, I've got a meeting. I don't
               know. Some meeting. Yeah, I promise, I
               will. I love you. Okay, bye. Bye.

     SOPHIE puts the phone down.

                         ROB
               Parents. Is Matt your...

                            SOPHIE
               Ex.

                         ROB
               Right. A bit of a tosser, yeah?

                         SOPHIE
               I wouldn't say tosser exactly. We
               just wanted different things.

                         ROB
               Yada, yada, yada. Yeah, I hear ya.
               It's like me and my ex. She was
               keen and everything but I don't
               know, her forward thinking sort of
               killed the romance. Yeah. (Silence)
               It's good to have these little
               chats. Shouldn't always be about
               work. Society is so work obsessed.
               Tragic. Right. Back to work.

                                              CUT TO:

32   INT. MORTIMER, ROLF & JONES - ROB'S OFFICE. DAY 7.           32

     Seated around a conference table is ROB, SOPHIE and HARRY.
     HARRY studies a spreadsheet.

                         HARRY
               Some big names.

                         ROB
               Pap & Sons is still a cash cow.
                                                          (CONTINUED)
                                                               32
           
32   CONTINUED:                                                32

                         HARRY
               What's the potential deal structure?

                         ROB
               That's the pisser.

                         SOPHIE
               You'd still be key to running the
               business, but...

                         HARRY
               But?

                         ROB
               Money isn't cheap Harry. These guys
               will want at least 95% of the company.

                         HARRY
               Leaving me with nothing. I'd do the
               same thing. I'd be CEO of
               Papadopoulos & Sons. Get a salary.
               Get my house back. My children's
               future.

                         ROB
               It beats fish and chips.

                         SOPHIE
               You'd be working for someone else.

                         HARRY
               I'd be working for someone else. By
               the way, I'm not actually running a
               fish and chip shop. Just helping my
               brother relaunch.
                         ROB
               Sure. Listen, there maybe another
               way. Came up in conversation with
               the Norske Velconan Bank. It'd be
               along the lines of a straight loan
               to buy back the business.

                         HARRY
               Why would they lend me the money?

                         ROB
               Well. Let's ask them. Want me to look
               into it?

                         HARRY
               Sure, no choice.

     ROB's mobile alarm goes off.




                                                        (CONTINUED)
                                                             33
           
32   CONTINUED: (2)                                            32

                         ROB
               Okay. Cool. Got to go. Got an
               emergency with - get this - a high
               tech portable toilet company - that
               has literally gone down the tubes.
               (ROB holds up a flyer for the company)
               An internet ready, wireless, crapper
               with a waterproof keyboard and screen.
               For the love of God. Because taking a
               dump needed an overhaul. Still,
               somebody's got to bury them. Inomine
               patre, Spiritu, Sanctu... etc, etc.

                         SOPHIE
               Got to love a downturn.

                         ROB
               Laters.

     ROB exits. SOPHIE starts to pack her files.

                         SOPHIE
               I think what you're currently doing
               with your brother sounds liberating.

                         HARRY
               I'm liberating myself of my last 25
               grand on a disused chip shop.

                          SOPHIE
               But its like a startup. Isn't that the
               most exciting phase of any venture?
               Taking a bit of a risk. Developing
               your products and your services.
               Learning about your market. Look, some
               of the largest companies on the planet
               never make a profit. Like a real
               profit. It's all accounting tricks and
               leveraged debt. What I'm trying to say
               is, does it matter if the business is
               a small one? As long as it makes a
               profit and the people who work there
               are happy?

                          HARRY
               What are you doing working in a place
               like this?

                         SOPHIE
               This is only temporary. I got divorced
               recently. Came to London for a fresh
               start. I'm actually looking into
               setting up my own business.

                         HARRY
               Well, I'm sorry about that. About the
               divorce, I mean. Not...

                                                        (CONTINUED)
                                                             34
           
32   CONTINUED: (3)                                            32

                         SOPHIE
               I've been meaning to ask. Can I
               come and visit your shop sometime?

                         HARRY
               There isn't one.

                         SOPHIE
               When it's up and running.

                         HARRY
               It's a chip shop. It's hot. On your
               feet all hours. Verbal abuse from
               customers on a Friday night.

                         SOPHIE
               I wasn't applying for a job Harry.
               Just wanted to stop by.

     SOPHIE exits.

                                              CUT TO:

33   INT. THE THREE BROTHERS - THEO'S BEDROOM. NIGHT 8.          33

     THEO is in bed on his laptop. SPIROS knocks and enters.

                         SPIROS
               It's late. What are you doing little
               man?

                         THEO
               Trading. I watch trends. Making trades
               based on patterns. I don't even look
               at the fundamentals.
                         SPIROS
               The fundamentals?

                         THEO
               You know, capital employed, gearing
               ratios etc. Not even turnover or
               profit. It's short term, but I can
               spot a trend. I know what's going to
               happen.

                         SPIROS
               So, you can see the future? And?

                         THEO
               Same as the past. The pursuit of order
               from chaos. I'm done for today.

     SPIROS takes the laptop and closes it.




                                                          (CONTINUED)
                                                               35
           
33   CONTINUED:                                                33

                         SPIROS
               Ah! Theo, Theo, Theo. Guglouthi
               mou. Kali Nichta. Onira ylica.
               Sweet dreams.

                         THEO
               Uncle Spiros? You knew my Mummy.

                         SPIROS
               Yes. She was... She was beautiful. And
               she was very kind to me.

                         THEO
               I wish I had my Mummy sometimes.

                         SPIROS
               It's very hard for you.

                         THEO
               I'd have made her laugh, Uncle Spiro.

                         SPIROS
               You make me laugh.

                         THEO
               I've come out with some classics. Real
               gems. Wasted on this family.

                         SPIROS
               Ha! You are something else.

                         KATIE
               We can hear everything..

     KATIE and JAMES are at the doorway.
                         JAMES
               Don't fall for him Spiros. He's a
               little tinker.

                         KATIE
               Say the magic release poem!

                         THEO
               No.

                         JAMES
               Actually, say it the magic release
               poem.

                         THEO
               No...

                         KATIE/ JAMES
               Theo Papadopoulos is a hippopotamus,
               who's always making such a fuss from
               his top to bottomus!!!

                                                        (CONTINUED)
                                                             36
           
33   CONTINUED: (2)                                            33

     KATIE and JAMES tickle THEO who squeals with delight. SPIROS
     laughs.

                                              CUT TO:

34   INT. THE THREE BROTHERS - LIVING ROOM. NIGHT 8.              34

     SPIROS opens the door on the sparse living room. HARRY is lying
     neatly in silk pyjamas, in a sleeping bag on a camp bed. He is
     staring at the ceiling.

                         SPIROS
               Ah, your kids are something else.

     SPIROS undresses, taking off items of clothes until he is down
     to his boxer shorts. SPIROS then gets out an icon of the Virgin
     Mary. He kisses it and then crosses himself three times.

                         SPIROS (CONT'D)
               Don't worry. I'm not too religious.
               I'm a lapsed Buddhist. I do
               everything a good Buddhist does
               except abstinence.

