Carol Leifer & Marjorie Gross
I don't even know what, what is supposed to be attractive about
Why does a man want to see a woman in a fur? Men want women to
shave their legs, shave their armpits, pluck their eyebrows and then
before we go out, we dress them up like a bear.
To me the only reason to wear fur, would be if you were trying
to sneak up on another animal. Did you ever see those tribal hunters where
they wear the fur and then they had the other animals, head on top
of their head? You know I'm sure there's a moose looking at that going,
Yeah, that looks real good. Yeah, I'm gonna turn my back on this goof
ball with the extra head. Because there's nothing fishy going on there.
I'll just keep drinking from the stream. I've seen a lot of two-headed
tigers with knees.
Exterior of a Dry Cleaners -- then inside where Jerry and George
are talking, Jerry is holding a few items, waiting to drop them off
to be dry cleaned.
Well I am actually going to have a secretary
and I get to do the
That's incredible. Six months ago you
were taking messages for
Yeah, and now someone's going to be
taking messages for me.
From your mother.
(George & Jerry turn and move closer to the counter as a few
leave the store.)
So this ah, woman you plan on hiring,
is she going to be in the
Spokes model category?
Sure. I could go the tomato route. But
eh, I've given this a
lot of thought Jerry. All that frustration. I'll never get any
done. So I'm doing a complete 360. I'm going for total efficiency
That's a 180, George.
(Jerry turns and walks up to the counter. George wonders about
I got this stuff and ah my mother's
fur coat for storage.
What are you doing with it?
Ah, she keeps it in my apartment for
when she comes up from
Hey Jerry, you know my wife “Donna”.
Yeah, that's why I said “hi”.
(Donna smiles and walks away)
Hey, nice jacket. (looking over the
Thanks. It's Hounds-Tooth.
Whoa, this is a beauty. Great cut. It's
Oh yes, it really accentuates my bust
Daylight exterior shot of Yankee Stadium, then to George Costanza's
office where he is interviewing an attractive applicant for his
Well, I type about 90 words a minute.
well-versed in all IBM and Macintosh programs.
(looking over her resume) Well Miss
Coggins you're ah, obviously
qualified for the job. You've all the necessary skills and experience.
But you're extremely attractive. you're gorgeous. I'm looking
I can't even remember my name. So ah, I'm afraid this is not
work out (he crumples her resume into a ball) Thanks for coming
(the camera is now back on the applicant's seat, but another
attractive woman is seated there)
You're luscious. You're ravishing. I
would give up red meat
just to get a glimpse of you in a bra. I'm terribly sorry. (both
George and the attractive female applicant stand up as George
across the desk and shakes her hand for coming in)
(A very plain looking applicant now sits across from george)
As you can see my references are impeccable.
I think I'd be a real
asset here. My only concern is, I do take care of my mother.
there be any late nights?
I can't imagine.
Exterior shot of Jerry's apartment, then inside where Elaine
a garment bag and talking with Jerry.
Ok, So Barney's is having this huge
sale. I try this dress on
-- (holds the garment bag out towards Jerry) -- Stunning. Stunning.
couldn't take my eyes off myself.
OK, so then I put it on at home. It
looks like I'm carrying
So you're saying, Store -- Hotsy-Totsy,
Yeah exactly. Anyway I've got to go
over there and return it.
I thought we were going to the movies?
All right I'll try it on again. You
tell me what you think.
(she turns and goes into the bedroom to change clothes)
Hey Elaine. (George hangs up his raincoat
next to the door) I'm
telling you Jerry, having a secretary is incredible. (George
hands) I don't know why I didn't have one before.
Because you didn't have a job?
Perhaps. (hehe) I walk in, everything
is organized -- messages,
appointments. And I can't tell you how proud I am of myself for
A lesser man would have crumbled. They
would have gone for the
“dish” and the sure fire sexual-harassment suit.
(Elaine walks back into the living room, modeling the dress,
extended straight out from her sides, elbows bent, with the look
face that says, huh ... what do you think? -- She walks towards
It's a little ...