     SPIROS farts. Harry shuts his eyes and shakes his head in
     disgust. SPIROS then hands HARRY some ear plugs.

                            SPIROS (CONT'D)
               Ear plugs.

     SPIROS gets into the sleeping bag and turns off the light.

                         SPIROS (CONT'D)
               Oi re. This is a fantastic thing. Did
               you ever imagine, 30 years ago? Back
               here?
                            HARRY
               No.

                         SPIROS
               Remember how excited we felt when we
               got this place? It feels like that
               again. Hey. My gut says... push
               Alaskan Pollock. Over Cod! What do you
               think?

                         HARRY
               I should never have taken out that
               loan.

                         SPIROS
               Ah. We'll talk fish after we fix this
               place. (Singing) We'll talk fish after
               we fix this place. Katie's got some
               good thoughts. Says we should keep the
               old look. And she had some beautiful
               ideas about the uniforms.
                                                        (CONTINUED)
                                                             37
           
34   CONTINUED:                                                34

                         HARRY
               But then, you know. The potential
               yield of the Plaza. Papadopoulos
               Plaza. Fully developed with a thousand
               year lease. I would have kept the
               freehold. I'm telling you Spiro. It
               was good. I'd have been worth a
               fortune. Worth, I don't know. One
               billion five. One billion six. One
               billion six. Big numbers Spiro. Big,
               big numbers.

     SPIROS starts snoring. HARRY puts the ear plugs in and stares
     out into the darkness.

                                              CUT TO:

35   EXT. THE THREE BROTHERS. DAY 9.                           35

     We are in front of the shop. SPIROS addresses a small gathering
     of people who have turned up to help in the renovation. He holds
     a bottle of champagne. Alongside him, HARRY carries the box of
     cleaning products. We see JAMES, KATIE, THEO and MRS PARRINGTON.
     We see FAT LAKI, PHIL THE TILL, FATHER JIMMY, a Greek Orthodox
     priest and an assortment of Greek faces of various ages.

                         SPIROS
               We were children when we came to
               the UK with nothing. We start
               again. Fat Laki. The weight you
               lost is an inspiration. Phil The
               Till. You've helped many Greeks
               with your tax friendly till
               machines. Eh, only two things are
               certain in life - death and taxes.
               Unless you're Greek. Then it's only
               death! (The crowd cheer). Nikos,
               Kyriaco, Androniki, Loula, Uncle
               Panikos, Aphrodite, Maria and of
               course, Father Jimmy. Thank you.
               Thank you, thank you, thank you.

                         HARRY
               Didn't Father Jimmy get done for
               selling illegal copies of Rambo?

                         SPIROS
               He's got three liquor stores in
               Palmers Green.

                         HARRY
               He always hated me.

     HARRY now addresses the small crowd.




                                                        (CONTINUED)
                                                             38
           
35   CONTINUED:                                                35

                         HARRY (CONT'D)
               People. Hello. Sorry. Hi. I just want
               you to know this is a temporary
               situation for the family. I'm
               currently in negotiations with a top
               corporate finance team about re-
               acquiring the assets of Papadopoulos &
               Sons. That's it.

                         UNCLE PANIKOS
               What did he say?

                         PHIL THE TILL
               He's had some sort of breakdown.

                         UNCLE PANIKOS
               Tragic.

                         SPIROS
               James, music.

     SPIROS nods towards JAMES who pushes a button on a his docked
     MP3 player. Greek music - Oba, Oba Ta Bouzoukia by the Delphi
     Brothers.

                         SPIROS (CONT'D)
               Thank you. I officially announce
               the renovation of the Three
               Brothers.

                         HARRY
               You're supposed to do that after you
               launch something.

                         SPIROS
               To hell with convention.
     SPIROS smashes the bottle on the floor and rallies the assembled
     party who cheer 'bravo' and clap.

                                              CUT TO:

36   INT/ EXT. THE THREE BROTHERS - MONTAGE. DAY 9.            36

     Montage to the same music. MRS PARRINGTON picks up a tray
     with teas and we follow her through the shop. She stops so
     that people can take a mug and we see her continue her
     journey - all the way through the shop to outside, where we
     see HARRY sitting alone in the van. He's not part of the
     activity. We see scrubbing, cleaning, fixing. Boards are
     taken down. Inside we see people painting and the fish fryer
     cleaned. We see product displays go up. We see SPIROS with
     manic and crazy enthusiasm. JAMES and KATIE messing around.
     Finally, we see FATHER JIMMY splashing holy water, saying a
     prayer and making the sign of the cross over the fish frying
     range while others stand and watch the ceremony with respect.


                                                        (CONTINUED)
                                                             39
           
36   CONTINUED:                                                36

     He splashes water on those assembled. They wince as the holy
     water hits them. The music fades.

                                               CUT TO:

37   INT. THE THREE BROTHERS - RESTAURANT AREA. EVENING 9.        37

     FAT LAKI is tasting strips of kebab meat. He is making notes as
     he does so, marking for texture, flavour etc. Around him are
     SPIROS, MRS PARRINGTON, JAMES, KATIE, THEO and HARRY.

                         SPIROS
               Hade re Laki. Tell us.

                         FAT LAKI
               Entaxi. Don't rush me. Its been a long
               time since I had meat like this.

     FAT LAKI takes another bite and looks upwards as he chews.

                         THEO
               What's he doing?

                         MRS PARRINGTON
               He's assessing the competition.

                         SPIROS
               E belame mas (He's driving us
               crazy).

                         FAT LAKI
               There's a reason Hassan's still in
               business. Texture, very good. Way
               above average. Meat content. High.
               Mechanically recovered cheap
               rubbish? You wish. This is a
               quality donner, nicely cooked with
               all the right combination of herbs.
               It's beautiful.

                         SPIROS
               It doesn't mean we can't take them on.

                         FAT LAKI
               No. I'm not saying we can't.

     MEHMET walks into the shop and freezes.

                         HARRY
               Yes?

                         MEHMET
               Sorry. I... I...

                         HARRY
               What do you want?


                                                         (CONTINUED)
                                                              40
           
37   CONTINUED:                                                37

                         MEHMET
               That's a lot of Greeks.

     Katie grabs her coat.

                         KATIE
               What? We're going out.

                         MRS PARRINGTON
               Not too late.

     KATIE exits with MEHMET.

                         MRS PARRINGTON (CONT'D)
               Well, she is 18.

                         HARRY
               We'll make a better product at a
               cheaper price with larger portions.
               We'll lose money on the kebabs in the
               short term, put Turks out of business
               within a year, make our margins on the
               fish and when the rest of this crummy
               street has packed up we'll raise our
               prices and cut our portion sizes.

                         SPIROS
               The entrepreneur has spoken.

                         HARRY
               Hey, it's temporary, but as long as
               we're here we'll do some business.

                                                CUT TO:

38   EXT. THE THREE BROTHERS. EVENING 9.                         38
     Establishing shot of the finished gleaming shop at night. We
     hear the sound of a sizzling frying pan. We hear the crack of
     an egg.

                                                CUT TO:

39   INT. THE THREE BROTHERS - RESTAURANT AREA. EVENING 9.       39

     An egg being broken over chips and fish scraps. SPIROS is
     cooking. HARRY and JAMES are sitting at a table.

                         SPIROS
               You know, when he was a little boy,
               he'd come home from school and sit
               there - just like that.

                         JAMES
               Who was the third b.. brother?



                                                          (CONTINUED)
                                                               41
           
39   CONTINUED:                                                39

                         HARRY
               Michael. He died in the fire. With our
               parents, your grandparents, in Cyprus.
               In the war between the Greeks and
               Turks.

                         JAMES
               How did you both escape?

                         HARRY
               Spiros climbed down and Michael who
               was... six?

                         SPIROS
               Yeah.

                         HARRY
               Dropped me down. I was just a baby.

                         SPIROS
               I caught him. But Michael... He. I
               told Mihalis to jump. But he... he ran
               right back into the house. We'll never
               know why. One night and everything
               changes.

                         JAMES
               He probably wanted to save his Mum and
               Dad.

                         SPIROS
               You know what? I never thought
               about that. You could be right.
               Yeah. You are a wise boy James.
               Your soul is old. Tell me. This has
               always been a big question for me.
               For many years. Do you think... do
               you think... I could've done
               something else? For Michael?

                         JAMES
               No. You were holding a baby.

                         SPIROS
               Yeah.

                         JAMES
               And how old were you?

                         SPIROS
               I was nine.

                         JAMES
               Well, you were only a boy. Like Theo.

     HARRY has stopped eating. He looks troubled.


                                                        (CONTINUED)
                                                             42
           
39   CONTINUED: (2)                                            39

                         SPIROS
               H? Hello? What's wrong with him?
               Hey. Don't worry. It's temporary!

                            HARRY
               Excuse me.

     HARRY exits.

                         SPIROS
               Did I say something wrong?

                                              CUT TO:

40   INT. THE THREE BROTHERS - LIVING ROOM. NIGHT 9.           40

     HARRY is lying on top of his camp bed. JAMES knocks and
     enters with a cup of tea.

                         HARRY
               He was only nine. I never thought
               about how young he was.

                         JAMES
               I got you this. Tea.

                         HARRY
               James. Come here. Sit down. I've let
               you and your brother and your sister
               down.

                            JAMES
               Dad.

                         HARRY
               I made a promise to your mother that
               I'd take care of you.

                         JAMES
               And you're doing that.

                         HARRY
               This is humiliating for you.

                         JAMES
               Dad, we'll get through this. Like... I
               don't know. Like King Lear.

                         HARRY
               I don't know the story.

                         JAMES
               Well, King Lear loses everything.
               Absolutely everything and he finds
               himself in the middle of this storm
               with nothing and all his kids h.. h..
               hate him. They think he's a prick.

                                                        (CONTINUED)
                                                             43
           
40   CONTINUED:                                                40

                         HARRY
               What happens to him?

                         JAMES
               Well. He dies.

                         HARRY
               Oh.

                         JAMES
               But it has to end like that because
               its a tragedy.

                         HARRY
               I'm sorry about your plants.

                         JAMES
               I can grow new ones.

                         HARRY
               Why didn't you bring more with you?

                         JAMES
               I didn't want to get in the way.

                         HARRY
               You're such a sweet boy. You get that
               from your mother. Your stammer is
               getting better. You know what? I'm
               going to go and get your plants. Now.
               From the house.

                         JAMES
               What? Right now?

                         HARRY
               I'm going to get your plants. Like
               King Lear. Yes?

                         JAMES
               Er. Yeah. Sort of.

                                              CUT TO:

41   EXT. PAPADOPOULOS MANSION. NIGHT 9.                          41

     HARRY is back at the old house. There is an 'Auction' sign at
     the entrance. We see a skip. We see him peering in through a
     window. He walks over to the skip and looks in. He climbs in.
     Inside the skip among old cardboard boxes, a broken chair etc he
     finds a selection of plants - some of them in pots. He picks one
     up, the one with the distinctive Union Jack pot, and brushes the
     leaves. We then see him walk off with a box of plants.

                                              CUT TO:




                                                             44
          


42   INT. THE THREE BROTHERS - RESTAURANT AREA. NIGHT 9.       42

     SPIROS, JAMES, KATIE and THEO are making batter. It is late.
     They are all in their pyjamas. We see beer cans, a vodka
     bottle and bags of flour. The radio plays Greek music. HARRY
     enters carrying a cardboard box of plants.

                            THEO
               Daddy!

                         HARRY
               Hello. What's going on?

                         JAMES
               We're making b.. batter.

                         SPIROS
               Uncle Spiros' special mix.

                         HARRY
               That's all I could find.

                            JAMES
               Thank you.

                         HARRY
               It's very late.

                         SPIROS
               I said they could help.

                         KATIE
               It is the holidays.

     THEO gets upset.
                         THEO
               Uncle Spiros said I could make beer
               and vodka batter.

                         SPIROS
               It doesn't sound very good.

                         HARRY
               Hey. You can stay up. It's the
               holidays. Tomorrow, we'll look through
               the newspapers and pick out some
               stocks. How does that grab you?

                         THEO
               Natural resources is a good buy.

                         KATIE
               Hey, wait. Show us your frying skills.




                                                        (CONTINUED)
                                                             45
           
42   CONTINUED:                                                42

                         SPIROS
               I was telling them how you were born
               with a timer in your head. How you
               fried to perfection every time.

                         HARRY
               Not tonight.

                         JAMES
               Come on Dad, show us how to fillet a
               fish.

                         KATIE
               Go on Daddy.

                         SPIROS
               Yes H. Come on. Show us. Show us. Show
               us! Show us!

     The children join in.

                         KATIE/ JAMES/ THEO
               Show us! Show us!

                         HARRY
               You should really be thinking about
               bed, all of you. Good night.

                         SPIROS
               Bed?

     HARRY exits. SPIROS tastes his batter and is happy.

                                              CUT TO:

43   INT. THE THREE BROTHERS - LIVING ROOM. NIGHT 9.              43
     HARRY stares at himself in the mirror. He can hear muffled
     laughter from the rest of the family.

                                              CUT TO:

44   INT. SPIROS' VAN. DAY 10.                                    44

     HARRY is seated. He is fiddling with his suit and tie. He sees
     JAMES pushing a wheelbarrow with plants, smoking what looks like
     a joint. HARRY shakes his head. SPIROS gets in the van.

                         SPIROS
               Alright, that's it. Where we going?

                         HARRY
               City. Get a loan. Get the business
               back, get the house back. Does this
               suit look alright?

                         SPIROS
               Yeah. It's a suit.
                                                        (CONTINUED)
                                                             46
           
44   CONTINUED:                                                44

                         HARRY
               It doesn't. I don't know. It doesn't
               fit.

     As they are about to set off HARRY sees KATIE and MEHMET
     kissing in the wing mirror.

                         HARRY CONT
               I don't believe it. They're kissing.

                         SPIROS
               Ah. Kids. Come on.

                         HARRY
               In the street?

                         SPIROS
               They're smoking. They're hanging out.

                         HARRY
               Are they? Are they?