All Right! (throws arms down) You answered
it right there.
You got no waist in that thing.
You arms look like something hanging
in a kosher deli.
I said, All Right.
Well wha'd you buy it for?
Why did I buy it, because in the mirror,
at Barney's, I looked
fabulous. This woman was just walking by said I looked like Demi
in Indecent Proposal.
How fast was she walking?
(Elaine heads for the bedroom to change out of the dress, turns
looks at Jerry)
Demi? I thought it was Demi?
No. I think it's Demi.
Really? I never heard of a semi tractor-trailer.
(Elaine walks back in, still in the dress)
Wait a minute (claps hands) Wait a minute.
I know what's going
on here. Skinny Mirrors! (she pushes George and Jerry in their
respective chests, with her arms extended -- one arm for each
of them --
they recoil with surprise)
Skinny Mirrors! Barney's has Skinny
Mirrors, they make you
look, like, 10 pounds lighter.
Oh, you're crazy.
Am I? (hands on hips) Do you think I
would have bought this
dress if I looked like this at Barney's?
(to Jerry, as Jerry nods in agreement)
You know I think she
might have something there.
(Kramer enters, seeing Elaine -- his head and upper body lurches
Whoa. What are you all dressed up for?
Oh I'm returning this dress to Barney's.
Do it tomorrow. Well go to the movies.
Yeah yeah, ok.
Hey look, if you're going there, maybe
you could pick me up some
of this super hydrating, it's a total-protection moisturizer
Moisturizer? That's girls stuff.
No no, look. I'll tell you what -- they're
having a sale right.
I'll meetcha down there, well have lunch.
Well we could ...
Well, we'll get to know each other.
We never get to spend any
time together. Oh sure we have our little group here, but ...
and gestures out towards George and Jerry, as Elaine walks back
the bedroom to change out of the dress -- Kramer scratches his
sort of disbelief)
Daylight exterior shot of Yankee Stadium, then to George Costanza's
office, he stands in front of a wall calendar, as Ade, his new
takes down notes as to what George is saying.
And then assuming the strike is resolved,
on April 14th, we, ah,
play the Angels. So let's clear a floor at the Anaheim Hotel.
Anaheim Hotel. (George picks up a container
of chinese food from
the credenza) You may want to reconsider. I believe they only
room service until 10 P.M. and then it's only finger foods.
Ade, you're a wonder. (he he -- george
OK, now I projected some of those figures
for you regarding the
switch to Canola oil for the stadium popcorn and surprisingly
only come to 1/2 a cent more per bag, so it is definitely doable.
Ade, I have to tell you, I, I have never
met anybody so ...
Well thank you, I'm flattered.
I mean you're just, you're just a marvel
Well I'm just, hm, doing my job.
It's like I'm thinking of something,
and you're (snaps fingers)
one step ahead of me.
What can I say? I'm ... I'm good at
what I do. (smiling and
quietly laughing proudly)
(coyly, he looks down and runs his finger
along the top of the
chair back in front of him) Do you, uh ... do you know what I'm
thinking about now?
(thinking about the question, she stops
writing) Yes, I think I
do. (she turns her head slowly and looks directly at him)
Is it, uh, doable?
It's definitely doable.
(Ade throws her note pad and pencil in to the air, along with
glasses. George grabs his glasses and takes them from his face
throws them on the couch as he and Ade embrace in a frantic kiss
slither down to the floor between the desk and the couch -- the
cannot see them on the floor)
Outside a movie theater (The Paragon) Jerry and Elaine have exited
theater and are walking slowly and then stop to talk, as other
goers leave the theater behind them - in the background, there
is a line
of people waiting to buy tickets for the next show.
Well, that was the worst.
I can't believe they made the Wife the
killer. (putting on
gloves) Gimme a break.
(waiting in line for tickets, he overhears
Elaine) Hey, give us a
break. We haven't seen it yet. Thanks a lot big mouth!