                         SPIROS
               What?

                         HARRY
               Are they screwing?

                         SPIROS
               No. They're just kissing.

                         HARRY
               I've got to get out of this place.

                         SPIROS
               Come on. He's a sweet guy.
                         HARRY
               Out! The family is in the gutter.

                         SPIROS
               You're overreacting Harry.

                         HARRY
               The thought of her pregnant. In a
               kebab shop.

                         SPIROS
               Harry. Don't worry about Katie. She
               can look after herself.

     Spiros starts the van. We see it pull away. Music.

                                              CUT TO:




                                                             47
          


45   EXT. INDUSTRIAL ESTATE. DAY 10.                            45

     We now see the van driving through London before it pulls into
     an industrial estate and come to a stop.

                                               CUT TO:

46   INT. SPIROS' VAN. DAY 10.                                  46

     SPIROS turns off the engine.

                         HARRY
               What are you doing?

                         SPIROS
               I've got something to say.

                         HARRY
               About Katie? Is she pregnant?

                           SPIROS
               No.

                         HARRY
               Oh God. Have you've got cancer?

                           SPIROS
               No.

     SPIROS pulls out eight or nine A4 pages of hand written notes.
     He takes out his reading glasses. Reading the piece of paper.

                         SPIROS (CONT'D)
               Just bear with me. So. Here goes.
               After years of abuse on my behalf and
               unacceptable behavior, I reached a
               moment of clarity - actually this was
               two years ago. (Reading) I'd like to
               apologise for the hurt I've caused.

                           HARRY
               What now?

                         SPIROS
               (Reading) There were aspects of my
               behaviour which were unacceptable.
               This includes, and is not limited to.

                           HARRY
               Why now?

                         SPIROS
               I've been carrying this. Well, if you
               don't want to hear we can do it later.

                         HARRY
               No. Now is fine. Now is good.

                                                         (CONTINUED)
                                                              48
           
46   CONTINUED:                                                46

                         SPIROS
               Just. (Reading note paper and
               turning over pages) Oxi. Oxi. Skip
               that. (Beat) I have abused your
               generosity.

                         HARRY
               I agree with that statement.

                         SPIROS
               When we were children and got to
               London I looked after you. Got you
               ready for school. Made you do your
               homework. I taught you to cook, ride a
               bike, speak Greek. Dance. (Beat) Why
               don't you speak Greek re?

                         HARRY
               You were reading your list.

                         SPIROS
               I fought with Stephen Klein, when
               he accused you of stealing his
               orthopedic shoe. Remember that?

                         HARRY
               Yeah.

                         SPIROS
               Did you take it?

                         HARRY
               No.

                         SPIROS
               You can tell me now.
                         HARRY
               I didn't steal the shoe. Are you
               going to read all of that?

                         SPIROS
               I don't have to.

                         HARRY
               Why did it go wrong with us Spiro?
               We may as well get to it. Why did
               you turn against me after I left
               the shop?

                         SPIROS
               I never turned against you.

                         HARRY
               That's what it felt like.

     Spiros puts the notes down. He takes off his glasses.

                                                        (CONTINUED)
                                                             49
           
46   CONTINUED: (2)                                            46

                         SPIROS
               I was jealous of you.

                         HARRY
               You were my brother.

                         SPIROS
               Brothers get jealous.

                         HARRY
               You were more than a brother.

                         SPIROS
               You were my life and then you left.
               Gone.

                         HARRY
               I set up the business. I wasn't
               going to stay in the shop. You
               could've come with me.

                         SPIROS
               Harry, you were so fast. You were
               like a plane, like a supersonic
               jet.

                         HARRY
               But I gave you everything you
               wanted. Did I ever once turn you
               down? In all the years after I left
               the business. Did I? And after it
               went bust? But it was never enough.
               Every week something new. Writing a
               cheque to... I don't know. You had
               some weird friends. Who was that
               bloke with the pin head? Kept
               turning up at the house.

                         SPIROS
               None of my friends anymore.

                         HARRY
               And then drunk at Elizabeth's funeral?
               And your big 'tell it as it is'
               speech.

                         SPIROS
               I heard about it.

                         HARRY
               That was it for me. For us.

                         SPIROS
               You were right to cut me off.




                                                        (CONTINUED)
                                                             50
           
46   CONTINUED: (3)                                            46

                         HARRY
               She never had a bad word for you
               Elizabeth. Always forgave you. And she
               made me forgive you. Every time.

                         SPIROS
               She did. I always had a way back
               when she was with us. Elizabeth was
               so good to me. She was our world.
               She was our world.

     Harry is chocked and is trying to hold it together.

                         HARRY
               I'm sorry, I can't.

                         SPIROS
               It's okay H.

                         HARRY
               I've got to get to this meeting. It's
               an important meeting.

                         SPIROS
               It's okay to miss her.

                         HARRY
               Oh man. (Silence) Just give me a
               minute.

                                              CUT TO:

47   EXT. INDUSTRIAL ESTATE. DAY 10.                             47

     We see Spiros' solitary van parked up in ghostly industrial
     estate. The van eventually starts and pulls away.
                                              CUT TO:

48   INT. MORTIMER, ROLF & JONES - BOARD ROOM. DAY 10.           48

     SOPHIE, ROB, HARRY and LARS - a Scandinavian banker - are
     sitting round the boardroom table.

                         ROB
               With the help of Lars and the Norske
               Velconan Bank, we aim to buy Pap and
               Sons back from the receivers.

                         LARS
               Also, I have to say Harry that I
               believe there is an intuitive bond
               between the Greek and the Nordic
               peoples, yah? And so, maybe the very
               first vikings were descended from
               Ancient Greeks, somewhere in the deep
               mists of time. And so it's so... so
               Wagnerian, yah?
                                                         (CONTINUED)
                                                              51
           
48   CONTINUED:                                                48

                         SOPHIE
               We should point out the new approach.

                         ROB
               To buy Papadopoulos & Sons but divest
               the food manufacturing side of the
               business.

                         HARRY
               Divest the food manufacturing? What
               else is there?

                         ROB
               Sell off the food but keep the
               property.

                         LARS
               Papadopoulos Plaza. It's going to be
               worth a fortune.

                         HARRY
               That's not what I had in mind.

                         SOPHIE
               It's an asset breakup.

                         LARS
               Tusk. Tusk, yah? Makes us sound like
               barbarians.

                         ROB
               With the new loan, you'd buy back your
               old assets and then sell off the
               brands in the Pap & Sons stable.

                         LARS
               Yah. And you know how to squeeze the
               value Harry.

                         SOPHIE
               That's a break up.

                         HARRY
               Please. I know what it is.

                         LARS
               The pitta bread, the cakes get sold to
               a bakery.

                         ROB
               The halloumi and feta to a dairy
               company.

                         LARS
               I love your halloumi! Grilled. It's...
               (Kisses air)


                                                        (CONTINUED)
                                                             52
           
48   CONTINUED: (2)                                            48

                         ROB
               The sell off value of these brands
               will exceed the new loan.

                         LARS
               So my bank will get its money back
               faster than you can say 'knife'.

                         HARRY
               And what do you get?

                         ROB
               Lars wants 50% of the Plaza
               development. Which is what will remain
               after the debts have been settled.

                         HARRY
               So you get 50% of the development for
               free.

                         LARS
               Sure, yeah. But you get 50% of the
               same development yah, also for
               free.

                         SOPHIE
               What do you want Harry?

                         HARRY
               I want my food business back.

                           ROB
               Guy,   guys, guys. Reality check. Harry.
               It's   not going to happen. Okay? The
               best   you can hope for is to work with
               Lars   here and save something.
                         HARRY
               I can't say no.

                          LARS
               Okay. So. Yah. I need to take this to
               the board. Take two, three months. But
               pish, yah?

                         SOPHIE
               It seems criminal to buy the business
               back only to break it up.

     As an aside to SOPHIE.

                         ROB
               Can I just point out that you are
               skating. Figuratively speaking. On
               thin fucking ice.

                         HARRY
               I'll do whatever the bank wants.
                                                          (CONTINUED)
                                                               53
           
48   CONTINUED: (3)                                            48

                         LARS
               Okay! Harry, we are going to take this
               to the hoop, yah? Three points! Yah?
               Three points!

                                                CUT TO:

49   INT. MORTIMER, RALF & JONES - CORRIDOR. DAY 10.             49

     HARRY and SOPHIE are walking towards the lifts.

                         SOPHIE
               Taking out a loan to pay off a loan?
               So you can remortgage a property? It's
               got nothing to do with business. It's
               got nothing to do with making stuff.

                         HARRY
               I get my life back.

                         SOPHIE
               No. You get a loan for some land.

                         HARRY
               My children get their lives back.

                         SOPHIE
               I'm sorry. This isn't very
               professional.

                         HARRY
               Do you give all your clients a hard
               time Sophie?

                         SOPHIE
               No. Just the interesting ones.
                         HARRY
               You got five minutes?

                         SOPHIE
               Yeah. Of course.

                         HARRY
               Just want to talk about the shop and
               make sure my brother's got the right
               plan before I go.

                         SOPHIE
               Okay. Let's grab a coffee.

                                                CUT TO:

50   EXT. SOUTH BANK. DAY 10.                                    50

     SOPHIE and HARRY are strolling along London's South Bank.


                                                          (CONTINUED)
                                                               54
           
50   CONTINUED:                                                50

                         SOPHIE
               So it's 30% on materials. The fish,
               the potatoes, the packaging etc. Would
               you include energy? Light, heat?

                         HARRY
               Yeah. But not rent because we already
               own the building.

                         SOPHIE
               Okay. And 30% on labour?

                         HARRY
               Yeah.

                         SOPHIE
               So it's 30/30/30. Classic restaurant
               model.

                         HARRY
               That's right.

                         SOPHIE
               What are your weaknesses?

                         HARRY
               The price of fish can vary.
               Dramatically.

                         SOPHIE
               Can you vary the menu?

                         HARRY
               You don't want to complicate it.

                         SOPHIE
               It doesn't have to be complicated
               Harry. (Beat) What are your fears?

                         HARRY
               My fears? Oh. Just that it just won't
               work out. That fish and chips has
               maybe had its day.

                         SOPHIE
               No. Hang on a second. (They stop)
               Fish and chips is a British
               classic. It's much more than just a
               quick meaningless experience. It's
               something to be savoured. Just
               think of the soft, white, cod
               flakes, gently falling away as your
               fork pierces the hard, crunchy
               shell of the golden batter. The
               rich smells of a fryer's delight.
               The tangy smack of salt and vinegar
               on your lips. Hell yeah. I'd pay
               for that.
                         (MORE)
                                                        (CONTINUED)
                                                             55
           
50   CONTINUED: (2)                                            50
                          SOPHIE (CONT'D)
               (HARRY and SOPHIE exchange glances.
               They hold a look) We should talk
               about... We should talk about
               accounting packages.

                         HARRY
               Yes. We should

     We see HARRY and SOPHIE walk down South Bank.

                                              CUT TO:

51   EXT. LOCAL PARK. BRIDGE. DAY 10.                          51

     MEHMET and KATIE are kissing on a bridge. KATIE breaks away
     and stares into the distance.

                         MEHMET
               What?

                         KATIE
               This time last year I was in
               Malibu.

                         MEHMET
               We'll go tonight.

                         KATIE
               It's not a nightclub. It's America.

                         MEHMET
               Oh. Look. The shop's where I'm from
               but it's not where I'm going to end
               up.

                         KATIE
               My Dad must've said that to my Mum
               once. Maybe even on this bridge.

                         MEHMET
               See. Look where he ended up?

                         KATIE
               So, what's your plan?

                         MEHMET
               Property. Got an eye for it.

                         KATIE
               I'll probably be a pop star one
               day.

                         MEHMET
               Cool.

                         KATIE
               Yo, yo, yo! It's time to die... Yo,
               yo, blue bottle fly...
                         (MORE)
                                                        (CONTINUED)
                                                             56
           
51   CONTINUED:                                                51
                          KATIE (CONT'D)
               You is fat... You is bloated... You
               is fatally attracted... to my light
               bulb.

                         MEHMET
               That is well sick!

                         KATIE
               Yeah. I wrote something for you
               too. It's a poem. It's called,
               'Sometimes I want for nothing
               else'. Just you and me. In an ever
               expanding Universe. Sharing a cup
               of tea. Sometimes, I want for
               nothing else.

                         MEHMET
               Fuck. You're amazing.

     MEHMET and KATIE start kissing again.

                                              CUT TO:

52   INT. THE THREE BROTHERS. DAY 11.                          52

     Food preparation montage. Music. Harry is filleting a fish.
     Fish is being fried. Potatoes are being sliced and fried.
     Pickled onions are being poured into the European
     Entrepreneur vase. The shop is being cleaned and the kids
     mess around. Fish and chips are being prepared.

                                              CUT TO:

53   EXT. THE THREE BROTHERS. DAY 11.                          53

     Outside the shop, MRS PARRINGTON, wearing a 'Three Brothers
     Reopens' tee shirt, is promoting the shop by handing out some
     mini fish and chip samples to passers by.

                         MRS PARRINGTON
               Lovely. Come and try. Fresh fish.
               Lovely hot chips. Come and try.
               Little boy. Battered inside.
               Special chip for you? And one for
               you. Fish and chips, come and try.
               We batter our own fish.

     She serves an elderly English couple. She then serves a Mum
     holding hands with a child, with another child in a
     pushchair. A gang of Asian school lads walk by. Across the
     road, we see HASSAN leave his shop and cross the road towards
     The Three Brothers. He is coming over to talk to HARRY. MRS
     PARRINGTON offers him some fish and chips.




                                                        (CONTINUED)
                                                             57
           
53   CONTINUED:                                                53

                         MRS PARRINGTON(CONT'D)
               Sir, have a chip. Have a fish. No.
               None for you. Try, come and try.

                                               CUT TO:

54   INT. THE THREE BROTHERS - LIVING ROOM. DAY 11.             54

     HARRY and HASSAN are sitting in the living room. SPIROS sits
     between them. Almost like a referee. HASSAN drinks a cup of tea.