(waiting in line, closer to the box
office) Yeah! (in
agreement with the other guy)
(Kramer rushes up to Elaine and Jerry)
You got a pen?
Yeah, I think I do.
And I need something to write on.
Well, all I got is my dry-cleaning stub.
I gust met Uma Therman. She's giving
me her telephone number.
Uma Jerry, Uma.
Uma Therman? Really?
How'd you manage that.
Yeah well I don't have any time to talk
now. (he rushes back
into the theater)
He's got the Kavorca. (looking towards
the theater door, Jerry
notices one of the movie goers) Hey, isn't that Willie, my dry-cleaner?
He just went in. You know, I think he
was wearing my
What would he be doing wearing your
It looked just like the jacket I brought
in to be dry-cleaned.
He complimented me on it.
Are you sure?
(Kramer walks up, smiling gleefully)
I got it. Uma, Uma, Uma. (looking at
You are amazing.
Yeah, all right. Taxi's on me. (he walks
Exterior shot of Yankee Stadium at dusk and then to George Costanza's
office. (moaning) George and Ade are struggling to kneel and
Ah no no no no no. A better way to reach
the bra would be to undo
the jacket, then go around the back of the shirt.
Ade you are incredible
(as he unbuttons her jacket, they fall to the floor again --
cannot see them between the desk and the couch -- we see over
desk, keyboard, manila folders and then we see Ade's shoe in
above the desk)
Oh ...oh ...oh ... Here, I want to show
you something. Hand me
(we see George's head and arm above the desk ridge, he grabs
from the couch and hands it to Ade. Her arm pulls him back down
on the ground)
What? Oh, My God!
Mr. CO STAN ZA!
Ade, ahh, ahh, ah ... I'm giving you
Exterior shot of the restaurant (Monks) then inside. George and
are sitting in the normal booth.
So you're having sex and then all of
a sudden, you just blurt out
“I'm giving you a raise.”
Just a quick sidebar here -- are you
in anyway authorized to give
Not that I'm aware of, no.
So you're so grateful to have sex, that
you'll just shout out
anything that comes into your head.
I didn't think ahead.
Well maybe she'll just think it was
I didn't say any other bawdy things.
Maybe you could have sex with her again
and then take it back.
All right, you know you're not any help
at all here. I don't
know what even the point is of talking to you anymore.
(they stand up from their seats at the booth)
All right, all right. I'm sorry.
Yeah, well, I guess the only thing I
can do is go into George
Steinbrenner's office and tell him he has to give her a raise.
How long has she been there?
It's almost a week.
(Jerry picks up several items of clothing from the booth, in
dry-cleaning bags -- He is wearing his Hounds-Tooth jacket. George
Jerry walk over to the cash register to pay for lunch. At the
Jerry reaches into his Hounds-Tooth jacket pocket, he pulls out
Oh, My god.
It's a movie stub from the 9:30 show.
George, I think Willie the
dry-cleaner has been wearing my clothes.
Exterior shot of Barney's department store, street scene with
windows. Then inside to Elaine, Kramer and the Barney's sales
associate -- they stand in the women's clothing dept. (Zelda
is the name
of the clothing line on the wall), outside of the dressing room
Elaine is wearing the dress she plans on returning.
These mirrors are skinny mirrors. This
is false ...
reflecting. And I think, that the department of ... you know,
would be very interested to know what's going on here.
OK fine. (smiling) I did like that little
Calvin Klein number
right by the elevator. You know the little ... (motions in the
direction of the elevator)
Ok thanks so much. (the Barney's sales
associate turns and walks
away. Elaine turns to Kramer as he admires himself in the mirror)
are you all dressed up for?
Well Elaine, when you're shopping on
Madison Avenue, you don't
want to skip on the, swank.
I like your little bag.
Huh, oh hey, look at this. (he pulls
a little tube out of the
bag) It's the super hydrating, triple-action moisturizer, hmm.