                         HASSAN
               It's not just fish and chips.

                         SPIROS
               There's room for all of us.

                         HARRY
               What do you want Hassan?

                         HASSAN
               Remember when we were children? When
               we were friends. We weren't Greeks,
               Turks. Respectfully, I would like you
               to take your kebabs off the menu. This
               is a fish and chip shop.

                         SPIROS
               What do we get?

                         HASSAN
               I won't do fish.

                         HARRY
               You don't do fish Hassan.
                         HASSAN
               You are going to put us on the street.

                         HARRY
               It's business.

                         HASSAN
               It's not about business. Perhaps you
               would not be like this if we were
               Greeks.

                         HARRY
               I'll tell you what. We'll take kebabs
               off the menu, if you ask your son to
               stay away from my daughter.

     HASSAN thinks about this. He sips his tea.

                           SPIROS
               More tea?


                                                         (CONTINUED)
                                                              58
           
54   CONTINUED:                                                54

                          HASSAN
               No. Thank you. This is very
               difficult.

                         HARRY
               Come on. It's easy.

                         HASSAN
               My son is his own man.

                         HARRY
               Right. There's no deal.

                         HASSAN
               Is this because he's Turkish? Because
               he's a Muslim?

                         HARRY
               Oh no. I don't have a problem with
               that.

                         SPIROS
               Harry's not like that.

                         HASSAN
               Because he works in a kebab shop? Is
               that it?

                         SPIROS
               Yeah. Harry's more like that.

                         HARRY
               I would ask you - both of you - to
               respect a man's aspiration for his
               daughter.
                         HASSAN
               I have similar aspirations for my son.
               Spiro, perhaps you should remind your
               brother where he is now. Tell him to
               look around. Perhaps he still sees a
               big mansion with gardens and servants.
               Well, I don't. But more importantly,
               neither does my son.

                         HARRY
               This is only. We'll be gone in a
               couple of months.

                         HASSAN
               I hope so. It's going to be a very
               long couple of months.

                         HARRY
               For both of us.



                                                        (CONTINUED)
                                                             59
           
54   CONTINUED: (2)                                            54

     HASSAN finishes his tea. There is an uncomfortable silence. At
     this moment THEO comes in with a camera and takes a photo of the
     three men sitting together.

                         THEO
               Say cheese!

     Flash. The scene of the three men is captured as a still
     photograph. Music - 5000 Lies by George Zambetas.

                                              CUT TO:

55   INT/EXT. PHOTO STILLS MONTAGE. DAY/NIGHT 12.                 55

     Music continues. We now see a series of photo stills, as you
     would find in a family album or on a rotating screen saver. The
     images cover over two months of activity at the shop and beyond.
     Some of these shots are out of focus. Some are over exposed etc.
     Some are badly framed. Sometimes the people in the shots are
     aware of being photographed, sometimes not. They rotate once
     every four or five seconds throughout the song. The images we
     see are:

     1. KATIE dangling two fish from her ears as if they are
     earrings.

     2. MRS PARRINGTON behind the counter of the fish bar having a
     cup of tea.

     3. HARRY in his fish and chip shop coat and hat looking
     miserable behind the counter.

     4. JAMES is sitting at one of the tables with half a dozen
     plants. He is repotting.

     5. KATIE and MEHMET outside the shop having a cigarette.
     6. PHIL THE TILL juggling potatoes.

     7. HARRY on the sofa fast asleep.

     8. JIMMY THE PRIEST playing cards with FAT LAKI and PHIL THE
     TILL. He is showing the photographer his three kings, while
     the other players look on bemused.

     9. HARRY with a tomato ketchup dispenser goofing around.

     10. MRS PARRINGTON and JAMES present FAT LAKI with a birthday
     cake.

     11. HARRY and SOPHIE in the shop together having fun.

     12. The three children, JAMES, KATIE and THEO pulling a see
     no evil, hear no evil, speak no evil pose on a bench, outside
     the shop.

     13. MRS PARRINGTON being embraced by SPIROS outside his van.

                                                        (CONTINUED)
                                                             60
           
55   CONTINUED:                                                55

     14. MRS PARRINGTON and THEO standing outside the shop
     pointing at something in the sky.

     15. KATIE and MEHMET flirting outside the shop.

     15. SOPHIE is sitting at a table eating fish and chips with
     THEO.

     16. The entire family behind the counter posing for a shot,
     as if for a local newspaper.

     17. HARRY and SOPHIE sitting outside the shop, smiling.

     18. SPIROS looking serious - staring out of the shop window.
     Unaware.

     19. A shot of HARRY and SPIROS outside the shop, looking at
     at the camera. We are pulling out of the shot. SPIROS is
     happy and smiling but HARRY is stern and serious. This photo
     is held for longer. We pull out.

                                                CUT TO:

56   INT. THE THREE BROTHERS - RESTAURANT AREA. DAY 13.          56

     THEO looking at the same   photo on his laptop. He closes the lid.
     The family is sitting at   a restaurant area table - SPIROS, MRS
     PARRINGTON, HARRY, THEO,   KATIE and JAMES. On it, there is a
     mobile phone. They watch   it in silence.

                         HARRY
               So, here we are.

                         SPIROS
               Here we are.
                         MRS PARRINGTON
               I'm sure it will be good news.

                         HARRY
               If it's good news Spiro, I want you to
               have the shop. All of it.

                         THEO
               Will we get to visit Uncle Spiros
               again?

                         MRS PARRINGTON
               Yes, of course we will.

                         SPIROS
               Who's going to help me to run the
               store? I'm going to need you little
               man.

                         MRS PARRINGTON
               I expect Uncle Spiros will always find
               you a holiday job here.
                                                          (CONTINUED)
                                                               61
           
56   CONTINUED:                                                56

     The mobile phone rings. HARRY answers.

                         HARRY
               Hello. Lars. Yeah. I'm just...

     HARRY steps away from the table and exits the restaurant area.
     We watch the family. They do not talk. HARRY comes back.

                         MRS PARRINGTON
               What is it?

                         THEO
               Did you get the loan?

                         HARRY
               Bad news I'm afraid.

                            KATIE
               Really?

                         HARRY
               Yeah. We're going home! We got it!
               We're going home.

     The family's response is muted.

                         SPIROS
               Congratulations.

                         HARRY
               What's wrong? We're leaving, we're out
               of here. We got the loan. We should be
               celebrating.

     The family are still unmoved.
                         SPIROS
               He's right. It's a good day. You, you
               made it. You're a survivor. Sorry.

     SPIROS shows some discomfort and starts to get up.

                         HARRY
               What is it with you Spiro? Why can't
               you be happy for me? Whenever I have
               any kind success you always have to
               stamp on it. (Spiros gets up) Where
               are you going?

                         SPIROS
               I am happy for you. I am.

                         HARRY
               What is it? What's wrong?

     Spiros staggers off.


                                                          (CONTINUED)
                                                               62
           
56   CONTINUED: (2)                                            56

                         SPIROS
               There is this...

     SPIROS collapses onto the floor.