(Kramer opens the moisturizer and squeezes some onto his palm)
Wait till that Uma smells this Uva.
(Elaine walks away into the dressing from area. Kenny Bania enters
Hey Bania, what's happening? (Kramer,
looking into the mirror,
is putting moisturizer under his eyes)
I'm looking for a new suit. I can't
find anything I like.
That's a nice suit. (admiring Kramer's suit)
Well, thank you.
Did you get that here?
No, this is vintage. They don't make
this stuff anymore.
You're telling me.
I sure am.
It's hard for me to find pants that
(interrupting Bania) That don't make
you look high-waisted.
What size are you?
42, That's what I am now. I've been
working out, I'm huge.
How'd you like to sell it?
make me an offer.
Surely you jest. (walks away from Bania)
Look at the stitching (takes the jacket
off to show Bania) This
is old world craftsmanship.
Sold. Follow me into the dressing room.
You throw the shirt in?
Bania, you're killing me.
Hey that's the women's dressing room.
There's nothing in there that I haven't
Daylight exterior shot of Yankee Stadium (Louisville Slugger)
George Steinbrenner's office. The camera is behind Steinbrenner,
looking towards the door.
(Opens the door, looks in and then knocks
5 times) Mr.
Steinbrenner, (waves) can I talk to you for a second?
Yes yes George. Can you talk to me for
a second? Of
course you can -- I'm a very accessible man. I just wanted to
you're doing great work on that Canola oil stuff.
Well, you know, to be honest sir --
my, my new secretary Ade,
came up with that one.
Ade, Ade, I like that name George.
She supports her whole family. (walking
slowly into the room)
Is that a fact George?
Yes, In fact, her mother is in the hospital
right now. It's
some kind of a Diverticulitis. (he continues walking slowly towards
I had a bout of that myself one time
-- knocked me right
on my ass.
She can't even afford to go out to lunch.
She's been eating in
a high school cafeterias She pretends to be a teacher. It's pathetic.
What's that cost her, like, two and
a quarter? ($2.25)
You know what I was just thinking --
she could really use a
(Telephone rings -- Steinbrenner reaches for the receiver)
You know, she'd be better off making
a sandwich at home
and bringing it in. (picks up the telephone hand set) Hello,
will you excuse me.
Daylight exterior shot of Barney's department store windows,
traffic driving by -- then to Elaine in the dressing room --
almost done dressing in the Calvin Klein dress.
Kramer climbs up the wall of his dressing room adjacent to Elaine's
we see his head, top of his bare chest, arm and both hands over
of Elaine's' dressing room wall -- he is looking down at her.
(Elaine is startled and tries to cover her top, which is mostly
from the dress she is putting on)
Kramer, what are you doing here?
Listen, I need you to get me some clothes.
Yeah, I just sold my suit to Bania for
a cool three-hundred.
So go buy a new one.
What, at this place? It would destroy
my whole profit margin.
Listen do me a favor -- just call Jerry,
tell him to bring me
Ouhhh (Kramer disappears back behind
his wall as Elaine opens
the dressing room door)
Exterior shot of the Dry Cleaners store front, then to the interior
Jerry enters as a female customer is leaving the counter with
Hey, Jerry. You dropping off?
No, but ah, seen any good movies lately?
You came by to ask that?
Yeah. Specifically 9:30 shows. Seen
any good 9:30 shows at the
What are you gettin at?
I saw you the other night stepping out
with my Hounds-Tooth
Jerry that's a breach of the dry-cleaner's
You need a code to tell you not to wear
I wasn't wearing your jacket. Jerry
you're imagining things.
(he makes the circular motion next to his ears - the international
symbol for “insane”)
Yeahhh, am I imagining this? (he whips
out the movie stub and
holds it up to Willie) Found this little cutie in the pocket.
the stub on the counter)
Yeah, Yeah. Well, now that we understand
each other -- I'll be
taking my business elsewhere. And I want my mother's fur coat
Jerry, come on.
Now? (Willie looks off with his eyes
to his left -- he is
thinking about his wife Donna)
(Shot of Donna wearing the fur coat, standing at a hot dog stand,
a hot dog)
Yeah. I want that coat. (Jerry opens
his wallet, looking for
the dry-cleaning ticket)
Well ... ahh. (apprehensively)
Where's that ticket? Oh, Kramer.
Wait, you, you mean to tell me you don't
have a ticket for the
No, not on me.
Well, I, I need to see that ticket.
Why? I've got my cleaning before without
Yeah, but this is different. Those fur
storage warehouses are
huge. You can't, get anything without a number.
All right, I'll be back.
Elaine inside Barney's, she stands in front of a full length
The sales associate behind her, giving advice on the dress.
Yeah it looks good here, but what does
I don't know, I have to think about
it. (the sales associate
walks away) I need a nonpartisan mirror.
(Elaine looks around, like she is trying not to be noticed and
of the clothing dept.)
Daytime exterior of Yankee Stadium, then inside to George Costanza's
I can't thank you enough, Mr. Costanza.
I'm so grateful
Yes, well, I sat down with Mr. Steinbrenner.
I told him you
have been doing great work. I said that you deserved a raise,
you didn't get it, that I, was leaving. (motions with both arms
circular motion to his right)
It was just so generous.
Oh, well, don't worry about it -- he's
got plenty of money.
(spins his chair away from her)
Oh I know, but Twenty Five Thousand.
(spins his chair back to face her) So
you got a $25,000 a year
Yes, I tell you, Mr. Steinbrenner...
You're making more than I am.
What are you doing? You're making more
than I am. A secretary
cannot make more than her boss.
Well apparently they can.
Elaine, in the Calvin Klein dress, is walking outside along the
sidewalk, snow along the curb and store fronts -- It's obvious
cold without a coat. She checks out her reflection in a florist's
window, then stops at the Love, Health & Beauty Aids store, where
reflection is more like a mirror in the alcove of the store.
Oh, this is insanity. I'm not this hippie.
(meaning her hips
are not that large)
(a man exits the store)
Hey, what do you think of this?
(with disbelief): You'll never pull
Barney's Department store, inside the dressing room area, a customer
knocks on the door where Kramer is waiting for Jerry.
Hey, what's going on in there?
(Jerry enters the women's clothing dept.)
(to the Barney's sales associate) Excuse
me, could you tell me
where I could find, like, women's moisturizer lotions?
(Female customer walks up to the Barney's sales associate that
just talking to)
This woman has been in there for over
(The Barney's sales associate walks into the dressing room area
to the dressing room door where Kramer is waiting for Jerry)
(Yeah) (through the door)
(Jerry hears Kramer and walks into the dressing room door)
Oh, Jerry, you got my clothes?
Didn't Elaine call you?
Well what are you doing here?
What am I doing here? You're in the
women's dressing room. I
need that ticket stub back so I can get my mother's fur coat
Oh, the stub, yeah. I left it in my,
Where are your pants?
Well, I sold them to Bania.
What? You sold your pants to Bania.
Let me in.
(Kramer opens the door, Jerry goes in the dressing room. Kramer
standing there in his white boxer shorts and no shirt)
Why'd you sell your pants to Bania?
ouhhh -- I had Uma Therman's number
written on that stub. I
lost Uma's number.
Where are your clothes?
I told you I sold them to Bania.
You mean what you were wearing?
How'd you expect to get out of here?
Well, I didn't think ahead.
(Elaine reenters the Barney's clothing dept., rubbing her arms
he is cold. The sales associate is also coming back from the
rooms. Elaine sees her, and quickly stands next to the register
and tries to act like she has been there for a while.)
This isn't going to work for me ...
so if you could show me
Ha! That's preposterous.
snow in the store.
(Elaine looks down and gathers the dress at the salt stain)
No. You can wrap it. (Dejected. Elaine
puts her head down and
her hand to her forehead as she walks into the dressing room
Kramer, are you still in there?