                                                 CUT TO:

57   INT. HOSPITAL. DAY 13.                                       57

     SPIROS is on an oxygen mask. HARRY, KATIE, JAMES, THEO and MRS
     PARRINGTON are watching him.

                         THEO
               He looks dead to me.

                         MRS PARRINGTON
               No, he's not dead. He's sleeping. He's
               still sleeping.

                         THEO
               Like sleeping beauty?

                         MRS PARRINGTON
               Yes. That's a good way of looking
               at it.

     SOPHIE enters. SOPHIE is carrying a cake.

                         SOPHIE
               Sorry. I hope I'm not.

                         HARRY
               No, no. Come in. (Indicating to
               James to get a chair) James, James.
               And take the erm... (Refering to
               cake)
                         SOPHIE
               Yeah, I heard the news and I really
               wanted to bake something so I made
               a Greek Easter cake. Don't ask.

                         HARRY
               No. That's really... lovely. Thank
               you very much. We'll, we'll have
               some of that. He's in a mild coma
               apparently and we have to talk to
               him and play music and... James,
               put the... turn the music on. (To
               SPIROS) Hey, wake up. The
               accountant's here. You've got to
               wake up.

     JAMES plays an Ipod in its dock. We hear the first bars of an
     inappropriate song.

                         HARRY (CONT'D)
               James!
                                                           (CONTINUED)
                                                                63
           
57   CONTINUED:                                                57

                         KATIE
               Jesus Christ!

                         MRS PARRINGTON
               Katie!

                         JAMES
               Sorry. It won't turn off.

                         KATIE
               You're such a spanner!

                         JAMES
               Fuck off slag.

                         MRS PARRINGTON
               Katie! James!

                         THEO
               Let me do it!

                         HARRY
               Wait! I can felt something. Katie. Get
               the doctor.

                         KATIE
               I don't want to ask.

                         JAMES
               Oh for fuck's sake, I'll go shall I?

     James exits and fetches a female doctor.

                         HARRY
               Doctor. I felt something just now. A
               gripping movement.
                         DOCTOR
               Anything else?

                         HARRY
               No, just a slight squeeze, is that
               a sign?

                         DOCTOR
               It could be a decorticate response.
               It's difficult to tell.

                         HARRY
               Right. How long's he going to be like
               this?

                         DOCTOR
               He's suffered a heart attack. It's
               hard to predict. You should all take a
               break. I'm sorry about him.


                                                        (CONTINUED)
                                                             64
           
57   CONTINUED: (2)                                            57

                         MRS PARRINGTON
               Yeah. Okay. We'll leave you to it.
               Come on. We'll just say goodbye to
               Uncle Spiros.

     The family depart. SOPHIE also goes to leave.

                         HARRY
               Would you mind staying around?

                            SOPHIE
               Of course.

                                                CUT TO:

58   EXT. HOSPITAL. EVENING 13.                                  58

     We see the exterior of St Thomas's Hospital in London, from
     the other side of the Thames River.

                                                CUT TO:

59   INT. HOSPITAL. EVENING 13.                                  59

     HARRY and SOPHIE sit at SPIROS' side. It is late. HARRY is
     gently singing Varka Sto Gialo (A Boat in the Harbour) to
     SPIROS - a traditional Greek song. He is humming the parts he
     cannot remember.

                         HARRY
               So, he saved me twice. Once in the
               fire, and once after the banks. I was
               always embarrassed by him, you know.
               By his thing that he does. You know,
               his... 'thing'. But the thing that he
               does. It's a good thing really. These
               last few months. This year actually.
               This whole year. God. What a year.
               What a year. And yet. I've never felt
               so alive. I've never felt so engaged.
               Why is that? I mean why? I mean, I'm
               frying chips.

     SOPHIE shrugs with smile.

                          HARRY (CONT'D)
               I love him. I've always loved him. And
               I love my children. I love... I love
               my life. I love it. Why is that? Why
               do I love it now? What was wrong with
               it before?

                         SOPHIE
               It's okay. It's okay.

                         HARRY
               It's a crazy, crazy, world. It's up,
               it's down. You fight. You win.
                         (MORE)
                                                          (CONTINUED)
                                                               65
           
59   CONTINUED:                                                59
                          HARRY (CONT'D)
               You lose. You become exhausted. And
               then you leave. There's no logic.
               There's no logic. It's insane. It's
               insane. The whole thing.

     SPIROS wakes. He rips out the respirator from his mouth.

                         HARRY (CONT'D)
               No, no, no, no. Spiro.

                         SOPHIE
               I'll get someone.

     SOHPIE exits.

                         HARRY
               Spiro mou. Spiro mou.

                         SPIROS
               Ella bethi mou. Ella tho. You have
               to let me go. It's good. Michael's
               with us. Michael. O Mihalis. He was
               always there. Always with us.
               Always. Three brothers.

                          HARRY
               When I was a little boy. You cooked
               for me. Every time I came home.
               They were good times Spiro.
               Efharisto.

                         SPIROS
               Itan Kali zoi. A good life. Now you
               understand. Levendis mou.

     SPIROS smiles. He closes his eyes and dies.
                                              CUT TO:

60   INT. THE THREE BROTHERS - RESTAURANT AREA. DAY 14.          60

     Fade from black. Music continues. Close up on HARRY who is
     sitting by himself. He has just come from the funeral and
     wears black. We see a hand on his shoulder. As the camera
     tracks back we see it is KATIE's hand. She is also wearing
     black. He touches it. He is starring into the distance. KATIE
     sits next to him. JAMES and THEO appear, also in black, and
     sit next to KATIE. They stare into the distance. The camera
     continues to track back towards the entrance of the shop.

                                              CUT TO:

61   EXT. THE THREE BROTHERS - ROOF TERRACE. DAY 14.             61

     JAMES and HARRY climb up the stairs to the roof terrace. HARRY
     stops and stares in disbelief. We cut to HARRY's POV and see a
     beautiful roof garden packed with plants and life.

                                                          (CONTINUED)
                                                               66
           
61   CONTINUED:                                                61

                         HARRY
               Did you do this?

                         JAMES
               It was for you. And Uncle Spiros. And
               Mum.

                         HARRY
               Thank you James.

     JAMES points out the English Ivy in the Union Jack pot that
     HARRY brought back from the old house.

                         JAMES
               This is the Ivy you saved, that night.

                         HARRY
               We meet again.

     KATIE and THEO appear at the entrance to the roof terrace.

                         HARRY (CONT'D)
               Did you know about this?

                         JAMES
               They can all go back to the house if
               you want. The plants. They're quite
               easy to move. But they're also very
               happy to grow here as well. If we
               choose to stay.

     HARRY looks towards KATIE and THEO.

                         KATIE
               It's whatever you want to do Daddy.
               We're all really proud of you.
     The family embrace.

                                               CUT TO:

62   INT. THE THREE BROTHERS - RESTAURANT AREA. DAY 15.           62

     It is another working day at the Three Brothers. HARRY, FAT LAKI
     and JAMES are behind the range frying and placing fried fish
     into the display. There are lots of customers queuing up and the
     restaurant is busy with customers at the tables. KATIE is taking
     an order. THEO, in a school uniform, and MRS PARRINGTON walk
     into the shop.