(Bania enters the dressing room area)
Elaine, where's Kramer?
I'm going out. (he comes out of the
dressing room, while Kramer
Kramer, I want my money back for this
suit. You're nancy-boy
cream leaked all over the pockets -- Suits ruined.
Well you're not getting any money back.
(Kramer opens the
door) Jerry, come back in here.
(to Bania) Excuse me. (he goes back
in the dressing room)
Uma's number is on that ticket.
Never mind Uma, I need that ticket to
get my mother's fur coat
back. Why don't you just give him the money for the suit?
I'm not going to give him $300 now for
a suit with moisturizer
cream all over it.
I got an idea.
I can't believe I'm gonna do this. (Jerry
opens the door and
exits the dressing room. He walks over to Bania)
Bania can I talk to you for a second?
How's everything going?
Yeah, well, see the thing of it is,
I'm in a bit of an awkward
position here. Because, uhh, I don't want to get in between you
guys but ... I need a dry-cleaning ticket that's in the pocket
Well all you gotta do is tell Kramer
to give me my money back,
and you'll get your ticket.
Yeah, yeah all right, well uh ... tell
you what I will do Bania
-- you give me the ticket, and uh, I will take you out for a
Can we go back to Mendy's?
You want to go to Mendy's, I'll take
you to Mendy's.
Twice? I wanna go twice.
all right let's be reasonable, Bania.
I'm taking you out for a
nice dinner. All I want is a little ticket in that pocket. I
it's a pretty good deal.
. . . All right (gritting teeth) Just
give me the ticket.
Here you go.
Ohh ... (takes the ticket and heads
for the dressing room)
Exterior of yankee Stadium (Louisville Slugger) then to George
Steinbrenner's office. George Costanza stands pleading his case.
But Mr. Steinbrenner, how can I be expected
to perform my job
properly, knowing that my uh, subordinate is making more money
am? With all due respect sir, it's outta whack.
Uh huh, I understand what you're saying
George and I know
what it's like to be financially strapped. When I was a young
Cleveland I use to hitchhike to work. One time I got picked up
bakery truck. You think that stuff smells good? Try being cooped
the back of one of those babies.
(George starts to back away from the desk)
I couldn't look at a donut for the next
two years. Well
not that I was ever one for the sweets.
(George turning around, nodding and making hand gestures, walking
towards the door, his hand gestures get progressively wider eventually
to full arms extended upwards)
Sure I like a cup cake every now and
then, like everybody
else. You know I like it when they have a little cream on the
it's a surprise. That's good, plus the chocolate ones are good
Sometimes I just can't even make up my mind. A lot of times I'll
the two together, make a vanilla fudge.
Jerry stands outside the Barney's dressing room door that Kramer
waiting in. Jerry quickly knocks on the door.
Let me in, it's me. (Kramer opens the
door, Jerry goes in the
dressing room) Here. You don't know what this is costing me.
Kramer the ticket)
(closes the door) All right, nice work.
(he looks at the ticket,
flips it over, and then over again) Where's Uma's number? The
moisturizer smudged out the phone number.
(Takes the ticket back and looks at
it, flips it over) The
dry-cleaning numbers are gone too.
(grabs the ticket back and holds it
up to the light) It must
have been the botanical extracts.
(grabs the ticket back) Give me that.
(Jerry Opens the door and walks into the clothing dept., while
walking towards the exit of the clothing dept.)
Hey Bania, the dinners off. The ticket's
no good. The numbers
are all smudged out. (holds out the ticket and hands it to Bania)
(looking at the ticket then quickly
looks up at Jerry) You trying
to get out of Mendy's? you can't do that.
The ticket is worthless.
You promised me.
(Jerry makes a smudged up face -- he knows he cannot get out
deal. Bania turns and walks quickly out of the clothing department.
Jerry sees a woman from the back walking into the dressing room
She has a fur coat on and is carrying a few items over her arm
Hey, Isn't that my mother's fur coat?
(Elaine stands at the register counter, now she wears her own
The Calvin Klein dress rests across the counter -- she watches
follows the woman into the dressing room area. Jerry stands in
the door where she went into, listens for a half second and then
the door open, as she has not had an opportunity to latch it
yet -- It
is Donna, the dry-cleaners wife -- she is stunned, startled and
No it's not. (the coat)
It is! (Jerry walks forcefully into
the dressing room and closes
the door) Give me that back.
No, what are you talking about.
(The camera pans down to the bottom of the dressing room door,
you see is Jerry and Donna's scuffling feet and lower legs, as
takes the coat from her.)
Are you out of your mind? Don't you
... take your hands ...
You can't have that coat, it's not yours.
(Donna opens the door -- the camera pans back up to eye level
walks out, kind of indignant. She places her long purse strap
What do you think the dry-cleaner's
is your own personal closet!
(Donna walks over to where Elaine is still standing at the register
CONTINUITY ERROR -- AS SHE WALKS UP TO ELAINE, DONNA IS NOW
her long purse strap in her right hand only, then switches it
left hand and puts the strap over her left shoulder. The purse
below her left hip. She just had placed the long purse strap
SHOULDER AS SHE LEFT THE DRESSING ROOM AREA WALKING AWAY FROM
Donna, do you think you can get the
salt stain out of this?
(Holding the bottom of the Calvin Klein dress out)
Let me see. (Looking at the stain) Piece
of cake. Bring it
in. (Holding the dress up by the hanger) What size is it?
(Tilts her head down, looking over her
glasses in amazement of
The camera fades from the previous scene to the winter sidewalk
L-R Kramer, Elaine and Jerry walk silently in the cold. Above
heads in the background is a sign that reads “KalSigns” -- I
this is an homage to Jerry's (real life) father that owned a
Kramer is wearing Jerry's mother's fur coat. It is obviously
for his large frame -- the arms are way too short. The coat comes
to his mid thigh. He has no pants on. He wears shoes and white
He looks ridiculous, uncomfortable and cold.
Elaine is wearing a long winter overcoat, carrying her Calvin
dress in a garment bag over her left arm. Jerry has both hands
pockets of his winter jacket he is wearing a scarf that he had
earlier in the store.
Kramer looks around as he walks along. He tries to button or
the coat to the best of his ability, but nothing changes. As
ends, the fur coat opens slightly at the bottom and you can see
white boxer shorts (actually they look like jockey shorts, but
he had on boxers in the dressing room)
The camera fades from the previous scene to an exterior shot
Restaurant at dusk, then inside to Bania and Jerry dining at
Mmm. This soup is great.
Yeah, it's very good. (reluctantly)
I told you Mendy's had the best pea
soup. The best Jerry, the
best. Are you enjoying it?
Yeah. I'm having a wonderful time. (it's
obvious he isn't)
Wait till you try the swordfish. You
know Jerry, I was
thinking. For our next meal, do you think we should come here
should we go someplace else? You know it has it's pros and cons.
one hand, here, you're guaranteed a great meal. On the other
(Interrupting Bania) Yeah, yeah I know.
This would be good, but
it would be the same. But if we go some place else, it would
different, but it might not be as good. It's a gamble. I get
Yeah. Well, let's hurry up and eat I
gotta get out of here. I'm
meeting a woman for a drink.
Oh, and who might that be?
Some woman named Uma. I got her number
off of that ticket before
it was smudged. Hope she's good-looking. (crosses his fingers
If you are a waitress and you ever see
me in a restaurant, I'm
telling you right now, I don't want to hear about the specials.
want to know about the specials. I'm sick of the specials. I
specials. My feeling is, if the specials were so special, they'd
the menu. You know what's special about them? They don't know
anybody likes them. They always have these overly creative descriptions
of the specials too, you know. The veil is lightly slapped, and
then sequestered in a one-bedroom suite with a white wine intravenous.