                         HARRY
               Theo mou. Good day at school?

                          MRS PARRINGTON
               Very good day. Impressed the teacher
               with his ability to solve quadratic
               equations.

                                                          (CONTINUED)
                                                               67
           
62   CONTINUED:                                                62

                         HARRY
               That is fantastic.

                         THEO
               Your friends are outside.

     HARRY looks out of the shop window.

                                               CUT TO:

63   EXT. THE THREE BROTHERS. DAY 15.                            63

     HARRY exits the shop and is confronted by ROB and SOPHIE.

                         ROB
               As you won't come to me, I thought I'd
               come to you.

                         HARRY
               I'm not changing my mind Rob.

                         ROB
               I just want to talk.

                                               CUT TO:

64   EXT. LOCAL PARK. DAY 15.                                    64

     HARRY, ROB and SOPHIE are in a park, sitting on a park bench.

                         ROB
               Tell me this is a joke.

                         HARRY
               I don't want to do the deal.
                         ROB
               Harry, you have seriously lost the
               plot on this one.

                         HARRY
               It just doesn't feel right.

                         ROB
               We worked hard on this.

                         SOPHIE
               If he doesn't want to do the deal, he
               doesn't want to do it.

                          ROB
               Shut up.

                         HARRY
               Hey. No need for that.

                         ROB
               I don't understand.
                                                         (CONTINUED)
                                                              68
           
64   CONTINUED:                                                64

                         HARRY
               I've got everything I want.   And I've
               got no debt. And that feels   good. When
               I lock up my shop at night,   it feels
               good. I've got no debts, no   loans. I
               own it 100 per cent.

                         ROB
               Come on. A percentage of something
               that could be worth millions. You'd
               walk away from that? For a chip shop?

                         HARRY
               Yeah. Right now? Yes. I would. And I'm
               with my children. And that's. You
               can't put a price on that Rob. And I'm
               having fun. We're having fun. Come
               back to the shop and let me cook you
               something to eat. Go on. We're doing
               great business. I'm actually thinking
               of expanding.

                         ROB
               That's... That's... That's good Harry.
               That's, that's very good. I'm happy
               for you. If this is success.

                         HARRY
               What is success Rob? What is it?
               We've both had it. What is it? Is
               it the share price? Is it the
               profit earnings ratio? Is it a
               beautiful car.

                         ROB
               You tell me Harry. You've had it
               all.

                         HARRY
               Yeah, I have. And I can tell you.
               Success is... the joy you feel.
               That's it. That's all it is.
               Success is the joy you feel!

                         ROB
               Come on. Lets go.

                         SOPHIE
               I don't think so.

                         ROB
               Okay. I'm sorry I shouted at you.

                         SOPHIE
               I don't care about that. I just don't
               want to work for you anymore.

     Rob shakes his head and walks off.
                                                          (CONTINUED)
                                                               69
           
64   CONTINUED: (2)                                            64

                         ROB
               Good luck people!

                         HARRY
               Best fish and chips in London!

                         ROB
               Call me when you want to go public!

                         SOPHIE
               I just quit my job.

                         HARRY
               Yep. I think you did.

                         SOPHIE
               I'm just trying to work out what I'm
               feeling

                           HARRY
               And?

     HARRY and SOPHIE kiss.

                         HARRY (CONT'D)
               Bag of chips?

                                                CUT TO:

65   INT. THE THREE BROTHERS - RESTAURANT AREA. DAY 15.          65

     HARRY and SOPHIE walk into the shop. JAMES and FAT LAKI are
     behind the counter. KATIE is taking orders. THEO is doing his
     homework with MRS PARRINGTON.

                         HARRY
               Ladies and gentlemen, meet our new
               bookkeeper.

                           SOPHIE
               Hello.

                         HARRY
               You may have to take a few shifts
               behind the counter.

                         SOPHIE
               Well. Got to learn the business from
               the inside.

                         HARRY
               Get the girl a Three Brothers coat.

                           FAT LAKI
               Yes boss.



                                                          (CONTINUED)
                                                               70
           
65   CONTINUED:                                                65

                         HARRY
               We are going to build a great
               business, from today.

                         SOPHIE
               I'm so excited.

                         HARRY
               Good times, eh?

                         SOPHIE
               I think so.

                         HARRY
               Katie. Tell Hassan to meet me outside.
               Laki, bring that kebab.

                                               CUT TO:

66   EXT. THE THREE BROTHERS. DAY 15.                            66

     HARRY, SOPHIE, JAMES, KATIE, MRS PARRINGTON and FAT LAKI meet
     HASSAN, MEHMET and a couple of HASSAN's family in the street
     outside the shop. FAT LAKI is carrying the kebab.

                         HARRY
               Hassn. Thank you for coming. Laki?

     FAT LAKI passes the kebab to HARRY. HARRY gives it to HASSAN,
     who passes it to a family member.

                         HARRY CONT
               Kebab's are off the menu.

                         HASSAN
               You're a good man. Thank you.
     We see KATIE and Mehmet hold hands.

                         HASSAN (CONT'D)
               We must celebrate. The Greek way. Yes?
               Come on.

     HASSAN invites Harry to dance. JAMES hits his portable
     stereo. We hear the opening bars of Siko Horepse Sirtaki.

                         HARRY
               No.

                         HASSAN
               Someone get some plates. Get
               everyone.

                         HARRY
               No, I can't. I actually can't. I...
               I really don't know... I actually
               don't know how.

                                                         (CONTINUED)
                                                              71
           
66   CONTINUED:                                                66

                         FAT LAKI
               Hade re. Just make it up.

                         SOPHIE
               Come on Harry. I want to learn to.
               Teach us all how to dance.

     HARRY, without thinking starts to dance. George Zambetas
     'Siko Horepse' plays.

                         JAMES
               Dad. What are you doing?

                         HARRY
               I think I'm going to dance. And then
               I'll teach you all.

                         KATIE
               Go on Daddy!

                         HARRY
               It's been such a long time since I
               did this. Amazing how it all comes
               back to you. Oh... This is!

     HARRY starts to clap to the music. The others start to clap and
     form a circle around him. Everyone enjoys the audacity of what
     HARRY is doing as he starts to dance by himself. People passing
     by stop to witness the spectacle. HARRY is in the middle,
     dancing by himself. The camera pulls back as the party of people
     clapping come together in a circular farandole which takes over
     the street.

                                              CUT TO:

67   INT. THE THREE BROTHERS - RESTAURANT AREA. DAY 15.             67
     THEO is at one of the restaurant tables. He is trading on his
     laptop. Mrs PARRINGTON comes into the shop.

                         MRS PARRINGTON
               Quick. Theo. Come and see your father.
               He's making the most delightful fool
               of himself.

     THEO jumps down and runs out. We pick up the screen of THEO's
     computer. On it, we see a trading screen with THEO's name, a
     'triple A' status trader logo, and a current account balance
     of 22 million.

                                              FADE TO BLACK.


                                 THE END




                                                               72

Papadopoulos & Sons



Writers :   Marcus Markou
Genres :   Comedy  Drama


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